tag:blogger.com,1999:blog-25324336960967103762024-03-14T19:55:17.890+02:00Persian culture and literature فرهنگ و ادب ایرانیآرشام Arsham Аршамhttp://www.blogger.com/profile/10782513231420931769noreply@blogger.comBlogger320125tag:blogger.com,1999:blog-2532433696096710376.post-26302103758562761242017-05-18T11:18:00.000+03:002017-05-19T10:19:22.742+03:00به نامِ من | Be nâme man | In the name of me | Во имя меня<div dir="rtl" style="text-align: right;" trbidi="on">
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<span style="background-color: white; font-size: large;"><b><span style="color: #333333; font-family: "times" , "times new roman" , serif;"><span style="line-height: 16.9px;">نامِ ترانه: </span><span style="line-height: 16.8906px;">به نامِ من</span></span></b></span></div>
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<span style="background-color: white; font-size: large;"><b><span style="color: #333333; font-family: "times" , "times new roman" , serif;"><span style="line-height: 16.9px;">آوازه خوان: </span></span>داریوش</b></span></div>
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<span style="background-color: white; font-size: large;"><b><span style="font-family: "times" , "times new roman" , serif; line-height: 16.9px;">آهنگساز: </span><span style="color: #333333; font-family: "times" , "times new roman" , serif;"><span style="line-height: 16.9px;">علیرضا افکاری</span></span></b></span></div>
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<span style="background-color: white; font-size: large;"><b><span style="color: #333333; font-family: "times" , "times new roman" , serif;"><span style="line-height: 16.9px;">تنظیمِ آهنگ: علیرضا افکاری</span></span></b></span></div>
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<span style="background-color: white; font-size: large;"><b><span style="color: #333333; font-family: "times" , "times new roman" , serif;"><span style="line-height: 16.9px;">ترانه سرا: </span></span><span style="color: #333333; font-family: "times" , "times new roman" , serif;"><span style="line-height: 16.9px;">آرش حیدری</span></span></b></span></div>
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<span style="background-color: white; font-size: large;"><b><span style="color: #333333; font-family: "verdana" , "arial" , sans-serif;"><span style="line-height: 16.9px;">تایپِ متن و ویرایش: </span></span><span style="font-family: "times" , "times new roman" , serif; line-height: 16.9px;">امیر علی ربیعی</span></b></span><br />
<span style="background-color: white; font-size: large;"><b><span style="font-family: "times" , "times new roman" , serif; line-height: 150%;"><br /></span></b></span></div>
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<a name='more'></a><span style="background-color: white; font-size: large;"><b><span style="font-family: "times" , "times new roman" , serif; line-height: 150%;"><br /></span></b></span></div>
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<span style="background-color: white;"><span style="font-family: "times" , "times new roman" , serif; font-size: x-large;">ببین تمامِ من شدی، اوجِ صدای من شدی، </span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: x-large;">بُتِ منی، شکستمت، وقتی خدای من شدی. </span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: x-large;"><br /></span>
<span style="font-family: "times" , "times new roman" , serif; font-size: x-large;">ببین به یک نگاهِ تو تمامِ من خراب شد، </span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: x-large;">چه کردی با سرابِ من که قطره قطره آب شد؟ </span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: x-large;"><br /></span>
<span style="font-family: "times" , "times new roman" , serif; font-size: x-large;">به ماه بوسه می زنم، به کوه تکیه می کنم، </span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: x-large;">به من نگاه کن ببین به عشق تو چه می کنم؟! </span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: x-large;"><br /></span>
<span style="font-family: "times" , "times new roman" , serif; font-size: x-large;">به ماه بوسه می زنم، به کوه تکیه می کنم، </span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: x-large;">به من نگاه کن ببین به عشق تو چه می کنم؟! </span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: x-large;"><br /></span>
<span style="font-family: "times" , "times new roman" , serif; font-size: x-large;">منو به دستِ من بُکُش، به نامِ من گناه کن، </span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: x-large;">اگر من اشتباهتم همیشه اشتباه کن. </span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: x-large;"><br /></span>
<span style="font-family: "times" , "times new roman" , serif; font-size: x-large;">نگو به من گناهِ تو به پای من حساب نیست، </span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: x-large;">که از تو آرزوی من به جز همین عذاب نیست. </span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: x-large;"><br /></span>
<span style="font-family: "times" , "times new roman" , serif; font-size: x-large;">هنوز می پرستمت، هنوز ماهِ من تویی، </span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: x-large;">هنوز مؤمنم ببین تنها گناهِ من تویی. </span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: x-large;"><br /></span>
<span style="font-family: "times" , "times new roman" , serif; font-size: x-large;">به ماه بوسه می زنم به کوه تکیه می کنم، </span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: x-large;">به من نگاه کن ببین به عشقِ تو چه می کنم؟! </span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: x-large;"><br /></span>
<span style="font-family: "times" , "times new roman" , serif; font-size: x-large;">به ماه بوسه می زنم به کوه تکیه می کنم، </span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: x-large;">به من نگاه کن ببین به عشقِ تو چه می کنم؟!</span></span><br />
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<b style="font-family: times, "times new roman", serif;"><span style="font-size: large;">Nâme tarâne: Be nâme man</span></b><br />
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<b style="font-family: times, "times new roman", serif;"><span style="font-size: large;">Âvâze xân: Dâryuš</span></b><br />
<b style="font-family: times, "times new roman", serif;"><span style="font-size: large;">Âhangsâz: Alirezâ Afkâri</span></b><br />
<b style="font-family: times, "times new roman", serif;"><span style="font-size: large;">Tanzime âhang: Alirezâ Afkâri</span></b><br />
<b style="font-family: times, "times new roman", serif;"><span style="font-size: large;">Tarânesorâ: Âraš Heydari</span></b><br />
<b style="font-family: times, "times new roman", serif;"><span style="font-size: large;">Tâype matn va virâyeš: Amir Ali Rabii</span></b><br />
<b style="font-family: times, "times new roman", serif; font-size: x-large;"><br /></b><span style="font-family: "times" , "times new roman" , serif; font-size: large;">Bebin! tamâme man šodi, </span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Owje sedâye man šodi, </span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Bote mani šekastamet, </span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Vaqti xodâye man šodi.</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;"><br /></span>
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Bebin! Be yek negâhe to,</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Tamâme man xarâb šod,</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Ce kardi bâ sarâbe man,</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Ke qatre qatre âb šod?</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;"><br /></span>
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Be mâh buse mizanam,</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Be kuh tekye mikonam,</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Be man negâh kon bebin,</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Be ešqe to ce mikonam?!</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;"><br /></span>
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Be mâh buse mizanam,</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Be kuh tekye mikonam,</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Be man negâh kon bebin,</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Be ešqe to ce mikonam?!</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;"><br /></span>
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Mano be daste man bokoš,</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Be nâme man gonâh kon,</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Agar man eštebâhetam,</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Hamiše eštebâh kon.</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;"><br /></span>
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Nagu be man gonâhe to,</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Be pâye man hesâb nist,</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Ke az to ârezuye man,</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Be joz hamin azâb nist.</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;"><br /></span>
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Hanuz miparastamet,</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Hanuz mâhe man toi,</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Hanuz mo’menam bebin,</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Tanhâ gonâhe man toi.</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;"><br /></span>
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Be mâh buse mizanam,</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Be kuh tekye mikonam,</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Be man negâh kon bebin,</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Be ešqe to ce mikonam?!</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;"><br /></span>
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Be mâh buse mizanam,</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Be kuh tekye mikonam,</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Be man negâh kon bebin,</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Be ešqe to ce mikonam?!</span></div>
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<span style="font-family: "times" , "times new roman" , serif; font-size: large;"><span style="font-family: "times" , "times new roman" , serif; font-size: large;"><br /></span></span>
<b style="font-family: times, "times new roman", serif;"><span style="font-size: large;">Song's name: In the name of me</span></b><br />
<b style="font-family: times, "times new roman", serif;"><span style="font-size: large;">Singer: Dariush</span></b><br />
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<b style="font-family: times, "times new roman", serif;"><span style="font-size: large;">Compositor: Alireza Afkari</span></b><br />
<b style="font-family: times, "times new roman", serif;"><span style="font-size: large;">Lyrics: Arash Heydari</span></b><br />
<b style="font-family: times, "times new roman", serif;"><span style="font-size: large;">Text typing and editing: Amir Ali Rabiei </span></b><br />
<b style="font-family: times, "times new roman", serif;"><span style="font-size: large;">Translation from Persian: ?</span></b><br />
<b style="font-family: times, "times new roman", serif;"><span style="font-size: large;"><br /></span></b>
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;">See! You've become my everything,</span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;">You've become the peak of my voice.</span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;">You're my idol, I broke you,</span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;">When you became my goddess.</span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span>
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;">See! With one look of you,</span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;">I ruined completely.</span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;">What did you do with my mirage?</span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;">That faded away drop by drop.</span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span>
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;">I kiss the moon,</span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;">I lean against the mountain.</span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;">Look at me and see,</span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;">What do I do for your love?</span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span>
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;">I kiss the moon,</span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;">I lean against the mountain.</span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;">Look at me and see,</span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;">What do I do for your love?</span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span>
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;">Kill me by myself,</span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;">Do the sin on behalf of me.</span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;">If I'm your mistake,</span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;">Always make a mistake.</span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span>
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;">Don't tell me that your sin,</span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;">Won't count for me.</span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;">Cause my only desire from you,</span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;">Is nothing but this torture.</span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span>
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;">I still adore you,</span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;">Still you're my moon.</span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;">I'm still a believer see that,</span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;">You are my sin.</span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;"><br /></span></span>
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;">I kiss the moon,</span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;">I lean against the mountain.</span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;">Look at me and see,</span></span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">What do I do for your love?</span><br />
<b style="font-family: times, "times new roman", serif;"><span style="font-size: large;"><br /></span></b>
<b style="font-family: times, "times new roman", serif;"><span style="font-size: large;"><br /></span></b>
<b style="font-family: times, "times new roman", serif;"><span style="font-size: large;">Название песни: Во имя меня</span></b><br />
<b style="font-family: times, "times new roman", serif;"><span style="font-size: large;">Певиц: Дарьюш</span></b><br />
<b style="font-family: times, "times new roman", serif;"><span style="font-size: large;">Композитор: Алиреза Афкари</span></b><br />
<b style="font-family: times, "times new roman", serif;"><span style="font-size: large;">Лирика: Араш Хейдари</span></b><br />
<b style="font-family: times, "times new roman", serif;"><span style="font-size: large;">Перевод с персидского языка: Рабии А.А.</span></b><br />
<b style="font-family: times, "times new roman", serif;"><span style="font-size: large;">Набор и р</span></b><b style="font-family: times, "times new roman", serif;"><span style="font-size: large;">едактирование</span></b><b style="font-family: times, "times new roman", serif;"><span style="font-size: large;"> текста: Дзюба О.В.</span></b><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;"></span><br />
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<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Посмотри : ты стала для меня всем,</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Ты стала голоса моего вершиной.</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Ты - мой идол, которого я разбил,</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Когда ты стала моей богиней.</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;"><br /></span>
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Посмотри : под одним твоим взглядом</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Я полностью опустошился.</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Что ты сделала с моим миражем,</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Что он распорошился? </span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;"><br /></span>
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Я целую луну,</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Прислоняюсь к горе.</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Посмотри: что я делаю ради</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Твоей любви и любви к тебе?!</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Рукой моей</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Меня убей!</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;"><br /></span>
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Если грешишь – то греши от меня.</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Если я твоя ошибка – ошибайся всегда!</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;"><br /></span>
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">И не говори мне, что грех твой</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Не засчитается как мой.</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Потому что кроме этой пытки</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Я желаю от тебя тебя иной.</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;"><br /></span>
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Я все еще восхищаюсь тобой,</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Ты все еще являешься моей луной.</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;"><br /></span>
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">Я все еще верующий, посмотри.</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;">А ты – мой грех единственный. Воодушеви!</span><br />
<span style="font-family: "times" , "times new roman" , serif; font-size: large;"><br /></span>
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<span style="font-family: "times" , "times new roman" , serif; font-size: large;"><i>For downloading this song, first you need to install Telegram messenger.</i></span><br />
<i><span style="font-family: "times" , "times new roman" , serif; font-size: large;"><br /></span></i>
<i><span style="font-family: "times" , "times new roman" , serif; font-size: large;">Для загрузки этой песни, сначала вам нужно установить Telegram мессенджер.</span></i></div>
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<a href="https://t.me/badpachannel/576" target="_blank"><span style="font-family: "times" , "times new roman" , serif; font-size: large;">بارگیری | B</span><span style="font-family: "times" , "times new roman" , serif; font-size: large; text-align: left;">ârgiri | Download | </span><span style="text-align: left;"><span style="font-family: "times" , "times new roman" , serif; font-size: large;">Скачать</span></span></a></div>
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<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: large;"><br /><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/FOQIcgOewKY" width="560"></iframe></span></span>
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<div class="blogger-post-footer">Persian Culture and Literature, Farhango Adabe Irâni, Персидская Культура и Литература, فرهنگ و ادب ایرانی</div>آرشام Arsham Аршамhttp://www.blogger.com/profile/10782513231420931769noreply@blogger.com0tag:blogger.com,1999:blog-2532433696096710376.post-16669273324666054392017-05-07T22:53:00.000+03:002017-05-07T22:56:04.083+03:00همه با هم پیش Hame bâ ham piš
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<div class="blogger-post-footer">Persian Culture and Literature, Farhango Adabe Irâni, Персидская Культура и Литература, فرهنگ و ادب ایرانی</div>آرشام Arsham Аршамhttp://www.blogger.com/profile/10782513231420931769noreply@blogger.com0tag:blogger.com,1999:blog-2532433696096710376.post-6002722588376831752016-10-17T04:57:00.004+03:002017-05-07T22:58:31.485+03:00زیبایی ای ایران Zibâi ey Irân<div dir="rtl" style="text-align: right;" trbidi="on">
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<span style="font-family: "times" , "times new roman" , serif; font-size: large; line-height: 24px; text-align: left;"><b>نام ترانه: زیبایی ای ایران</b></span></div>
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<span style="font-family: "times" , "times new roman" , serif; font-size: large; line-height: 24px; text-align: left;"><b>آوازه خوان: -</b></span></div>
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<span style="font-family: "times" , "times new roman" , serif; font-size: large; line-height: 24px; text-align: left;"><b>آهنگساز: - </b></span></div>
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<span style="font-family: "times" , "times new roman" , serif; font-size: large; line-height: 24px; text-align: left;"><b>تنظیم آهنگ: -</b></span></div>
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<span style="font-family: "times" , "times new roman" , serif; font-size: large; line-height: 24px; text-align: left;"><b>ترانه سرا: -</b></span></div>
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<span style="font-family: "times" , "times new roman" , serif; font-size: large; line-height: 24px; text-align: left;"><b>ویراستار: -</b></span></div>
<span style="background-color: white; color: #333333; font-size: medium; line-height: 24px; text-align: left;"><b><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></b></span>
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<span style="font-family: "times" , "times new roman" , serif; font-size: x-large;"><span style="line-height: 32.4px;">زیبا زیبا زیبایی ای ایران </span></span></div>
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<span style="font-family: "times" , "times new roman" , serif; font-size: x-large;"><span style="line-height: 32.4px;">میهن خوب مایی ای ایران </span></span></div>
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<span style="font-family: "times" , "times new roman" , serif; font-size: x-large;"><span style="line-height: 32.4px;">هم کوه و جنگل داری هم دریا </span></span></div>
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<span style="font-family: "times" , "times new roman" , serif; font-size: x-large;"><span style="line-height: 32.4px;">هم باغ وبستان داری هم صحرا </span></span></div>
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<span style="font-family: "times" , "times new roman" , serif; font-size: x-large;"><span style="line-height: 32.4px;">من یک دنیا خاکت را دوست دارم </span></span></div>
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<span style="font-family: "times" , "times new roman" , serif; font-size: x-large;"><span style="line-height: 32.4px;">من این خاک پاکت رادوست دارم </span></span></div>
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<span style="font-family: "times" , "times new roman" , serif; font-size: x-large;"><span style="line-height: 32.4px;">هر جای تو قشنگ است سرتا سر </span></span></div>
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<span style="font-family: "times" , "times new roman" , serif; font-size: x-large;"><span style="line-height: 32.4px;">تو مهربان با مایی چون مادر </span></span></div>
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<span style="background-color: white; line-height: 24px; text-align: left;"><span style="color: #333333; font-family: "times" , "times new roman" , serif; font-size: x-large;"><b><br /></b></span></span>
<span style="background-color: white; line-height: 24px; text-align: left;"><span style="color: #333333; font-family: "times" , "times new roman" , serif; font-size: x-large;"><b><br /></b></span></span>
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<span style="font-family: "times" , "times new roman" , serif; font-size: large;"><b><span style="line-height: 24px;">Nâme tarâne: - </span></b></span></div>
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<span style="font-size: large;"><span style="font-family: "times" , "times new roman" , serif; line-height: 24px;"><b>Âvâze xân: -</b></span></span></div>
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<span style="font-size: large;"><span style="font-family: "times" , "times new roman" , serif; line-height: 24px;"><b>Âhangsâz: -</b></span></span></div>
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<span style="font-size: large;"><span style="font-family: "times" , "times new roman" , serif; line-height: 24px;"><b>Tanzime âhang: -</b></span></span></div>
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<span style="font-size: large;"><span style="font-family: "times" , "times new roman" , serif; line-height: 24px;"><b>Tarâne sorâ: -</b></span></span></div>
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<span style="font-size: large;"><span style="font-family: "times" , "times new roman" , serif; line-height: 24px;"><b>Tâype matn: </b></span></span><span style="font-family: "times" , "times new roman" , serif; font-size: large;"><b><span style="line-height: 24px;">Âr</span></b></span><b style="font-family: times, "times new roman", serif; font-size: x-large;"><span style="line-height: 24px;">š</span></b><b style="font-family: times, "times new roman", serif; font-size: x-large; line-height: 24px;">â</b><span style="font-family: "times" , "times new roman" , serif; font-size: large;"><b><span style="line-height: 24px;">m Âriy</span></b></span><b style="font-family: times, "times new roman", serif; font-size: x-large; line-height: 24px;">â</b><span style="font-family: "times" , "times new roman" , serif; font-size: large;"><span style="line-height: 24px;"><b>mane</b></span></span><b style="font-family: times, "times new roman", serif; font-size: x-large;"><span style="line-height: 24px;">š</span></b></div>
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<span style="font-family: "times" , "times new roman" , serif; font-size: large; line-height: 32.4px;">Zibâ zibâ zibâi ey Irân </span></div>
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<span style="font-family: "times" , "times new roman" , serif; font-size: large; line-height: 32.4px;">Mihane xube mâi ey </span></div>
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<span style="font-family: "times" , "times new roman" , serif; font-size: large; line-height: 32.4px;">Irân Ham kuho jangal dâri ham daryâ </span></div>
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<span style="font-family: "times" , "times new roman" , serif; font-size: large; line-height: 32.4px;">Ham bâqo bostân dâri ham sahrâ </span></div>
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<span style="font-family: "times" , "times new roman" , serif; font-size: large; line-height: 32.4px;">Man yek donyâ xâkat râ dust dâram </span></div>
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<span style="font-family: "times" , "times new roman" , serif; font-size: large; line-height: 32.4px;">Man in xâke pâkat râ dust dâram </span></div>
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<span style="font-family: "times" , "times new roman" , serif; font-size: large; line-height: 32.4px;">Har jâye to qašang ast sar tâ sar </span></div>
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<span style="font-family: "times" , "times new roman" , serif; font-size: large; line-height: 32.4px;">To mehrabân bâ mâi conmâdar</span></div>
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<div class="blogger-post-footer">Persian Culture and Literature, Farhango Adabe Irâni, Персидская Культура и Литература, فرهنگ و ادب ایرانی</div>آرشام Arsham Аршамhttp://www.blogger.com/profile/10782513231420931769noreply@blogger.com0tag:blogger.com,1999:blog-2532433696096710376.post-64302432564439623422014-02-09T11:49:00.000+02:002014-02-09T21:14:25.160+02:00شب عشق | Šabe ešq | The night of love | Ночь любвы<div dir="rtl" style="text-align: right;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3JKWmpO4bhjrMLf_PxPhysFylwRX4DcloWEZJkOOHInzHF4Yq7zs-qMIa0muW_7PdCFGEVmyAyZZoCPG__2Alv6cl0IoC0XEt9jdHRbM76_TXfhmci9FEtwOXeT-C_SQyohbtHLoLQSNT/s1600/Shabe+eshq.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3JKWmpO4bhjrMLf_PxPhysFylwRX4DcloWEZJkOOHInzHF4Yq7zs-qMIa0muW_7PdCFGEVmyAyZZoCPG__2Alv6cl0IoC0XEt9jdHRbM76_TXfhmci9FEtwOXeT-C_SQyohbtHLoLQSNT/s1600/Shabe+eshq.jpg" /></a></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 24px; text-align: left;"><b>نام ترانه: شب عشق</b></span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 24px; text-align: left;"><b>آوازه خوان: هایده</b></span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 24px; text-align: left;"><b>آهنگساز: صادق نوجوکی</b></span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 24px; text-align: left;"><b>تنظیم آهنگ: صادق نوجوکی</b></span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 24px; text-align: left;"><b>ترانه سرا: لیلا کسری</b></span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 24px; text-align: left;"><b>ویراستار: آرشام آریامنش</b></span><br />
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<a name='more'></a><span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">(ابی)</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">حالا لالای لالای لالالای لای (۴)</span></span><br />
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<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">(ابی)</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">حالا لالای لالای لالالای لای (۴)</span></span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: x-large; line-height: 32.400001525878906px;"><br /></span>
<span style="font-family: Times, 'Times New Roman', serif; font-size: x-large; line-height: 32.400001525878906px;">(هایده)</span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: x-large; line-height: 32.400001525878906px;">یه امشب شب عشقه همین امشبو داریم</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">چرا قصه</span></span><span style="font-family: Times, 'Times New Roman', serif; font-size: x-large; line-height: 32.400001525878906px;">ی</span><span style="font-family: Times, 'Times New Roman', serif; font-size: x-large; line-height: 32.400001525878906px;"> دردو واسه</span><span style="font-family: Times, 'Times New Roman', serif; font-size: x-large; line-height: 32.400001525878906px;">ی</span><span style="font-family: Times, 'Times New Roman', serif; font-size: x-large; line-height: 32.400001525878906px;"> فردا نذاریم؟</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">یه امشب شب عشقه همین امشبو داریم</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">چرا قصه</span></span><span style="font-family: Times, 'Times New Roman', serif; font-size: x-large; line-height: 32.400001525878906px;">ی</span><span style="font-family: Times, 'Times New Roman', serif; font-size: x-large; line-height: 32.400001525878906px;"> دردو واسه</span><span style="font-family: Times, 'Times New Roman', serif; font-size: x-large; line-height: 32.400001525878906px;">ی</span><span style="font-family: Times, 'Times New Roman', serif; font-size: x-large; line-height: 32.400001525878906px;"> فردا نذاریم؟</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;"><br /></span></span>
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">عزیزان همه با هم بخونیم</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">که امشب شب عشقه که امشب شب عشقه</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">بخندیم و بخونیم بدونیم</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">که امشب شب عشقه که امشب شب عشقه</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;"><br /></span></span>
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">(ابی)</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">نمی دم دل به این درد دنیا</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">تموم غصه ها مال فردا</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;"><br /></span></span>
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">(هایده)</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">کیه اهل جهنم که خونش تو بهشته؟</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">کی می دونه که تقدیر تو فرداش چی نوشته؟</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">یه درمونده</span></span><span style="font-family: Times, 'Times New Roman', serif; font-size: x-large; line-height: 32.400001525878906px;">ی</span><span style="font-family: Times, 'Times New Roman', serif; font-size: x-large; line-height: 32.400001525878906px;"> امروز واسش فرقی نداره</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">که فردا سر راهش زمونه چی میزاره</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;"><br /></span></span>
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">عزیزان همه با هم بخونیم</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">که امشب شب عشقه، که امشب شب عشقه</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;"><br /></span></span>
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">(ابی)</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">نمی دم دل به این درد دنیا</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">تموم غصه ها مال فردا</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;"><br /></span></span>
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">(هایده)</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">زمونه رنگوارنگه، شبو روزش یکی نیست</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">خوشی دووم نداره غمش همیشگی نیست</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">اگه فردا برامون پر از صلح و صفا بود</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">چه خوب بود که تو دنیا یه فردا مال ما بود</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;"><br /></span></span>
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">عزیزان همه با هم بخونیم</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">که امشب شب عشقه، که امشب شب عشقه</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">بخندیم و بخونیم بدونیم</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">که امشب شب عشقه که امشب شب عشقه</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;"><br /></span></span>
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">(ابی)</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">نمی دم دل به این درد دنیا</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">تموم غصه ها مال فردا</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;"><br /></span></span>
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">(هایده)</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">زمونه رنگوارنگه شبو روزش یکی نیست</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">خوشی دووم نداره غمش همیشگی نیست</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">اگه فردا برامون پر از صلح و صفا بود</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">چه خوب بود که تو دنیا یه فردا مال ما بود</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;"><br /></span></span>
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">عزیزان همه با هم بخونیم</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">که امشب شب عشقه، که امشب شب عشقه</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">بخندیم و بخونیم بدونیم</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;">که امشب شب عشقه که امشب شب عشقه</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;"><br /></span></span>
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<div dir="ltr" style="text-align: left;">
<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b><span style="line-height: 100%;">Nâme tarâne: </span><span style="line-height: 24px;">Š</span><span style="line-height: 100%;">abe e</span><span style="line-height: 24px;">š</span><span style="line-height: 100%;">q</span></b></span><br />
<span style="font-size: large;"><span style="font-family: Times, Times New Roman, serif; line-height: 100%;"><b>Âvâze xân: H</b></span><b><span style="font-family: Times, 'Times New Roman', serif; line-height: 24px;">â</span><span style="font-family: Times, Times New Roman, serif; line-height: 100%;">yede</span></b></span><br />
<span style="font-size: large;"><span style="font-family: Times, Times New Roman, serif; line-height: 100%;"><b>Âhangsâz: S</b></span><b style="font-family: Times, 'Times New Roman', serif; line-height: 24px;">â</b><span style="font-family: Times, Times New Roman, serif; line-height: 100%;"><b>deq Nowjuki</b></span></span><br />
<span style="font-size: large;"><span style="font-family: Times, Times New Roman, serif; line-height: 100%;"><b>Tanzime âhang: S</b></span><b style="font-family: Times, 'Times New Roman', serif; line-height: 24px;">â</b><span style="font-family: Times, Times New Roman, serif; line-height: 100%;"><b>deq Nowjuki</b></span></span><br />
<span style="font-size: large;"><span style="font-family: Times, Times New Roman, serif; line-height: 100%;"><b>Tarâne sorâ: </b></span><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 24px;"><b>Leyl</b></span></span><b style="font-family: Times, 'Times New Roman', serif; line-height: 24px;">â</b><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 24px;"><b> Kasr</b></span></span><b style="font-family: Times, 'Times New Roman', serif; line-height: 24px;">â</b></span><br />
<span style="font-size: large;"><span style="font-family: Times, Times New Roman, serif; line-height: 100%;"><b>Tâype matn: </b></span><span style="font-family: Times, Times New Roman, serif;"><b><span style="line-height: 24px;">Âr</span></b></span><b style="font-family: Times, 'Times New Roman', serif;"><span style="line-height: 24px;">š</span></b><b style="font-family: Times, 'Times New Roman', serif; line-height: 24px;">â</b><span style="font-family: Times, Times New Roman, serif;"><b><span style="line-height: 24px;">m Âriy</span></b></span><b style="font-family: Times, 'Times New Roman', serif; line-height: 24px;">â</b><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 24px;"><b>mane</b></span></span><b style="font-family: Times, 'Times New Roman', serif;"><span style="line-height: 24px;">š</span></b></span><br />
<span style="font-size: large;"><span style="font-family: Times, Times New Roman, serif; line-height: 100%;"><b>Virâstâr: </b></span><span style="font-family: Times, Times New Roman, serif;"><b><span style="line-height: 24px;">Âr</span></b></span><b style="font-family: Times, 'Times New Roman', serif;"><span style="line-height: 24px;">š</span></b><b style="font-family: Times, 'Times New Roman', serif; line-height: 24px;">â</b><span style="font-family: Times, Times New Roman, serif;"><b><span style="line-height: 24px;">m Âriy</span></b></span><b style="font-family: Times, 'Times New Roman', serif; line-height: 24px;">â</b><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 24px;"><b>mane</b></span></span><b style="font-family: Times, 'Times New Roman', serif;"><span style="line-height: 24px;">š</span></b></span><br />
<br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;"><br /></span>
<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Название песни: Ночь любвы</b></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Певеца: Хайедэ</b></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Композитор: Садэг Ноуджуки</b></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Набор текста: Светлана</b></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Редактор: Светлана</b></span><br />
<b style="font-family: Times, 'Times New Roman', serif;"><span style="font-size: large;">Перевод с персидского языка: Аршам Арияманеш</span></b><br />
<br />
<div style="text-align: justify;">
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">(Эби) </span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">Хала лалай лалай лалалай лай (4)</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;"><br /></span>
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">(Эби) </span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">Хала лалай лалай лалалай лай (4) </span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;"><br /></span>
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">(Хаедэ) </span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">Только эта ночь, ночь любви, и у нас только эта ночь.</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">Почему не оставить историю о боли на завтра?</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 32.400001525878906px;">Только эта ночь, ночь любви, и у нас только эта ночь.</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 32.400001525878906px;">Почему не оставить историю о боли на завтра?</span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 135%;"><br /></span>
<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 135%;">Дорогие, давайте вместе споем </span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">О том, что эта ночь, ночь любви, что эта ночь, ночь любви.</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">Смеемся и поем и знаем, </span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">Что эта ночь, ночь любви, что эта ночь, ночь любви. </span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;"><br /></span>
<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32.400001525878906px;">(Эби) </span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">Я не даю свое сердце, боли мира </span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">Все печали пусть будут завтра (потом). </span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;"><br /></span>
<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32.400001525878906px;">(Хаедэ) </span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">Кто из ада разве может жить в раю? </span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">Кто знает, что написала судьба для его завтра? </span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">Потерянному человеку все равно, </span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">Что судьба на его пути завтра преподнесет.</span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32.400001525878906px;"><br /></span>
<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32.400001525878906px;">Дорогие, давайте вместе споем </span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 32.400001525878906px;">О том, что эта ночь, ночь любви, что эта ночь, ночь любви.</span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32.400001525878906px;"><br /></span>
<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32.400001525878906px;">(Эби) </span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 32.400001525878906px;">Я не даю свое сердце, боли мира </span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 32.400001525878906px;">Все печали пусть будут завтра (потом).</span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32.400001525878906px;"><br /></span>
<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32.400001525878906px;">(Хаедэ)</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">Жизнь разноцветная (разнообразна), е</span><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 135%;">е ночь и день не одинаковы,</span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 135%;">Радость у нее не постоянна и ее печаль не на всегда.</span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 135%;">Было бы здорово если бы завтра, </span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 135%;">Дня нас было наполнено миром и радостью.</span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32.400001525878906px;"><br /></span>
<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32.400001525878906px;">Дорогие, давайте вместе споем </span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 32.400001525878906px;">О том, что эта ночь, ночь любви, что эта ночь, ночь любви.</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 32.400001525878906px;">Смеемся и поем и знаем, </span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 32.400001525878906px;">Что эта ночь, ночь любви, что эта ночь, ночь любви.</span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32.400001525878906px;"><br /></span>
<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32.400001525878906px;">(Эби) </span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 32.400001525878906px;">Я не даю свое сердце, боли мира </span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 32.400001525878906px;">Все печали пусть будут завтра (потом).</span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32.400001525878906px;"><br /></span>
<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32.400001525878906px;">(Хаедэ)</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 32.400001525878906px;">Жизнь разноцветная (разнообразна), е</span><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32.400001525878906px;">е ночь и день не одинаковы,</span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32.400001525878906px;">Радость у нее не постоянна и ее печаль не на всегда.</span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32.400001525878906px;">Было бы здорово если бы завтра, </span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32.400001525878906px;">Дня нас было наполнено миром и радостью.</span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32.400001525878906px;"><br /></span>
<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32.400001525878906px;">Дорогие, давайте вместе споем </span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 32.400001525878906px;">О том, что эта ночь, ночь любви, что эта ночь, ночь любви.</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 32.400001525878906px;">Смеемся и поем и знаем, </span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 32.400001525878906px;">Что эта ночь, ночь любви, что эта ночь, ночь любви.</span><br />
<br /></div>
<span style="font-family: Times, Times New Roman, serif;"><iframe allowfullscreen="" frameborder="0" height="306" src="//www.youtube.com/embed/2zZgy4E6DFs?rel=0" width="544"></iframe></span>
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<span style="font-family: Times, Times New Roman, serif;">See also</span><br />
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<span style="font-family: Times, Times New Roman, serif;">Starlight Feat SHIMA Shabe Eshgh Remix</span><br />
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<div class="blogger-post-footer">Persian Culture and Literature, Farhango Adabe Irâni, Персидская Культура и Литература, فرهنگ و ادب ایرانی</div>آرشام Arsham Аршамhttp://www.blogger.com/profile/10782513231420931769noreply@blogger.com0tag:blogger.com,1999:blog-2532433696096710376.post-45262087793433383012014-01-28T21:26:00.000+02:002014-02-09T11:46:28.488+02:00 کافه ترانزیت Cafe Transit<div dir="rtl" style="text-align: right;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfq-xxaAOiQFGohILdrH8RF1K8Upjxewvu6TCuMMHKsvMC-eLSpKWm2dfksPsiONEzljWuPvnxicfQzjKUv772rJQqOUJIDnLKPMmFUzt0QWvQD3soaiOHpf8u_K9iDj8bFg8iQEWAIddw/s1600/Kafe+Tranzit.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfq-xxaAOiQFGohILdrH8RF1K8Upjxewvu6TCuMMHKsvMC-eLSpKWm2dfksPsiONEzljWuPvnxicfQzjKUv772rJQqOUJIDnLKPMmFUzt0QWvQD3soaiOHpf8u_K9iDj8bFg8iQEWAIddw/s1600/Kafe+Tranzit.jpg" /></a></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">کافه ترانزیت، فیلمی ایرانی با کارگردانی کامبوزیا پرتوی است. این فیلم در سال ۱۳۸۳ در کشورهای ایران و فرانسه به طور مشترک ساخته شده است. در کافه ترانزیت بازیگرانی چون پرویز پرستویی بازی کرده اند. این فیلم در عین حال نماینده</span><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32.400001525878906px;">ی</span><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 135%;"> ایران برای جوایز اسکار در سال ۲۰۰۷ نیز بود. فیلم در مورد زنی (ریحان) است که شوهر خود را به تازگی از دست داده است. شوهر وی برای او فقط قهوه خانه ای در کنار جاده در نزدیکی ماکو به ارث گذاشته است. این زن تلاش می کند تا استقلال خود را حفظ کند ولی برادر شوهر (ناصر) در جلوی پای این زن سنگ انداخته، تا ریحان را مجبور کند که با وی ازدواج کند و...</span><br />
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<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 135%;">این فیلم یکی از اندک نمونه های فیلم های ایرانی است که به زن برادرستانی پرداخته است.</span><br />
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<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 135%;">در جشنواره</span><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32.400001525878906px;">ی</span><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 135%;"> فیلم فجر این فیلم موفق به دریافت سیمرغ بلورین برای بهترین فیلم نامه و بهترین بازیگر زن شد. همچنین در جشنواره های داکا و مار دل پلاتا به عنوان بهترین فیلم دست پیدا کرد.</span><br />
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<span style="line-height: 32.400001525878906px;"><span style="font-family: inherit;">برگرفته از: www.fa.wikipedia.org</span></span><br />
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<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32.400001525878906px;"><a href="http://forum.iranproud.com/download-movie-iranian-movies-transite-cafe-c8-f182" target="_blank">بارگیری Download</a></span></span></div>
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<div class="blogger-post-footer">Persian Culture and Literature, Farhango Adabe Irâni, Персидская Культура и Литература, فرهنگ و ادب ایرانی</div>آرشام Arsham Аршамhttp://www.blogger.com/profile/10782513231420931769noreply@blogger.com0tag:blogger.com,1999:blog-2532433696096710376.post-66872920325097520182014-01-26T20:54:00.003+02:002014-01-26T22:20:15.203+02:00گردشگران آلمانی: فاصله ایرانیها با حکومت دینمحور<div dir="rtl" style="text-align: right;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2jnP8qtr56PtFtmYukMoVBBGxxfFTOMe20Z1zkckBnM8Gmg18OisewxRQCqYVn6BiIJgqoYKV_-YyEjeD-HK7E15LGDhwsQPpVyGAIBPHyK1ZHDxJXDdUuZITxXp20jx9YT7PD3C0odaB/s1600/Gardeshgari.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2jnP8qtr56PtFtmYukMoVBBGxxfFTOMe20Z1zkckBnM8Gmg18OisewxRQCqYVn6BiIJgqoYKV_-YyEjeD-HK7E15LGDhwsQPpVyGAIBPHyK1ZHDxJXDdUuZITxXp20jx9YT7PD3C0odaB/s1600/Gardeshgari.jpg" /></a></div>
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<span style="font-size: large; line-height: 135%;">شرکت در مراسمی فرهنگی- هنری و آشنایی با فرهنگ و ادبیات ایران، اعضای آکادمی پروتستان شهر توتسینگ آلمان را مشتاق سفر به ایران کرد. آنها در این سفر با چهره</span><span style="font-size: large; line-height: 32.400001525878906px;">ی</span><span style="font-size: large; line-height: 135%;"> دیگری از ایران آشنا شدند که با تصویر رسانه های غرب متفاوت بود. سفردرزندگی مردم آلمان جایگاه ویژه ای دارد. این سفردوستی، درافراد مختلف با سنین متفاوت به چشم می خورد. آلمانی ها با انگیزه های متفاوتی به سفر می روند. ماجراجویی، طبیعت گردی و گذراندن تعطیلات در کنار دریا از مهمترین این انگیزه ها است. نمونه</span><span style="font-size: large; line-height: 32.400001525878906px;">ی</span><span style="font-size: large; line-height: 135%;"> دیگری از این سفرها برای آشنایی با فرهنگ و آداب و رسوم کشورهای مختلف انجام می شود.</span><br />
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<span style="font-size: x-large; line-height: 135%;"><b>ایران مقصدی برای سفرهای فرهنگی</b></span><br />
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<span style="font-size: large; line-height: 135%;">ایران با تاریخ کهن خود، از دیرباز مقصدی برای مسافران آلمانی بوده است. آلمانی زبان ها از سده ۱۶ میلادی درمراوده با ایران هستند. در شعر وادبیات آلمانی نیز می توان نشانه های این ارتباط فرهنگی را مشاهده کرد. دیوان غربی- شرقی گوته از بارزترین نمونه های این مراوده هاست. مسافرت آلمانی ها به ایران که اغلب به صورت گروهی انجام می شود، بوسیله</span><span style="font-size: large; line-height: 32.400001525878906px;">ی</span><span style="font-size: large; line-height: 135%;"> بنگاه های گردش گری آلمانی و ایرانی هماهنگ و اجرا می شود. کتاب های گردشگری نوشته شده در مورد ایران، اطلاعات بسیاری را قبل از سفر در اختیار مسافران قرار می دهند.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7UyMw9lZFOYjcbFwt25NyklwLAySFOAZiE3CIJgO3_8X3KlVnLMFh8mgq8-rzCxIgAvq-738HPTh2Kk0GdmW0YN-1NYvf4QPM1inVPfJzKq1DU6vqNOyVjXuGzVv-OzSKo0DhdhBaSinE/s1600/2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7UyMw9lZFOYjcbFwt25NyklwLAySFOAZiE3CIJgO3_8X3KlVnLMFh8mgq8-rzCxIgAvq-738HPTh2Kk0GdmW0YN-1NYvf4QPM1inVPfJzKq1DU6vqNOyVjXuGzVv-OzSKo0DhdhBaSinE/s1600/2.jpg" height="180" width="320" /></a></div>
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 135%;"><b>تجربه</b></span><b style="line-height: 21.600000381469727px;">ی</b><b style="line-height: 135%;"> یک سفر به ایران</b></span><br />
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<span style="font-size: large; line-height: 135%;">یک گروه از آلمانی های شهر توتسینگ آلمان چندی پیش با انگیزه ای متفاوت به ایران سفر کردند. آن ها پس از شرکت در یک برنامه فرهنگی ایرانی - آلمانی چنان به فرهنگ و ادبیات ایران علاقه مند شدند که تصمیم به سفر گروهی گرفتند. در این برنامه که دسامبر سال ۲۰۱۲ در شهر توتسینگ آلمان برگزار شد، آلمانی ها با شعر فارسی و به ویژه حافظ آشنا شدند. معرفی شاعرهای معاصر چون فروغ فرخزاد و اسماعیل خویی بخشی دیگر از برنامه ها بود. در این برنامه</span><span style="font-size: large; line-height: 32.400001525878906px;">ی</span><span style="font-size: large; line-height: 135%;"> فرهنگی علاوه بر این، بخش موسیقی نیز باعث علاقه زیاد به ادبیات ایران شد. در بخش موسیقی، قسمت هایی از دیوان غربی- شرقی گوته، توسط "بورکهارد فون پوت کامر" خواننده</span><span style="font-size: large; line-height: 32.400001525878906px;">ی</span><span style="font-size: large; line-height: 135%;"> اپرا اجرا شد. وی ترکیبی از اپرا و موسیقی سنتی ایران ارائه داد. نمونه ای از این ترکیب، همخوانی سرود "ای الهه</span><span style="font-size: large; line-height: 32.400001525878906px;">ی</span><span style="font-size: large; line-height: 135%;"> ناز" توسط گروه کر آکادمی بود . در پایان این برنامه</span><span style="font-size: large; line-height: 32.400001525878906px;">ی</span><span style="font-size: large; line-height: 135%;"> جمعی ازشرکت کنندگان علاقه خود را برای مسافرت به ایران ابراز داشتند. </span><br />
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<span style="font-size: x-large; line-height: 135%;"><b>چرا سفر به ایران؟</b></span><br />
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<span style="font-size: large; line-height: 135%;">دکترماتس از افراد گروهی که به ایران سفر کرده است می گوید: «همیشه می دانستم که ایرانی ها کشور و مردم آلمان را دوست دارند. این مطلب را از همکلاسی ایرانی خود دردوران مدرسه شنیده بودم». خانم دکتر کونیگ اولین آشنایی خود را با ایران، با خواندن دیوان غربی- شرقی گوته بدست آورده است. او می گوید: «تصویر زیبایی که از ایران و ادبیات فارسی بواسطه این اثر گوته در ذهن من ترسیم شد، سبب شد برای آشنایی هر چه بیشتر با فرهنگ این کشور به ایران سفر کنم». وضعیت کنونی ایران نیز برای بسیاری از افراد دلیلی برای مسافرت به آنجا محسوب می شود. آقای پروفسور کونیگ می گوید: «با توجه به انزوایی که برای ایران و مردمانش در سطح جهانی بوجود آمده است، تصمیم گرفتم که به این کشور سفر کنم و با مردمان آن آشنا شوم».</span><br />
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<span style="font-size: x-large; line-height: 135%;"><b>نگرانی اطرافیان از سفر به ایران</b></span><br />
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<span style="font-size: large; line-height: 135%;">خانم ۴۰ ساله ای که جوان ترین عضو این گروه بود از شک دوستان خود در آستانه سفر می گوید. آن ها می پرسیدند: «مگر ایران هم کشوری است که بتوان در آن تعطیلات را گذراند؟ اصلا مگر این کشور امنیت دارد؟» بعضی ها هم می گفتند: «من هرگزبه چنین کشوری مسافرت نمی کنم. چون که نمی خواهم به این واسطه رژیمی را که حقوق مدنی و آزادی های مردمش را سلب می کند تقویت کنم».</span><br />
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<span style="font-size: x-large; line-height: 135%;"><b>برجسته ترین ویژگی ایران و ایرانیان</b></span><br />
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<span style="font-size: large; line-height: 135%;">دیدن بنا های تاریخی که قدمت آن ها به هزاران سال پیش می رسد، برای خانم دکتر کونیگ بسیار جالب توجه بوده است. به نظر وی این قدمت به عنوان پشتوانه فرهنگی مردم ایران سرمایه ای ست بی نظیر. مهمان نوازی بی مانند ایرانی ها موردی است که در ذهن آقای دکتر ماتس باقی مانده است: «در طول سفر افراد به سوی ما می آمدند، بعضی با کلمات دست و پا شکسته</span><span style="font-size: large; line-height: 32.400001525878906px;">ی</span><span style="font-size: large; line-height: 135%;"> انگلیسی و آلمانی به ما خوش آمد می گفتند، ما را در آغوش می گرفتند وعکس یادگاری می گرفتند. جوانان ما را کنار خود می نشانند تا با آن ها قلیان بکشیم. در کل آن ها نسبت به ما آلمانی ها بسیار مهمان نوازتر و مردم دارتربودند». موردی دیگر که آقای ماتس هنوز به آن فکر می کند، خوراک های ایرانی و بره کباب هایی است که اودر طول سفر خورده است. مهمترین ویژگی ایرانی ها از دید پروفسور کونیگ عدم تعصب آن هاست. او از دیدارهای خود با مردم می گوید: «مردم با رویی باز به سوی ما می آمدند. در نگاهشان صمیمیت موج می زد. این علاقه مندی ایرانی ها که از بی تعصب بودن آن ها نسبت به افراد غریبه نشان داشت، برای من بسیار دلچسب بود. اما گاهی اوقات دیدن این همه صمیمیت از سوی مردم برایم خجالت آور بود، چرا که ما آلمانی ها نسبت به مهمانان خارجی چنین رفتاری نداریم.»</span><br />
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<span style="font-size: x-large; line-height: 135%;"><b>تفاوت مردم ایران با نظام حاکم</b></span><br />
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<span style="font-size: large; line-height: 135%;">مسافرین با توجه به دریافت های شخصی خود از سفر، به گونه</span><span style="font-size: large; line-height: 32.400001525878906px;">ی</span><span style="font-size: large; line-height: 135%;"> دیگری در مورد ایران و مردمانش صحبت می کنند. پروفسور کونیگ می گوید: «آنچه ما از رسانه ها دریافت می کنیم بیشتر جنبه</span><span style="font-size: large; line-height: 32.400001525878906px;">ی</span><span style="font-size: large; line-height: 135%;"> سیاسی دارد. اما دیدار با مردم ایران وجه دیگری را برای ما روشن ساخت. رسانه های مختلف در غرب اروپا، در مورد اسلام و اسلام گرایی تصویری ترسناک برای ما ترسیم کرده اند. اما دیدار با مردم ایران در یک کشور مسلمان با تجربیات دیگری همراه بود. با توجه به دیدارها و گفت وگوها با مردم ایران و جوانان، می توان به اعتقاد و باور آنان پی برد. آن ها نشان می دادند که اعتقاد آنان با صلح طلبی همراه است. در گفتارهایشان پیاپی سعی در نشان دادن انسان دوستی و رواداری خود داشتند که ریشه در اعتقاد و فرهنگ آن ها دارد. این رفتار برای شخص من نوعی فاصله گرفتن مردم از نظام دین محور ایران را نشان می داد». </span><br />
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<span style="font-size: x-large; line-height: 135%;"><b>جوانان ایرانی از دید آلمانی ها</b></span><br />
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<span style="font-size: large; line-height: 135%;">حضور چشم گیرجوانان در مکان های مختلف ایران برای آلمانی ها بسیار قابل توجه است. آنان از سرزندگی و فرهنگ دوستی این جوانان، با وجود تمام محدودیت هایی که از طرف حکومت اعمال می شود، شگفت زده بودند. آقای فون پوت کامر که در سال ۲۰۱۱ کنسرتی در شیراز برگزار کرده است، برداشت خود از جوانان را این گونه بیان می کند: « کنسرت من در شیراز تلفیقی از دوره های مختلف موسیقی غربی بود. نکته</span><span style="font-size: large; line-height: 32.400001525878906px;">ی</span><span style="font-size: large; line-height: 135%;"> قابل توجه در این میان، حضور جوانان مشتاق بود که جمعیت آن ها به سالن کنسرت حال و هوای دیگری می بخشید. تمرکز جوانان و تفاسیر آن ها از سرودها ی اجرایی بسیار جالب بود. آن ها با رغبت بسیار به این سرودهای قرن ۱۹ میلادی گوش می دادند و با روی باز پذیرای فرهنگ و هنرغربی بودند.» فون پوت کامر می افزاید: «مورد دیگر قابل مشاهده و تحسین برانگیز در میان آن ها، احترامی بود که به مشاهیر فرهنگی خود مثل حافظ می گذاشتند. حضور این جوانان، چه دختر و چه پسر، در آرامگاه حافظ برای من بسیار جذاب بود. این مطلب از ذوق و گرایش جوانان به موسیقی و ادبیات کشورشان نشان داشت. شبیه این رفتار را به ندرت می توان در بین جوانان آلمانی مشاهده کرد».</span><br />
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<span style="line-height: 135%;"><b><span style="font-size: x-large;">سفری دوباره به ایران، آری یا نه؟</span></b></span><br />
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<span style="font-size: large; line-height: 135%;">تمامی شرکت کنندگان در سفر ذکر شده مشتاق سفری مجدد به ایران هستند. آن ها می خواهند در مدت این سفر نقاطی از شمال، غرب و شرق ایران را ببینند. آن ها می گویند که مایل اند در سفر بعدی با اقوام مختلف و ویژگی های طبیعی مناطق مختلف ایران آشنا شوند و همچنین از آرامگاه های شاعرانی چون فردوسی و خیام دیدن کنند.</span><br />
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<span style="font-family: inherit;"><span style="line-height: 135%;">برگرفته از: www.</span><span style="line-height: 32.400001525878906px;">dw.de/persian</span></span></div>
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<div class="blogger-post-footer">Persian Culture and Literature, Farhango Adabe Irâni, Персидская Культура и Литература, فرهنگ و ادب ایرانی</div>آرشام Arsham Аршамhttp://www.blogger.com/profile/10782513231420931769noreply@blogger.com0tag:blogger.com,1999:blog-2532433696096710376.post-33837081181620114292014-01-25T20:56:00.001+02:002014-01-26T12:50:36.123+02:00رنگ | Rang | The color | Цвет<div dir="rtl" style="text-align: right;" trbidi="on">
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>نام ترانه: رنگ</b></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>آوازه خوان: سینا حجازی</b></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>آهنگساز: -</b></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>تنظیم آهنگ: -</b></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>ترانه سرا: -</b></span><br />
<b><span style="font-family: Times, Times New Roman, serif; font-size: large;">ویراستار: آرشام آریامنش</span></b><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>فرستنده: سوتلانا</b></span><br />
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<span style="font-size: x-large; line-height: 100%;">من همینم که می بینی</span></div>
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<span style="font-size: x-large; line-height: 100%;">نه قندم نه شیرینی</span></div>
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<span style="font-size: x-large; line-height: 100%;">حالت رو بد می کنم</span></div>
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<span style="font-size: x-large; line-height: 100%;">می تونی کنارم نشینی</span></div>
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<span style="font-size: x-large; line-height: 100%;">اصلا خزم، خیلم، خرابم</span></div>
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<span style="font-size: x-large; line-height: 100%;">یه لا</span><span style="font-size: x-large; line-height: 32px;">ا</span><span style="font-size: x-large; line-height: 100%;">بالی ام</span></div>
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<span style="font-size: x-large; line-height: 100%;">اصلا شما ته حالی و بنده باقالی ام</span></div>
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<span style="font-size: x-large; line-height: 100%;">یه عمرِ همین بودم</span></div>
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<span style="font-size: x-large; line-height: 100%;">نخواه که تغییر کنم</span></div>
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<span style="font-size: x-large; line-height: 100%;">نخوام که افکارت</span></div>
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<span style="font-size: x-large; line-height: 100%;">به تیپم زنجیر کنم</span></div>
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<span style="font-size: x-large; line-height: 100%;"><br /></span>
<span style="font-size: x-large; line-height: 100%;">من همینم که می بینی</span></div>
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<span style="font-size: x-large; line-height: 100%;">راضی می کنه تورو؟</span></div>
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<span style="font-size: x-large; line-height: 100%;">راضیت نمی کنه</span></div>
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<span style="font-size: x-large; line-height: 100%;">هیس، هیچی نگو </span><span style="font-size: x-large; line-height: 100%;">برو</span><br />
<span style="font-size: x-large; line-height: 100%;">وزّه نشو تو سرم</span></div>
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<span style="font-size: x-large; line-height: 100%;">من همینه باورم</span></div>
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<span style="font-size: x-large; line-height: 100%;">نخواه که آدمم کنی</span></div>
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<span style="font-size: x-large; line-height: 100%;">من یه عمر همین خرم</span></div>
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<span style="font-size: x-large; line-height: 100%;"><br /></span>
<span style="font-size: x-large; line-height: 100%;">اصلا سرتا پا عیبم</span></div>
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<span style="font-size: x-large; line-height: 100%;">پر از بدی هام</span></div>
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<span style="font-size: x-large; line-height: 100%;">اگه با دلم راه بیای</span></div>
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<span style="font-size: x-large;"><span style="line-height: 100%;">با دلت راه میام (</span><span style="line-height: 32px;">۲</span><span style="line-height: 100%;">)</span></span></div>
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<span style="font-size: x-large; line-height: 100%;">ببین هر کی تو دنیا یه رنگیه</span></div>
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<span style="font-size: x-large; line-height: 100%;">من هم رنگِ خودمم</span></div>
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<span style="font-size: x-large; line-height: 100%;">به غیر از رنگِ خودم</span></div>
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<span style="font-size: x-large; line-height: 100%;">به دنیام رنگی نمی زنم</span></div>
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<span style="font-size: x-large; line-height: 100%;">بذار ما رنگِ خودمونو باشیم</span></div>
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<span style="font-size: x-large; line-height: 100%;">تا دنیا رنگی شه</span></div>
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<span style="font-size: x-large; line-height: 100%;">دور و برمون پر رنگای خوب</span></div>
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<span style="font-size: x-large; line-height: 100%;">پر از قشنگی شه</span></div>
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<span style="font-size: x-large; line-height: 100%;">اگه تو رنگ اون شی</span></div>
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<span style="font-size: x-large; line-height: 100%;">من رنگِ تو</span></div>
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<span style="font-size: x-large; line-height: 100%;">همه هم رنگ می شیم</span></div>
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<span style="font-size: x-large; line-height: 100%;">دیگه کسی رنگ خودش نیست</span></div>
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<span style="font-size: x-large; line-height: 100%;">همه استادِ رنگ زدن می شیم</span></div>
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<span style="font-size: x-large; line-height: 100%;"><br /></span>
<span style="font-size: x-large; line-height: 100%;">پس گیر نده به من وزّه نشو</span></div>
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<span style="font-size: x-large; line-height: 100%;">بذار خودم باشم</span><br />
<span style="font-size: x-large; line-height: 100%;">مهم نیست، مهم نیست، مهم نیست</span><br />
<span style="font-size: x-large; line-height: 100%;">مهم نیست </span><span style="font-size: x-large; line-height: 100%;">رنگِ من امسال مد سال باشه</span></div>
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<span style="font-size: x-large; line-height: 100%;">مهم اینه که هر چی هست</span></div>
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<span style="font-size: x-large; line-height: 100%;">یه کم باحال باشه</span></div>
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<span style="font-size: x-large; line-height: 100%;">من خسته ام از این همه هم رنگیا و دورویی ها</span><br />
<span style="font-size: x-large; line-height: 100%;">تو بدونی ای کاش رنگ به رنگ بودیم و پر از یکدلی (</span><span style="font-size: x-large; line-height: 32px;">۲</span><span style="font-size: x-large; line-height: 100%;">)</span></div>
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<b style="font-family: Times, 'Times New Roman', serif; text-align: left;"><span style="font-size: large;">Nâme tarâne: Rang</span></b></div>
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<b style="text-align: left;"><span style="font-family: Times, Times New Roman, serif; font-size: large;">Âvâze xân: Sinâ Hejâzi</span></b></div>
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<b style="font-family: Times, 'Times New Roman', serif; text-align: left;"><span style="font-size: large;">Âhangsâz: -</span></b></div>
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<b style="font-family: Times, 'Times New Roman', serif; text-align: left;"><span style="font-size: large;">Tanzime âhang: -</span></b></div>
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<b style="font-family: Times, 'Times New Roman', serif; text-align: left;"><span style="font-size: large;">Tarâne sorâ: -</span></b></div>
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<span style="font-size: large;"><b style="font-family: Times, 'Times New Roman', serif; text-align: left;">Tâype matn: Ar</b><span style="text-align: right;"><span style="font-family: Times, Times New Roman, serif;"><b>š</b></span></span><b style="font-family: Times, 'Times New Roman', serif;">â</b><span style="text-align: right;"><span style="font-family: Times, Times New Roman, serif;"><b>m Ariy</b></span></span><b style="font-family: Times, 'Times New Roman', serif;">â</b><span style="text-align: right;"><span style="font-family: Times, Times New Roman, serif;"><b>mane</b></span></span><b style="font-family: Times, 'Times New Roman', serif; text-align: right;">š</b></span></div>
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<span style="font-size: large;"><b style="font-family: Times, 'Times New Roman', serif; text-align: left;">Virâstâr: </b><b style="font-family: Times, 'Times New Roman', serif;">Ar</b><span style="font-family: Times, Times New Roman, serif; text-align: right;"><b>š</b></span><b style="font-family: Times, 'Times New Roman', serif;">â</b><span style="font-family: Times, Times New Roman, serif; text-align: right;"><b>m Ariy</b></span><b style="font-family: Times, 'Times New Roman', serif;">â</b><span style="font-family: Times, Times New Roman, serif; text-align: right;"><b>mane</b></span><b style="font-family: Times, 'Times New Roman', serif; text-align: right;">š</b></span></div>
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<span style="font-size: large;"><b style="font-family: Times, 'Times New Roman', serif; text-align: left;">Ferestande: Sevetl</b><b style="font-family: Times, 'Times New Roman', serif;">â</b><b style="font-family: Times, 'Times New Roman', serif; text-align: left;">n</b><b style="font-family: Times, 'Times New Roman', serif;">â</b></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Название песни: Цвет</b></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Певец: Сина Хэджази</b></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Композитор: -</b></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Набор текста: -</b></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Редактор: -</b></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Отправитель: Светлана</b></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Перевод с персидского языка: -</b></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b><br /></b></span>
<span style="font-family: Times, Times New Roman, serif; font-size: large;">Я такой какой ты видишь</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">Не сахар и не сладость</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">Если я порчю твое настроение</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">можешь не садиться рядом со мной</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">я не модный, </span><span style="font-family: Times, 'Times New Roman', serif; font-size: large;">законченый хулиган</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">я безпечный</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">Хорошо, вы молодец а я глупый</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">Всю жизнь я был таким</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">Ни проси, чтоб я изменился</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">Ни проси чтоб я твои мысли применял как свои</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;"><br /></span>
<span style="font-family: Times, Times New Roman, serif; font-size: large;">Я такой как есть</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">Тебе это нравится?</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">Не нравиться?</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">Тихо, ничего не говори, уходи</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">Не жужи в моей голове (Ни говори много)</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">Я так живу</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">Не надо делать из меня человека</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">Я всегда был таким ослом</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">Я с ног доголовы полон не достатков</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">Если ты поладишь с моим срдцем</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">Я полажу с твоим сердцем</span><br />
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<span style="font-family: Times, Times New Roman, serif; font-size: large;">Каждый в мире имеет свой цвет</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">Я тоже имею свой цвет</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">Кроме своего цвета</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">Свой мир в другой цвет не крашу</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">Пусть каждый из нас имеет свой цвет</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">Чтоб мир стал разноцветным</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">[После этого] вокруг нас будет много приятных красок</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">И много красоты</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">Если ты станешь его цветом</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">Я твоим цветом</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">То мы становимя одним цветом.</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">Больше никто не будет иметь свой цвет</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">Мы становимся мастерами однотонности</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">Все прекрати, не жужжи</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">Пусть я буду самим сабой</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">Неважно, неважно, неважно</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">Не важно будет ли мой цвет в этом году модным</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">Важно что он </span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">Немножко прикольный</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">Я устал от всех этих однотонных красок и лицемерия</span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;">Было бы хорошо есле бы мы били разноцветными и полны единодушия</span><br />
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<div class="blogger-post-footer">Persian Culture and Literature, Farhango Adabe Irâni, Персидская Культура и Литература, فرهنگ و ادب ایرانی</div>آرشام Arsham Аршамhttp://www.blogger.com/profile/10782513231420931769noreply@blogger.com0tag:blogger.com,1999:blog-2532433696096710376.post-90268097018558277132013-12-08T22:00:00.001+02:002013-12-08T22:23:56.749+02:00زبان پارسی با ملا نصرالدین Персидский язык с Муллой Насреддином<div dir="rtl" style="text-align: right;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgk0zWFdPfHUIZLZQ9RyHouIpJtsJhnltfmQwPZ_jDt3At5P43wCOoDtOVGKwOheVCyCdJ9cRk-Ug72hmw3bDS5xcyo0-tpE1fMEYCuFcDtqWMHYumA-j1xtLflTgY9gAetmFh6LuvLNUCM/s1600/Molla+Nasreddin.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgk0zWFdPfHUIZLZQ9RyHouIpJtsJhnltfmQwPZ_jDt3At5P43wCOoDtOVGKwOheVCyCdJ9cRk-Ug72hmw3bDS5xcyo0-tpE1fMEYCuFcDtqWMHYumA-j1xtLflTgY9gAetmFh6LuvLNUCM/s1600/Molla+Nasreddin.jpg" /></a></div>
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<b><span style="font-size: large;"><span style="line-height: 32px;">۹- </span></span><span style="font-size: large; line-height: 135%;">بيماری عجيب ملا نصرالدين</span></b><br />
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<span style="font-size: large;"><span style="line-height: 135%;">روزی <a href="http://www.arian7000.blogspot.com/2011/06/blog-post.html">ملا نصرالدين</a> با درد و ناراحتی پيش حکيم رفت و گفت׃ حکيم به دادم برس دارم از دست می روم. حکيم پرسيد׃ بگو ببينم کجايت درد می کند؟ ملا گفت׃ ريشم درد می کند. حکيم گفت׃ امروز غذا چه خوردی؟ <a href="http://www.arian7000.blogspot.com/2011/06/blog-post.html">ملا نصرالدين</a> گفت׃ نان و برف. حکيم گفت׃ بلند شو برو دنبال کارت که نه غذا خوردنت مثل آدمها است و نه مريض شدنت.</span></span><br />
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<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;"><b>9. Bimâri-ye ajib-e Mollâ Nasreddin</b> <i>Болезнь удивительная Муллы Насреддина</i></span></span></div>
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<span style="font-size: large;"><b><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">Ruz-i <a href="http://www.arian7000.blogspot.com/2011/06/blog-post.html">Moll</a></span></span><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;"><a href="http://www.arian7000.blogspot.com/2011/06/blog-post.html">â</a></span></span><span style="font-family: Times, 'Times New Roman', serif; line-height: 32px;"><a href="http://www.arian7000.blogspot.com/2011/06/blog-post.html"> Nasreddin</a> b</span><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">â</span></span><span style="font-family: Times, 'Times New Roman', serif; line-height: 32px;"> dard-o </span><span style="font-family: Times, 'Times New Roman', serif; line-height: 32px;">n</span><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">â</span></span><span style="font-family: Times, 'Times New Roman', serif; line-height: 32px;">r</span><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">â</span></span></b><span style="font-family: Times, 'Times New Roman', serif; line-height: 32px;"><b>hati piš-e hakim raft va goft </b><i>однажды <a href="http://www.arian7000.blogspot.com/2011/06/blog-post.html">Мулла Насреддин</a> с болью и недомоганием к лекарю пришел и сказал;</i> <i><b>n</b></i></span><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;"><b><i>â</i></b></span></span><i style="font-family: Times, 'Times New Roman', serif; line-height: 32px;"><b>r</b></i><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;"><b><i>â</i></b></span></span><i style="font-family: Times, 'Times New Roman', serif; line-height: 32px;"><b>hati</b></i><span style="font-family: Times, 'Times New Roman', serif; line-height: 32px;"> <i>— беспокойство, волнение/недомогание:</i></span></span></div>
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<b><span style="font-family: Times, 'Times New Roman', serif; line-height: 32px;"> “Hakim, be d</span><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">â</span></span><span style="font-family: Times, 'Times New Roman', serif; line-height: 32px;">d-am beras d</span><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">â</span></span></b><span style="font-family: Times, 'Times New Roman', serif; line-height: 32px;"><b>ram az dast miravam</b> <i>лекарь, помоги мне: «к крику /о помощи/ моему приди», погибаю: «из рук ухожу»; глагол “<b>d</b></i></span><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;"><b><i>â</i></b></span></span><i style="font-family: Times, 'Times New Roman', serif; line-height: 32px;"><b>ram</b>” в данном случае не переводится, а обозначает настоящее конкретное время.”</i></span></div>
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<b><span style="font-family: Times, 'Times New Roman', serif; line-height: 32px;"> Hakim porsid: “Begu bebinam, koj</span><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">â</span></span></b><span style="font-family: Times, 'Times New Roman', serif; line-height: 32px;"><b>-yat dard mikonad</b> <i>лекарь спросил: скажи-ка, что у тебя болит: «какое место твое боль делает»?”</i></span></span><br />
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<b><span style="font-family: Times, 'Times New Roman', serif; line-height: 32px;"> Moll</span><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">â</span></span></b><span style="font-family: Times, 'Times New Roman', serif; line-height: 32px;"><b> goft: “Riš-am dard mikonad</b> <i>Мулла сказал: борода моя болит.”</i></span></span><br />
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<b><span style="font-family: Times, 'Times New Roman', serif; line-height: 32px;"> Hakim goft: “Emruz qaz</span><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">â</span></span><span style="font-family: Times, 'Times New Roman', serif; line-height: 32px;"> c</span></b><span style="font-family: Times, 'Times New Roman', serif; line-height: 32px;"><b>e xordi</b> <i>лекарь сказал: сегодня еду какую ел?”</i></span></span><br />
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<b><a href="http://www.arian7000.blogspot.com/2011/06/blog-post.html"><span style="font-family: Times, 'Times New Roman', serif; line-height: 32px;"> Moll</span><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">â</span></span></a><span style="font-family: Times, 'Times New Roman', serif; line-height: 32px;"><a href="http://www.arian7000.blogspot.com/2011/06/blog-post.html"> Nasreddin</a> goft: “N</span><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">â</span></span></b><span style="font-family: Times, 'Times New Roman', serif; line-height: 32px;"><b>n-o barf</b> <i><a href="http://www.arian7000.blogspot.com/2011/06/blog-post.html">Мулла Насреддин</a> сказал: хлеб и снег.”</i></span></span><br />
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<b><span style="font-family: Times, 'Times New Roman', serif; line-height: 32px;"> Hakim goft: “Boland šow boro donb</span><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">â</span></span><span style="font-family: Times, 'Times New Roman', serif; line-height: 32px;">l-e k</span><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">â</span></span></b><span style="font-family: Times, 'Times New Roman', serif; line-height: 32px;"><b>r-at</b> <i>лекарь сказал: вставай, иди по своим делам: «вслед за делами своими»,</i></span></span><br />
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<b><span style="font-family: Times, 'Times New Roman', serif; line-height: 32px;">ke na qaz</span><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">â</span></span><span style="font-family: Times, 'Times New Roman', serif; line-height: 32px;"> xordan-at mesl-e </span><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">â</span></span><span style="font-family: Times, 'Times New Roman', serif; line-height: 32px;">damh</span><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">â</span></span></b><span style="font-family: Times, 'Times New Roman', serif; line-height: 32px;"><b> ast va na mariz šodan-at </b><i>так как ни пища твоя: «еды поедание» /такой/, как /у/ людей /не/ является, ни болезнь твоя: «больным становление»).”</i></span></span><br />
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<span style="line-height: 32px;"><span style="font-family: inherit;">Источник (с небольшим изменением): www.franklang.ru</span></span><br />
<span style="line-height: 32px;"><span style="font-family: inherit;">Адаптировала: Гюзель Самарина</span></span></div>
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<div class="blogger-post-footer">Persian Culture and Literature, Farhango Adabe Irâni, Персидская Культура и Литература, فرهنگ و ادب ایرانی</div>آرشام Arsham Аршамhttp://www.blogger.com/profile/10782513231420931769noreply@blogger.com0tag:blogger.com,1999:blog-2532433696096710376.post-88355370163370382332013-12-04T21:41:00.002+02:002013-12-04T22:16:36.975+02:00زبان پارسی با عمر خیّام Персидский язык с Омаром Хайямом<div dir="rtl" style="text-align: right;" trbidi="on">
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<span style="font-size: x-large;"><span style="line-height: 43.20000076293945px;">- ۴ -</span></span></div>
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<span style="font-size: x-large; line-height: 135%;">گر بر فلکم دست بودی چون يزدان،</span></div>
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<span style="font-size: x-large; line-height: 135%;">برداشتمی من اين فلک را ز ميان.</span></div>
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<span style="font-size: x-large; line-height: 135%;">از نو فلکی دگر چنان ساختمی</span><span style="font-size: x-large; line-height: 43.20000076293945px;">،</span></div>
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<span style="line-height: 43.20000076293945px; text-align: justify;"><span style="font-size: x-large;">که آ</span></span><span style="font-size: x-large; line-height: 135%;">زاده به کام دل رسيدی آسان.</span></div>
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<span style="font-size: large;"><span style="line-height: 135%;"><span style="font-family: Times, Times New Roman, serif;">Gar bar falakam dast bodi con yazd</span></span><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 21.600000381469727px;">â</span></span><span style="font-family: Times, 'Times New Roman', serif; line-height: 135%;">n,</span></span></div>
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<span style="font-size: large;"><span style="line-height: 135%;"><span style="font-family: Times, Times New Roman, serif;">Bard</span></span><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 21.600000381469727px;">â</span><span style="line-height: 32px;">š</span><span style="line-height: 135%;">tami man in falak r</span><span style="line-height: 32px;">â</span></span><span style="font-family: Times, 'Times New Roman', serif; line-height: 135%;"> ze miy</span><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">â</span></span><span style="font-family: Times, 'Times New Roman', serif; line-height: 135%;">n.</span></span></div>
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<span style="font-size: large;"><span style="line-height: 135%;"><span style="font-family: Times, Times New Roman, serif;">Az now falaki degar cen</span></span><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 21.600000381469727px;">â</span></span><span style="font-family: Times, 'Times New Roman', serif; line-height: 135%;">n s</span><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">â</span></span><span style="font-family: Times, 'Times New Roman', serif; line-height: 135%;">xtami,</span></span></div>
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<span style="font-size: large;"><span style="font-family: Times, 'Times New Roman', serif; line-height: 135%;">K</span><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">â</span></span><span style="font-family: Times, 'Times New Roman', serif; line-height: 135%;">z</span><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">â</span></span><span style="font-family: Times, 'Times New Roman', serif; line-height: 135%;">de be k</span><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">â</span></span><span style="font-family: Times, 'Times New Roman', serif; line-height: 135%;">me del residi </span><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">â</span></span><span style="font-family: Times, 'Times New Roman', serif; line-height: 135%;">s</span><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">â</span></span></span><span style="font-family: Times, 'Times New Roman', serif; line-height: 135%;"><span style="font-size: large;">n.</span></span><br />
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<i style="font-family: Times, 'Times New Roman', serif; line-height: 135%;"><span style="font-size: large;">Если бы я правил небесами, как Бог</span></i></div>
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<span style="line-height: 135%;"><span style="font-family: Times, Times New Roman, serif; font-size: large;"><i>Я уничтожил бы эти небеса</i></span></span></div>
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<span style="line-height: 135%;"><span style="font-family: Times, Times New Roman, serif; font-size: large;"><i>Я создал бы заново другое небо</i></span></span></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 135%;"><i>где благородный человек легко достигал бы желаемого</i></span><br />
<span style="font-size: large; line-height: 135%;"><span style="font-family: Times, Times New Roman, serif;"><br /></span></span><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32px;"><b>Gar bar falak-am</b> — <i>если на небесах я;</i></span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32px;"><b>dast bodi</b> — <i>рукою был бы;</i></span><br />
<b><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32px;">con yazd</span><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32px;">â</span></b><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32px;"><b>n</b> — <i>как Бог;</i></span><br />
<b><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32px;">Bard</span><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32px;">â</span></b><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32px;"><b>štami</b> — <i>вынул бы;</i></span><br />
<b><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32px;">man in falak r</span><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32px;">â</span></b><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32px;"> — <i>я эти небеса;</i></span><br />
<b><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32px;">ze miy</span><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32px;">â</span></b><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32px;"><b>n</b> — <i>из середины;</i></span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32px;"><b>Az now falak-i degar</b> — <i>заново, небо другое;</i></span><br />
<b><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32px;">cen</span><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32px;">â</span><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32px;">n s</span><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32px;">â</span></b><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32px;"><b>xtami</b> — <i>так построил бы я;</i></span><br />
<b><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32px;">K-</span><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32px;">â</span><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32px;">z</span><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32px;">â</span></b><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32px;"><b>de</b> — <i>чтобы благородный /о человеке/;</i></span><br />
<b><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32px;">be k</span><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32px;">â</span></b><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32px;"><b>m-e del</b> — <i>до желания сердца;</i></span><br />
<b><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32px;">residi </span><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32px;">â</span><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32px;">s</span><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32px;">â</span></b><span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32px;"><b>n</b> — <i>достигал бы легко;</i></span><br />
<span style="line-height: 32px;"><span style="font-family: inherit;"><br /></span></span>
<span style="line-height: 32px;"><span style="font-family: inherit;">Источник (с небольшим изменением): www.franklang.ru</span></span></div>
</div>
</div>
<div class="blogger-post-footer">Persian Culture and Literature, Farhango Adabe Irâni, Персидская Культура и Литература, فرهنگ و ادب ایرانی</div>آرشام Arsham Аршамhttp://www.blogger.com/profile/10782513231420931769noreply@blogger.com0tag:blogger.com,1999:blog-2532433696096710376.post-57172976967687153532013-11-13T21:51:00.000+02:002013-11-17T21:51:24.772+02:00Woman in love | Влюблённая женщина<div dir="rtl" style="text-align: right;" trbidi="on">
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<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;"><b>Song name: Woman in love</b></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;"><b>Singer: Barbra Streisand</b></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;"><b>Composers: Gibb brothers</b></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;"><b>Text typing: Lyricstranslate.com</b></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;"><b>Editor: - </b></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;"><b>Sender: Arsham</b></span><br />
<a name='more'></a><span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;"><b><br /></b></span>
<span style="font-family: Times, Times New Roman, serif; font-size: x-small; line-height: 32px;"><iframe allowfullscreen="" frameborder="0" height="306" src="//www.youtube.com/embed/HhSPKUZMMH0?rel=0" width="544"></iframe></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;"><span style="font-size: x-large;"><br /></span></span></span>
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Life is a moment in space </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">When the dream is gone </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">It's a lonelier place </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">I kiss the morning good-bye </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">But down inside you know </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">We never know why </span></span><br />
<span style="font-size: large;"><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;"><br /></span></span>
<span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">The road is narrow and long </span></span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">When eyes meet eyes </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">And the feeling is strong </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">I turn away from the wall </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">I stumble and fall </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">But I give you it all </span></span><br />
<span style="font-size: large;"><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;"><br /></span></span>
<span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">I am a woman in love </span></span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">And I'd do anything </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">To get you into my world </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">And hold you within </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">It's a right I defend </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Over and over again </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">What do I do? </span></span><br />
<span style="font-size: large;"><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;"><br /></span></span>
<span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">With you eternally mine </span></span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">In love there is </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">No measure of time </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">We planned it all at the start </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">That you and I </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Live in each others heart </span></span><br />
<span style="font-size: large;"><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;"><br /></span></span>
<span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">We may be oceans away </span></span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">You feel my love </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">I hear what you say </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">No truth is ever a lie </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">I stumble and fall </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">But I give you it all </span></span><br />
<span style="font-size: large;"><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;"><br /></span></span>
<span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">I am a woman in love </span></span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">And I'd do anything </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">To get you into my world </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">And hold you within </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">It's a right I defend </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Over and over again </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">What do I do? </span></span><br />
<span style="font-size: large;"><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;"><br /></span></span>
<span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">I am a woman in love </span></span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">And I'm talkin' to you </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">You know how you feel </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">What a woman can do </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">It's a right I defend </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Over and over again </span></span><br />
<span style="font-size: large;"><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;"><br /></span></span>
<span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">I am a woman in love </span></span></span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 32px;">And I'd do anything </span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">To get you into my world </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">And hold you within </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">It's a right I defend </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Over and over again </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">What do I do?</span></span><br />
<span style="font-size: large;"><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;"><br /></span></span>
<span style="font-family: Times, Times New Roman, serif; line-height: 32px;"><b>Название песни: </b></span><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;"><b>Влюблённая женщина</b></span></span></span><br />
<span style="font-size: large;"><span style="font-family: Times, Times New Roman, serif; line-height: 32px;"><b>Пе</b></span><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;"><b>вица</b></span></span><b style="font-family: Times, 'Times New Roman', serif; line-height: 32px;">: </b><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;"><b>Барбра Стрейзанд</b></span></span></span><br />
<span style="font-size: large;"><span style="font-family: Times, Times New Roman, serif; line-height: 32px;"><b>Композиторы: </b></span><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;"><b>Братья Гибб</b></span></span></span><br />
<span style="font-size: large;"><span style="font-family: Times, Times New Roman, serif; line-height: 32px;"><b>Набор текста: </b></span><b style="font-family: Times, 'Times New Roman', serif; line-height: 32px;">Lyricstranslate.com</b></span><br />
<span style="font-size: large;"><span style="font-family: Times, Times New Roman, serif; line-height: 32px;"><b>Редактор: </b></span><b style="font-family: Times, 'Times New Roman', serif; line-height: 32px;">Lyricstranslate.com</b></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 32px;"><b>Отправитель: Аршам</b></span><br />
<span style="font-size: large;"><span style="font-family: Times, Times New Roman, serif; line-height: 32px;"><b>Перевод с английского языка: </b></span><b style="font-family: Times, 'Times New Roman', serif; line-height: 32px;">Lyricstranslate.com</b></span><br />
<span style="font-size: large;"><b style="font-family: Times, 'Times New Roman', serif; line-height: 32px;"><br /></b>
<span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">Жизнь - это миг во Вселенной. </span></span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Когда мечта исчезает, </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">То она (и жизнь, и Вселенная) – место одиночества. </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Я целую утро, прощаясь, </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">(Касаюсь нежно утреннего «пока»,) </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Но, в глубине (…души) ты знаешь, </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Мы никогда не узнаем, «почему?». </span></span><br />
<span style="font-size: large;"><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;"><br /></span></span>
<span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">Дорога узкая и долгая, </span></span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Когда глаза встречают глаза…, </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">А чувства крепки… </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Я обхожу преграду, </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Я оступаюсь (ошибаюсь) и теряюсь (не знаю, что делать, терплю… неудачу), </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Но отдаю тебе всё (…что могу)… </span></span><br />
<span style="font-size: large;"><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;"><br /></span></span>
<span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">Я - влюбленная женщина, </span></span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">И я сделаю всё, что угодно, </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Чтобы взять тебя в свой мир, </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">И удержать тебя в (…его) пределах. </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Это право я защищаю (отстаиваю) </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Снова и снова. </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Что мне (…остаётся) делать? </span></span><br />
<span style="font-size: large;"><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;"><br /></span></span>
<span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">С тобой неизменно Я, </span></span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Влюбленная,- и </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Нет пределов времени. </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Мы решили с самого начала, </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Чтобы ты и я </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Жили в каждом из наших сердец. </span></span><br />
<span style="font-size: large;"><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;"><br /></span></span>
<span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">Мы, может быть, океанами разделены…, </span></span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Ты чувствуешь мою любовь, </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Я слышу, что ты говоришь… </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Нет, истина есть даже во лжи </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">(Есть доля правды и во лжи/Нет (не имеется) истины во лжи), </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Я оступаюсь и теряюсь, </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Но отдаю тебе всё, что могу… </span></span><br />
<span style="font-size: large;"><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;"><br /></span></span>
<span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">Я - влюбленная женщина, </span></span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">И я сделаю всё, что угодно, </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Чтобы взять тебя в свой мир, </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">И удержать тебя в его пределах. </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Это право я отстаиваю </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Снова и снова. </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Что мне остаётся делать? </span></span><br />
<span style="font-size: large;"><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;"><br /></span></span>
<span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">Я - влюбленная женщина, </span></span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">И я говорю тебе: </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">«Знаешь ли ты, как это чувствовать? </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">(На...) что женщина способна /(сделать)?» </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Это право, которое я защищаю (отстаиваю) </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Снова и снова. </span></span><br />
<span style="font-size: large;"><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;"><br /></span></span>
<span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">Я - влюбленная женщина, </span></span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">И я сделаю всё, что угодно, </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Чтобы взять тебя в свой мир, </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">И удержать тебя в его пределах. </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Это право я защищаю </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Снова и снова. </span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;">Что мне остаётся делать? </span></span><br />
<span style="font-size: large;"><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;"><br /></span></span>
<span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;"><b>Nâme tarâne: Zane </b></span></span><b style="font-family: Times, 'Times New Roman', serif; line-height: 32px;">â</b><span style="font-family: Times, Times New Roman, serif;"><b><span style="line-height: 32px;">šeq</span></b></span></span><br />
<span style="font-size: large;"><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;"><b>Âvâze xân: B</b></span></span><b style="font-family: Times, 'Times New Roman', serif; line-height: 32px;">ârb</b><b style="font-family: Times, 'Times New Roman', serif; line-height: 32px;">âr</b><b style="font-family: Times, 'Times New Roman', serif; line-height: 32px;">â Streysand</b></span><br />
<span style="font-size: large;"><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;"><b>Âhangsâz</b></span></span><b style="font-family: Times, 'Times New Roman', serif; line-height: 32px;">ân</b><b style="font-family: Times, 'Times New Roman', serif; line-height: 32px;">: Bar</b><b style="font-family: Times, 'Times New Roman', serif; line-height: 32px;">âdar</b><b style="font-family: Times, 'Times New Roman', serif; line-height: 32px;">âne Gibb</b></span><br />
<b style="font-family: Times, 'Times New Roman', serif; line-height: 32px;"><span style="font-size: large;">Tâype matn: </span></b><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="font-size: large; line-height: 32px;"><b>Virâstâr: -</b></span></span><br />
<span style="font-size: large;"><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;"><b>Ferestande: </b></span></span><b style="font-family: Times, 'Times New Roman', serif; line-height: 32px;">Â</b><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;"><b>r</b></span></span><b><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">šâm</span></span></b></span><br />
<span style="font-size: large;"><b style="font-family: Times, 'Times New Roman', serif; line-height: 32px;">Tarjome az zab</b><b style="font-family: Times, 'Times New Roman', serif; line-height: 32px;">â</b><b style="font-family: Times, 'Times New Roman', serif; line-height: 32px;">ne engilisi:</b></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: large;"><span style="line-height: 32px;"><b><br /></b></span></span><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;"><b>___________________________________________________________________________________</b></span></span><b style="font-family: Times, 'Times New Roman', serif; line-height: 32px;">__</b><br />
<b style="font-family: Times, 'Times New Roman', serif; line-height: 32px;"><span style="color: #0b5394; font-size: large;">See also</span></b><br />
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><span style="line-height: 32px;">Liz McClarnon - Woman in Love live</span></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><span style="line-height: 32px;">S.H.E - Woman in Love (官方版MV)</span></span></div>
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<span style="font-size: large;"><span style="font-family: Times, 'Times New Roman', serif; line-height: 32px;">Yao Si Ting - </span><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;">Woman In Love</span></span></span></div>
<span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 32px;"><iframe allowfullscreen="" frameborder="0" height="408" src="//www.youtube.com/embed/7Eat6hfcE-4?rel=0" width="544"></iframe></span></span></div>
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<div class="blogger-post-footer">Persian Culture and Literature, Farhango Adabe Irâni, Персидская Культура и Литература, فرهنگ و ادب ایرانی</div>آرشام Arsham Аршамhttp://www.blogger.com/profile/10782513231420931769noreply@blogger.com0tag:blogger.com,1999:blog-2532433696096710376.post-30924780489662175852013-11-10T11:03:00.001+02:002013-11-10T13:15:08.992+02:00Halloween <div dir="rtl" style="text-align: right;" trbidi="on">
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<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">The celebration of All Saints Day or just Halloween takes place on October 31st. The tradition of Halloween began in the fifth century B.C. This day the Irish Celts celebrated their New Year at that time, because they organized their year according to the agricultural calendar and marked the transition from one year to the next on October 31.</span><br />
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<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">In the year 835 A.D. the Roman Catholic Church made November 1st a church holiday to honour all the saints. This day is called All Saint's Day. Since that time many years have passed. Some traditions are gone, new traditions appeared. I am going to tell you about the most popular customs of Halloween. The most known custom is the tradition of dressing.</span><br />
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<span style="font-family: Times, 'Times New Roman', serif; font-size: large; line-height: 135%;">The tradition of dressing in costume for Halloween has both European and Celtic roots. Hundreds of years ago, winter was an uncertain and frightening time. Food supplies often ran low and, many people afraid of the dark, the short days of winter were full of constant worry. On Halloween, when it was believed that ghosts came back to the earthly world, people thought that they would encounter ghosts if they left their homes. To avoid being recognized by these ghosts, people would wear masks when they left their homes after dark so that the ghosts would mistake them for fellow spirits. On Halloween, people placed bowls of food outside their homes to appease the ghosts and prevent them from attempting to enter their home.</span><br />
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<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">Fire has always played an important part in Halloween. Fire was very important to the Celts as it was to all early people. In the old days people lit bonfires to ward away evil spirits and in some places they used to j ump over the fire to bring good luck. Today, we light candles in pumpkin and then put them outside our homes to ward of evil spirits.</span><br />
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<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">Another tradition is Apple Bobbing. It has the roman origins. The Roman festival for remembering the dead was also in October. During this time, the Romans remembered their goddess, Pomona. She was the goddess of the trees and fruits, and when the Romans came to Britain, they began to hold these two festivals on the same day as Samhain. Apples probably became associated with Halloween because of this festival. Some people believe that, if you slice an apple through the equator (to reveal the five-pointed star within) and then eat it by candlelight before a-mirror, your future spouse will appear over your shoulder.</span><br />
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<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">Trick or Treat was first known as Mischief Night. Halloween was a time for making mischief — many parts of England still recognize this date as Mischief Night — when children would knock on doors demanding a treat (Trick or Treat) and people would disguise themselves as witches or ghosts, in order to obtain food and money from nervous householders.</span><br />
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<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">Halloween was sometimes called Nut Crack Night or Snap Apple Night in England. Families would sit by the fire and tell stories while they ate apples and nuts.</span><br />
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<span style="font-family: Times, Times New Roman, serif; font-size: x-large; line-height: 135%;"><b>Halloween Symbols</b></span><br />
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<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">The calendar flips to October, the leaves begin to change their color and suddenly the decorations for Halloween begin to go up. Even if someone had no idea what Halloween was, they would know it was coming up and be able to gauge from the Halloween symbols that it is a spooky holiday. Certain things have come to represent Halloween either because of tradition and legend or just due to their connection to the macabre.</span><br />
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<span style="font-family: Times, Times New Roman, serif; font-size: x-large; line-height: 135%;"><b>Individual Halloween Symbols</b></span><br />
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<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">Some popular Halloween symbols include witches, ghosts, spiders, bats, vampires, skeletons, graves, jack-o’-lanterns, black cats and monsters. With a holiday that dates back to the Celts and the Druids, it is bound to have picked up some stories and traditions along the way. Though many things that have become symbolic to the holiday because of rituals related to the day, some just tie in to the spooky element.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibO6J4J_3Z3sVQv6Kr9ymAH22jK7ZtjC5WVSz-iwRVDFz0uE7a5Bg1Q3F9CL3juPnfcbnxtQtUltvf5_9_oxL0OgKjQutuv3t1NhIqYy_6nXMPqzhO2AWXCJXNt63OTj5DGQutusfrU5Sk/s1600/4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="297" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibO6J4J_3Z3sVQv6Kr9ymAH22jK7ZtjC5WVSz-iwRVDFz0uE7a5Bg1Q3F9CL3juPnfcbnxtQtUltvf5_9_oxL0OgKjQutuv3t1NhIqYy_6nXMPqzhO2AWXCJXNt63OTj5DGQutusfrU5Sk/s320/4.jpg" width="320" /></a></div>
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">Jack-’o’-Lanterns – This has become one of many popular Halloween symbols as well as rituals and traditions. The jack-o’-lantern has become a great representation of Halloween since families often come together to choose their pumpkins as well as prepare them for the final look. Yet few know the supposed Irish folklore origin of this carved pumpkin.</span><br />
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<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">It basically has to do with a stingy man named Jack who tricked the Devil not once but twice in order to prevent the Devil from taking his soul. After Jack’s death Heaven refused him and Hell couldn’t take him because of the agreement. The Devil sent Jack on his way back to where he came from with only an ever-burning ember from the flames of hell to light his way. Needing something to carry this hot coal in, Jack found a turnip and carved himself a lantern. Irish immigrants quickly discovered pumpkins and thought that would make a much better candle holder to carry on their tradition than a turnip.</span><br />
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<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">Witches – These familiar Halloween symbols pop up everywhere for the season, from decorations to greeting cards to Halloween costume parties, and for good reason. Witches have been around for eons and were often thought to have mystical powers, partly because of their connection to Satan or the spirit world. Their most notorious gatherings were thought to happen during the two major season changes on April 30 and, of course, October 31.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfHsM86xcedMjoxlfYAaB_nG13wN-fX05gcFKMEltqFJawspaousKm4me7A2OZDdpnKU6h0-657Hj1o4m4-2hhHXSXtUEloNir667f0G_0Bk38ltGCCfpkyz3G6o8bY6aFtYXdEl55d1R7/s1600/5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfHsM86xcedMjoxlfYAaB_nG13wN-fX05gcFKMEltqFJawspaousKm4me7A2OZDdpnKU6h0-657Hj1o4m4-2hhHXSXtUEloNir667f0G_0Bk38ltGCCfpkyz3G6o8bY6aFtYXdEl55d1R7/s320/5.jpg" width="320" /></a></div>
<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">Spells would be cast, witches brews boiled, and these creatures would often change their shape during the witchcraft meetings. They flew on broomsticks, gathered around cauldrons, made potions involving toads and kept black cats as pets, leading to all of these items or images to become Halloween symbols as well.</span><br />
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<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">Bats – While actually not vicious, evil or terrifying at all, bats have become a familiar symbol tied to Halloween. Much of this is to blame on vampire bats, who do suck blood, but just enough for survival without usually killing another animal, such as a cow. Since most vampire tales claim that these mythological creatures transform into bats for flight and to enter places with greater ease, bats have become a symbol of evil and all things ghoulish.</span><br />
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<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">Bats have also been linked to witches, either flying about from their caves while witches perform their ritualistic ceremonies or for actually becoming part of a witch’s brew. Bat wings, blood and other parts have been famous for being part of the recipes for witch’s spells or options to give themselves the ability to fly, along with other not-so-nice things.</span><br />
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<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">Spiders – These arachnids have become part of Halloween imagery because of their connections to witches as well as abandoned haunted houses. Witches were thought to invite spiders into their homes as pets, companions or for use in potions. They are often affiliated with the extra creepiness one might find in the overhead corners of dilapidated houses of haunts or horrors. Not to mention, the stories tied to writing spiders. It is thought that if a writing spider spins your name in its web, you are destined for death in the near future.</span><br />
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<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">Death and the Celts – It would be impossible to list each one of the many Halloween symbols, as well as their meaning. Consider that many things that can be a representation of the old Celtic festivity known as Samhain, the original Halloween, or death conjures up holiday themes. Halloween costumes, for example, have been used since the first Samhains though the original disguises were animal skins.</span><br />
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<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">The connection to death also brings to mind plenty of images, especially skeletons and ghosts. Anything that could be considered spooky and relate to death, including graves and cemeteries, are bound to be perfect subject matter for creating Halloween symbols.</span><br />
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<span style="font-family: inherit; line-height: 135%;">Sources:</span><br />
<br />
<ul>
<li><span style="line-height: 21.600000381469727px;">www.alleng.ru/engl-top/479.htm</span></li>
<li><span style="line-height: 21.600000381469727px;">www.halloween.com/all-about-halloween</span></li>
</ul>
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<span style="line-height: 21.600000381469727px;">Done by: Antonina</span><br />
<span style="line-height: 21.600000381469727px;">____________________________________________________________________</span><br />
<span style="color: #0b5394; font-family: Times, Times New Roman, serif; font-size: large; line-height: 21.600000381469727px;"><b>See also</b></span><br />
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<span style="line-height: 21.600000381469727px;"><a href="http://learningenglish.voanews.com/audio/audio/338632.html" target="_blank">Halloween’s Real Horror? Its High Cost!</a></span></div>
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<div class="blogger-post-footer">Persian Culture and Literature, Farhango Adabe Irâni, Персидская Культура и Литература, فرهنگ و ادب ایرانی</div>آرشام Arsham Аршамhttp://www.blogger.com/profile/10782513231420931769noreply@blogger.com0tag:blogger.com,1999:blog-2532433696096710376.post-82733946379677056402013-11-04T18:16:00.002+02:002013-11-10T10:37:02.241+02:00French Kiss<div dir="rtl" style="text-align: right;" trbidi="on">
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<span style="font-family: Times, Times New Roman, serif; font-size: large; line-height: 135%;">French Kiss is a 1995 American romantic comedy film directed by Lawrence Kasdan and starring Meg Ryan and Kevin Kline. Written by Adam Brooks, the film is about a woman who flies to France to confront her straying fiancé and gets into trouble when the charming crook seated next to her uses her to smuggle a stolen diamond necklace. French Kiss was filmed on location in France.</span><br />
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<div class="blogger-post-footer">Persian Culture and Literature, Farhango Adabe Irâni, Персидская Культура и Литература, فرهنگ و ادب ایرانی</div>آرشام Arsham Аршамhttp://www.blogger.com/profile/10782513231420931769noreply@blogger.com0tag:blogger.com,1999:blog-2532433696096710376.post-27007513533901731852013-09-06T21:41:00.000+03:002013-09-07T09:33:46.214+03:00از دیدنیهای ایران: سوباتان، جایی شبیه بهشت، جایی شبیه رویا<div dir="rtl" style="text-align: right;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0GSqnxGdS-Dd1tf254AXJ0k-N7rGCquGjL4HZgcyxICEa2XYH3NCAbR8mZNWzEzxh8BrzveW_IUcBucQUBSjRR337vReCIvnIWpbtvW08MWcTzfM6BW2l8TnZtAAt5iYrchNKTVAFtYX2/s1600/Iran.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0GSqnxGdS-Dd1tf254AXJ0k-N7rGCquGjL4HZgcyxICEa2XYH3NCAbR8mZNWzEzxh8BrzveW_IUcBucQUBSjRR337vReCIvnIWpbtvW08MWcTzfM6BW2l8TnZtAAt5iYrchNKTVAFtYX2/s1600/Iran.jpg" /></a></div>
<span style="background-color: #f4f4f4; color: #3e3e3e; font-family: Georgia, Times, serif; line-height: 22.399999618530273px; text-align: start;"><span style="font-size: large; line-height: 135%;">روستای ییلاقی سوباتان در غرب لیسار در شهرستان تالش روبروی بلندترین بخش رشته كوه تالش "ریشکاجی یا ریشگاسر" قرار دارد. طبیعت زیبای سوباتان باعث شده تا "بهشت ایران" نامیده شود.</span></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidf1rio1aXdNacZ-xeaJVcKTg_0hbwF1fmLc-91jP7CFBORLKrK0x6kCedzmNLZ8oYJoAiulosdnNjC58ykWfz5TYOIizq-lgV75bMI-zTNYDzE4lE5DNHen9SJ6mLL39TJQUYrL_QGLnt/s1600/1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidf1rio1aXdNacZ-xeaJVcKTg_0hbwF1fmLc-91jP7CFBORLKrK0x6kCedzmNLZ8oYJoAiulosdnNjC58ykWfz5TYOIizq-lgV75bMI-zTNYDzE4lE5DNHen9SJ6mLL39TJQUYrL_QGLnt/s320/1.jpg" width="320" /></a></td></tr>
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<span style="font-size: small;">سوباتان نام منطقه ییلاقی است در غرب لیسار در شهرستان تالش که ییلاق اهالی جوکندان، لیسار و قلعه بین است.</span></div>
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<span style="font-size: small;">سوباتان در فاصله ۳۶ کیلومتری شمال غرب شهر تالش (از میدان نماز تالش تا ابتدای بازار سوباتان) و ۱۷کیلومتری جنوب دریاچه نئور اردبیل در ارتفاع ۱۹۰۰-۱۹۷۰ متری از سطح دریا قرار گرفته است.</span></div>
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<span style="font-size: small;">این ییلاق روبروی بلندترین نقطه رشته کوه تالش "ریشکاجی یا ریشگاسر" قرار دارد. این منطقه دارای جمعیت کمی است که در اواخر ماه اول تابستان از روستاهایی چون قلعه بین در این مکان سکنی می گزینند و در اواخر آخرین ماه تابستان به خانه های خود بر می گردند.</span></div>
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<span style="font-size: small;">سوباتان از چشمه ها و آب و هوای خنکی برخوردار است و دارای زمین های سر سبز پوشیده از چمن است.</span></div>
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<span style="font-size: small;">با توجه به این که به طور کلی در تمامی سرحدات ییلاقی تالش نام آبادی ها به زبان تالشی است، برخلاف نام ظاهری سوباتان که در ظاهر به ترکی شباهت دارد، این نام از ریشه تالشی سووتن به معنای محل رویش گلپر (به ترکی بالدیرغان)است.</span></div>
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<span style="font-size: small;">تصور عامه از نام سوباتان به عنوان محل فرو رفتن آب نیست. در ضمن تالش زبانان هنوز هم از تلفظ سووتن استفاده می کنند. با توجه به نزدیکی "بیدپشت" و "گزنه هونی" دو آبادی چسبیده به سوباتان نامگذاری تالشی در این محل کاملاٌ منطقی به نظر می رسد.</span></div>
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<span style="font-size: small;">نقاط دیدنی سوباتان ۱- چشمه باتمان بلاق :بین سوباتان و اسبومار واقع است. ۲- منطقه باستانی گنجخانه ۳- سرچشمه اصلی قنات سلسال که سر از قلعه سلسال لیسار در می آورده است. ۴- زمین اسب دوانی که منطقه ای نسبتاٌ هموار و مشرف به سوباتان و در نزدیکی بیدپشت قرارگرفته است. ۵- آبشار ورزن واقع در چهار کیلومتری غرب سوباتان.</span></div>
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<span style="font-size: small;">قلعه سلسال که در پایین دست سوباتان واقع شده، تنها اثر تاریخی معماری شناخته شده در این محل است، قلعه خشک که بسیار سرسبز است نیز در جهتی مخالف قلعه سلسال بدون وجود چشمه های جوشان قرار دارد که به آن اقامتگاه بزرگان نیز می گویند.</span></div>
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<span style="font-size: small;">ساری داش(سنگ زرد)، آلچالخ (محل رشد درخت آلوچه)، هاچاداش (جایی که کوه به شکل تیر و کمان در آمده است) و باغ داگل (محلی که ییلاق ایل شاهسون از ایلات استان اردبیل به شمار می رود)، از دیگر محوطه های طبیعی شناخته شده در ارتفاعات ییلاق سوباتان به شمار می آید.</span></div>
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<span style="font-size: small;">سوباتان پرجمعیت ترین ییلاق دربخش کرگانرود است. فاصله این ییلاق تا شهر هشتپر حدود ۳۶ کیلومتر با جاده ای کوهستانی است که از دل جنگل های تالش می گذرد.</span></div>
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<span style="font-size: small;">این ییلاق دربالای یک طرف دره لیسار واقع است و در طرف دیگر دره لیسار ییلاق زیبا و تاریخی برزبیل است که ییلاق اهالی خطبه سراود و طائفه عشایری تالش بنام های ایشیگ آقاسی و آقاجانی است. در این ییلاق معدن مس و آثار تاریخی کاروانسرای شاه عباسی و قبرهای ماقبل تاریخ در محلی بنام کندی یا کهنه ده ییلاق برزبیل وجود دارد.</span></div>
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<span style="font-size: small;">در حالی که دمای شهرهای مختلف استان گیلان مرطوب ترین استان کشور به ندرت به کمتر از یک درجه بالای صفر می رسد، در ارتفاعات سوباتان تابستان هم چاله های پر از برف دیده می شود و به همین دلیل در فصل زمستان به جز دو خانوار کس دیگری در سوباتان نمی ماند و بقیه به جنگل های دامنه البرز و کنار دریاچه لیسار کوچ می کنند.</span></div>
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<span style="font-size: small;">سوباتان از غروب خورشید به مدت ۳ ساعت روشنایى خود را با ژنراتور برق تامین می کند.</span></div>
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<span style="font-size: small;">هر ساله تعداد کثیری از طبیعت گردان ایرانی و خارجی از مسیر دریاچه نئور به سوباتان سرازیر می شوند. بهترین زمان برای طبیعت گردی در این ناحیه اردیبهشت و خرداد است.</span></div>
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برگرفته از: www.mediacenter.dw.de/persian</div>
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<div class="blogger-post-footer">Persian Culture and Literature, Farhango Adabe Irâni, Персидская Культура и Литература, فرهنگ و ادب ایرانی</div>آرشام Arsham Аршамhttp://www.blogger.com/profile/10782513231420931769noreply@blogger.com0tag:blogger.com,1999:blog-2532433696096710376.post-64721404634887921922013-08-03T17:50:00.000+03:002013-08-04T18:40:30.346+03:00زبان پارسی با ملا نصرالدین Персидский язык с Муллой Насреддином<div dir="rtl" style="text-align: right;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgk0zWFdPfHUIZLZQ9RyHouIpJtsJhnltfmQwPZ_jDt3At5P43wCOoDtOVGKwOheVCyCdJ9cRk-Ug72hmw3bDS5xcyo0-tpE1fMEYCuFcDtqWMHYumA-j1xtLflTgY9gAetmFh6LuvLNUCM/s1600/Molla+Nasreddin.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgk0zWFdPfHUIZLZQ9RyHouIpJtsJhnltfmQwPZ_jDt3At5P43wCOoDtOVGKwOheVCyCdJ9cRk-Ug72hmw3bDS5xcyo0-tpE1fMEYCuFcDtqWMHYumA-j1xtLflTgY9gAetmFh6LuvLNUCM/s1600/Molla+Nasreddin.jpg" /></a></div>
<span style="font-size: large;"><b>۸- بی پولی ملا</b></span><br />
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<span style="font-size: large; line-height: 135%;">روزی <a href="http://www.arian7000.blogspot.com/2011/06/blog-post.html">ملا نصرالدين</a> خيلی بی پول شده بود. افسار خرش را گرفت و رفت تا آن را بفروشد. زن ملا با ناراحتی گفت׃ چه کار می کنی ملا، اگر خرت را بفروشی ديگه با چی می خواهی شکم زن و بچه ات را سير بکنی؟ <a href="http://www.arian7000.blogspot.com/2011/06/blog-post.html">ملا نصرالدين</a> گفت׃ من فکر همه جا را کرده ام، قيمتی برای آن تعيين می کنم که هيچ کس نتواند آن را بخرد.</span></div>
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<span style="font-family: inherit; line-height: 135%;"><b>8. Bipuli-ye Moll</b></span><span style="background-color: #ffffee; font-family: Georgia, 'times new roman', sans-serif; text-align: -webkit-center;"><b>â</b></span><span style="font-family: inherit; line-height: 135%;"> <i>Безденежье Муллы</i></span><br />
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<span style="font-family: inherit; line-height: 135%;"><b>Ruz-i <a href="http://www.arian7000.blogspot.com/2011/06/blog-post.html">Moll</a></b></span><span style="line-height: 21.600000381469727px;"><b><a href="http://www.arian7000.blogspot.com/2011/06/blog-post.html">â</a></b></span><b style="font-family: inherit; line-height: 135%;"><a href="http://www.arian7000.blogspot.com/2011/06/blog-post.html"> Nasreddin</a> xeyli bipul šode bud</b><span style="font-family: inherit; line-height: 135%;"> </span><i style="font-family: inherit; line-height: 135%;">однажды <a href="http://www.arian7000.blogspot.com/2011/06/blog-post.html">Мулла </a></i><span style="line-height: 21.600000381469727px;"><i><a href="http://www.arian7000.blogspot.com/2011/06/blog-post.html">Насреддин</a></i></span><i style="font-family: inherit; line-height: 135%;"> очень обнищал: «без денег стал». </i><br />
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<span style="font-family: inherit; line-height: 135%;"><b>Afs</b></span><span style="line-height: 21.600000381469727px;"><b>â</b></span><b style="font-family: inherit; line-height: 135%;">r-e xar-aš r</b><b style="line-height: 21.600000381469727px;">â</b><b style="font-family: inherit; line-height: 135%;"> gereft va raft t</b><span style="line-height: 21.600000381469727px;"><b>â</b></span><b style="font-family: inherit; line-height: 135%;"> </b><span style="line-height: 21.600000381469727px;"><b>â</b></span><b style="font-family: inherit; line-height: 135%;">n r</b><span style="line-height: 21.600000381469727px;"><b>â</b></span><b style="font-family: inherit; line-height: 135%;"> beforušad</b><span style="font-family: inherit; line-height: 135%;"> </span><i style="font-family: inherit; line-height: 135%;">осла своего взял за уздечку: «уздечку осла взял» и пошел его продавать: «чтобы его продать».</i><br />
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<span style="font-family: inherit; line-height: 135%;"><b>Zan-e Moll</b></span><span style="line-height: 21.600000381469727px;"><b>â</b></span><b style="font-family: inherit; line-height: 135%;"> b</b><span style="line-height: 21.600000381469727px;"><b>â</b></span><b style="font-family: inherit; line-height: 135%;"> n</b><span style="line-height: 21.600000381469727px;"><b>â</b></span><b style="font-family: inherit; line-height: 135%;">r</b><span style="line-height: 21.600000381469727px;"><b>â</b></span><b style="font-family: inherit; line-height: 135%;">hati goft: “Ce k</b><span style="line-height: 21.600000381469727px;"><b>â</b></span><b style="font-family: inherit; line-height: 135%;">r mikoni, Moll</b><span style="line-height: 21.600000381469727px;"><b>â</b></span><span style="font-family: inherit; line-height: 135%;"> </span><i style="font-family: inherit; line-height: 135%;">жена Муллы с беспокойством сказала: что это ты делаешь, Мулла,</i><br />
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<span style="font-family: inherit; line-height: 135%;"><b>agar xar-at r</b></span><span style="line-height: 21.600000381469727px;"><b>â</b></span><b style="font-family: inherit; line-height: 135%;"> beforuši</b><span style="font-family: inherit; line-height: 135%;"> </span><i style="font-family: inherit; line-height: 135%;">если осла своего продашь,</i><br />
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<span style="font-family: inherit; line-height: 135%;"><b>dige b</b></span><span style="line-height: 21.600000381469727px;"><b>â</b></span><b style="font-family: inherit; line-height: 135%;"> ci mix</b><span style="line-height: 21.600000381469727px;"><b>â</b></span><b style="font-family: inherit; line-height: 135%;">hi šekam-e zan-o bacce-at r</b><span style="line-height: 21.600000381469727px;"><b>â</b></span><b style="font-family: inherit; line-height: 135%;"> sir bekoni?”</b><span style="font-family: inherit; line-height: 135%;"> — </span><i style="font-family: inherit; line-height: 135%;">чем же /ты/ собираешься/хочешь жену и ребенка своих кормить: «брюхо жены и ребенка твоего сытым сделать»; </i><span style="font-family: inherit; line-height: 135%;">dige</span><i style="font-family: inherit; line-height: 135%;"> </i><span style="font-family: inherit; line-height: 135%;">=</span><i style="font-family: inherit; line-height: 135%;"> </i><span style="font-family: inherit; line-height: 135%;">digar</span><i style="font-family: inherit; line-height: 135%;"> — еще/больше/ же)?”</i><br />
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<a href="http://www.arian7000.blogspot.com/2011/06/blog-post.html"><span style="font-family: inherit; line-height: 135%;"><b>Moll</b></span><span style="line-height: 21.600000381469727px;"><b>â</b></span></a><b style="font-family: inherit; line-height: 135%;"><a href="http://www.arian7000.blogspot.com/2011/06/blog-post.html"> Nasreddin</a> goft: “Man fekr-e hame j</b><span style="line-height: 21.600000381469727px;"><b>â</b></span><b style="font-family: inherit; line-height: 135%;"> r</b><span style="line-height: 21.600000381469727px;"><b>â</b></span><b style="font-family: inherit; line-height: 135%;"> karde-am</b><span style="font-family: inherit; line-height: 135%;"> </span><i style="font-family: inherit; line-height: 135%;"><a href="http://www.arian7000.blogspot.com/2011/06/blog-post.html">Мулла Насреддин</a> сказал: я все продумал: «мысли /обо/ всех местах сделал»,</i><br />
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<span style="font-family: inherit; line-height: 135%;"><b>qeymat-i bar</b></span><span style="line-height: 21.600000381469727px;"><b>â</b></span><b style="font-family: inherit; line-height: 135%;">ye </b><span style="line-height: 21.600000381469727px;"><b>â</b></span><b style="font-family: inherit; line-height: 135%;">n ta’in mikonam, ke…</b><span style="font-family: inherit; line-height: 135%;"> </span><i style="font-family: inherit; line-height: 135%;">/такую/ цену за него назначу, чтобы…</i><br />
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<span style="font-family: inherit; line-height: 135%;"><b>hic kas natav</b></span><span style="line-height: 21.600000381469727px;"><b>â</b></span><b style="font-family: inherit; line-height: 135%;">nad </b><span style="line-height: 21.600000381469727px;"><b>â</b></span><b style="font-family: inherit; line-height: 135%;">n r</b><span style="line-height: 21.600000381469727px;"><b>â</b></span><b style="font-family: inherit; line-height: 135%;"> bexarad</b><span style="font-family: inherit; line-height: 135%;"> </span><i style="font-family: inherit; line-height: 135%;">никто не смог его купить.”</i><br />
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<span style="font-family: inherit; line-height: 135%;">Источник (с небольшим изменением): www.franklang.ru</span><br />
<span style="font-family: inherit; line-height: 135%;">Адаптировала: Гюзель Самарина</span></div>
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<div class="blogger-post-footer">Persian Culture and Literature, Farhango Adabe Irâni, Персидская Культура и Литература, فرهنگ و ادب ایرانی</div>آرشام Arsham Аршамhttp://www.blogger.com/profile/10782513231420931769noreply@blogger.com0tag:blogger.com,1999:blog-2532433696096710376.post-51574602102349489522013-06-23T10:12:00.000+03:002014-01-26T19:33:47.909+02:00دیدنیهای کردستان؛ نگین دلفریب ایران<div dir="rtl" style="text-align: right;" trbidi="on">
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<span style="font-size: large; line-height: 135%;">کردستان در غرب ایران در دامنه ها و دشت های پراکنده سلسله جبال زاگرس میانی قرار گرفته است. کردستان مکان و سرزمین کردها است. کلمه</span><span style="font-size: large; line-height: 32px;">ی</span><span style="font-size: large; line-height: 135%;"> کردستان برای اولین بار بطور رسمی در دوران سلجوقیان بکار رفته است.</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhTMiCIfm6risONE9yimpBQ34Ln-oPWJzYCsuiaOAJIoMk7S41D4i3aV7p2ndfgITOU4nQxsj-PW7kCpy4GMMyuhm6eyv2WD78_RZrrIJsviBJGFSY6MosCally838E967pvkNsTUu_-q1/s1600/1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhTMiCIfm6risONE9yimpBQ34Ln-oPWJzYCsuiaOAJIoMk7S41D4i3aV7p2ndfgITOU4nQxsj-PW7kCpy4GMMyuhm6eyv2WD78_RZrrIJsviBJGFSY6MosCally838E967pvkNsTUu_-q1/s320/1.jpg" height="180" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: justify;"><span style="font-size: small;">کردستان در غرب ایران در دامنه ها و دشت های پراکنده سلسله جبال زاگرس میانی قرار گرفته است. کردستان مکان و سرزمین کردها است. بر اساس اسناد تاریخی کلمه کردستان برای اولین بار بطور رسمی در دوران سلجوقیان بکار رفته است.</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiOXUourE7extoxN-e71KihQyoP7wBpZwXz0zAnuqBVbYvU1euCSxUe-2-doBYUPdNP89-hqO6_GDgVNscSEKP4gYeZhx6l0KoL3hqcFjZ5VixtUmXQWI1IKq9WzBTUtAjWrVPRD3-EsSo/s1600/2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiOXUourE7extoxN-e71KihQyoP7wBpZwXz0zAnuqBVbYvU1euCSxUe-2-doBYUPdNP89-hqO6_GDgVNscSEKP4gYeZhx6l0KoL3hqcFjZ5VixtUmXQWI1IKq9WzBTUtAjWrVPRD3-EsSo/s320/2.jpg" height="180" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: justify;"><span style="font-size: small;">استان كردستان بخشی از سرزمینی است كه تحت حكومت مادها اداره می شده است . بر اساس برخی بررسی های تاریخی كردها یكی ازمشتقات مشهور نژاد آریایی هستند كه از حدود ۲۰۰۰ سال پیش از میلاد مسیح از شرق به ایران وارد شده و به شمال غربی و مشرق دریاچه ارومیه مهاجرت کرده اند.</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8cEXMOHIia7galKLZBf5KmwHNViHxv15kA-OKHc3tW2uGvytDPDqxRSgWlX8jaO39x9j2Sc97WrDluzT5RdeSi5TbAw-8FuY0p7LoKR5dbeuY23QAldBDTp843mK3TEh-_pH6eY8JbX6_/s1600/3.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8cEXMOHIia7galKLZBf5KmwHNViHxv15kA-OKHc3tW2uGvytDPDqxRSgWlX8jaO39x9j2Sc97WrDluzT5RdeSi5TbAw-8FuY0p7LoKR5dbeuY23QAldBDTp843mK3TEh-_pH6eY8JbX6_/s320/3.jpg" height="180" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: justify;"><span style="font-size: small;">مركز استان كردستان شهر سنندج است كه در فاصله ۵۲۰ كیلومتری جنوب غربی تهران قرار دارد كه بنیاد جدید ان در سال ۱۰۴۶ هجری قمری توسط سلیمان خان اردلان پایه گذاری شد. عکس: روز برفی سنندج</span></td></tr>
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<tr><td class="tr-caption" style="text-align: justify;"><span style="font-size: small;">در تقسیمات روزگار صفویه، كردستان ولایتی است كه از ولایت كرمانشان جدا و شامل چهار حاكم نشین خورخوره ، جوانرود ، اورامان و الكاء بانه بود .</span></td></tr>
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<tr><td class="tr-caption" style="text-align: justify;"><span style="font-size: small;">بیش تر جنگل های استان کردستان دراطراف شهرهای بانه و مریوان واقع شده و بعد از جنگل های شمال ایران در درجه دوم اهمیت قرار دارد. در حال حاضر جنگل های استان به صورت درختچه و بوته های پراکنده درآمده اند. معروف ترین درختان جنگلی این جنگل ها بلوط، گلابی، گردو، سیب وحشی، پسته وحشی، زالزالک، آلبالو جنگلی، نارون، افرا و درخت هایی مانند گز و بید وحشی در کنار رودخانه هستند.</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRXeXaMbIkWKSeV6LLeLqR7HgnvEXrjQNJKhEEqh1KUzzJ_hKGVrLe9iQ9Ov8Pm9b0x2cvlSxe0kzkcuePHdEAm4JKsuQLcF3VNxXZ8LYwz8cunFeRD4dhdpveGcxZ24ARRs8qyPV54yM6/s1600/6.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRXeXaMbIkWKSeV6LLeLqR7HgnvEXrjQNJKhEEqh1KUzzJ_hKGVrLe9iQ9Ov8Pm9b0x2cvlSxe0kzkcuePHdEAm4JKsuQLcF3VNxXZ8LYwz8cunFeRD4dhdpveGcxZ24ARRs8qyPV54yM6/s320/6.jpg" height="180" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: justify;"><span style="font-size: small;">استان كردستان با داشتن اقلیم منحصر به فرد تنوع زیستی زیبایی را (گیاهی و جانوری) در خود جای داده است. آب و هوای استان دارای ویژگی های اقلیم معتدل سرد است. وجود ارتفاعات و دره های ژرف و وزش باد غربی پوشش های گیاهی غنی و متنوع و زیبایی را در كردستان به وجود آورده است.</span></td></tr>
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<tr><td class="tr-caption" style="text-align: justify;"><span style="font-size: small;">ارتفاعات، دامنه ها و رشته کوه های متعدد استان کردستان از دیگر قابلیت های تفرجگاهی آن به شمار می آیند. رشته کوه های غرب کشور به صورت رشته هایی موازی، تمامی پهنه استان را در بر گرفته اند و محدوده طبیعی آن را تشکیل می دهند.</span></td></tr>
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<tr><td class="tr-caption" style="text-align: justify;"><span style="font-size: small;">آب و هوای استان در ناحیه شمالی آب و هوای نسبتا سرد و در نواحی جنوبی معتدل كوهستانی است. کردستان دارای فلات های مرتفع و خشك و دشت های حاصلخیز مانند دشت مریوان ، دشت اوباتو، دشت ئیلاق یا دهگلان، دشت قروه و دشت كامیاران است.</span></td></tr>
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<tr><td class="tr-caption" style="text-align: justify;"><span style="font-size: small;">مراتع و فضاهای گردشگری زیادی در این استان وجود دارد كه در فصل های بهار و تابستان بهترین آب و هوا را داشته و زیبایی طبیعت آن زبانزد خاص و عام است.</span></td></tr>
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<tr><td class="tr-caption" style="text-align: justify;"><span style="font-size: small;">پالنگان یکی از روستاهای دهستان ژاورود از توابع شهرستان کامیاران در استان کردستان است و در ۴۷ کیلومتری شمال غرب این شهر و در دره تنگیور قرار دارد. این روستا علاوه بر داشتن معماری زیبا، دارای چشمه ها، آبشارها و طبیعتی سرشار از زیبایی منحصر به فرد در استان کردستان است و در کنار رودخانه ای قرار گرفته که به رودخانه سیروان می پیوندد.</span></td></tr>
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<tr><td class="tr-caption" style="text-align: justify;"><span style="font-size: small;">نقاط دیدنی و جذاب شهرستان کامیاران عبارت اند از روستای تاریخی پالنگان، دریاچه سد گاوشان، تفریح گاه جنگلی کوبگار، چشمه آب معدنی بایسپرنه، داریمام، کتیبه باستانی تنگی ور، تپه تیانه، تپه توبره ریز، نقش برجسته و سنگ نبشته اورامان، چشمه آب معدنی گواز، رودخانه تنگی ور، مقبره شیخ عباس کومائین، مقبره حضرت عکاشه.</span></td></tr>
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<tr><td class="tr-caption" style="text-align: justify;"><span style="font-size: small;">عمارت آصف وزیری (موزه خانه کُرد) یکی از عمارات زیبای سنندج است که در دوره صفویه بنا شده است .این بنا دارای سبک معماری زیبا و منحصر به فردی است که در گچ بری ها، ارسی های قدیمی ، سنگ های تراشیده ،آجرهای تراش و طاق هایی هلالی و جناقی آن نهایت مهارت به کار برده شده است.</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoYRsN7h83ULG_De5bpj1a3oCxh8jHmUmuuIu8_zSZCE4WExFaie705OHXKbM27b4MVrDUW9Xs40vYlOpRWkasbzAyfKD_MVYbtVrgZAFqs8AsFZEZ_xU1E0wkrZrhV5rqu3ph8GCIWkar/s1600/13.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoYRsN7h83ULG_De5bpj1a3oCxh8jHmUmuuIu8_zSZCE4WExFaie705OHXKbM27b4MVrDUW9Xs40vYlOpRWkasbzAyfKD_MVYbtVrgZAFqs8AsFZEZ_xU1E0wkrZrhV5rqu3ph8GCIWkar/s320/13.jpg" height="180" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: justify;"><span style="font-size: small;">در میان نقاط دیدنی استان کردستان ، شهر مرز ی مریو ان و دریاچه زریوار آن شناخته شده هستند. این منطقه توریستی و جذ اب در فاصله ۱۲۵ کیلومتر ی شمال غربی سنندج مرکز استان کردستان و در فاصله ۲۰ کیلومتر ی مرز مشترک ایر ان با عر اق و اقع شده است.</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7St-rj_i2KCswULVeoTmBGokW2fxywyY3T8xbp2pX7FIYu5A8vwwPAAYOwKb8DSlm7iDdLMjhyphenhyphenrkLzw8BkAoBM84OYx55b8VYiqggE8k5Uz4xQtpqpZhUSUjFFWH3AlZEuW-eyXdzxziM/s1600/14.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7St-rj_i2KCswULVeoTmBGokW2fxywyY3T8xbp2pX7FIYu5A8vwwPAAYOwKb8DSlm7iDdLMjhyphenhyphenrkLzw8BkAoBM84OYx55b8VYiqggE8k5Uz4xQtpqpZhUSUjFFWH3AlZEuW-eyXdzxziM/s320/14.jpg" height="180" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: justify;"><span style="font-size: small;">روستای اورامانات: اورامانات به معنی سرزمین اهورایى نام منطقه ای کوهستانی در استان کردستان ایران و عراق با دره های پرپیچ و خم و عمیق و رودبارهای متعدد است. خانه هاى روستای اورامانات با سنگ و اغلب به صورت خشكه و به صورت پلكانى ساخته شده است.</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_bE_bAd_tyIj6S-MkRuiOHHRRKH3EuKecV7NJsH8fNvyvA-VKqWBAW2K_yrXAkA2HyStBmKKTk0j1oi0vr1qXG9JVAuyevVhvnouXUEjI0Jwl5mGHAW7yrmjnx-HSzFfzaO4hjOzsRmxJ/s1600/15.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_bE_bAd_tyIj6S-MkRuiOHHRRKH3EuKecV7NJsH8fNvyvA-VKqWBAW2K_yrXAkA2HyStBmKKTk0j1oi0vr1qXG9JVAuyevVhvnouXUEjI0Jwl5mGHAW7yrmjnx-HSzFfzaO4hjOzsRmxJ/s320/15.jpg" height="180" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: justify;"><span style="font-size: small;">جشن ها و آيين هايی كه در ميان كردان مرسوم است در برگيرنده جشن های مذهبی ، قومی و باستانی است كه ريشه در باورهای كهن مردم دارد و اغلب تاريخی و پاره ای اسطوره ای هستند .</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkbnlUcEIwuQbbTylrdHFZhBJO5whTwtgxXD6f0KrN2ytBfoLZmqGeYgGiMoK6hb7EBpHTifv5tGABuMtBnQixi9m61RjcAmTKhWXngxenPHCuc3DFhxTraCro54VHYi3ZjGUNQiytCkkx/s1600/16.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkbnlUcEIwuQbbTylrdHFZhBJO5whTwtgxXD6f0KrN2ytBfoLZmqGeYgGiMoK6hb7EBpHTifv5tGABuMtBnQixi9m61RjcAmTKhWXngxenPHCuc3DFhxTraCro54VHYi3ZjGUNQiytCkkx/s320/16.jpg" height="180" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: justify;"><span style="font-size: small;">روستای سلین ، یکی ازروستاهای زیبای هورامان کردستان ایران است. روستای سلین دارای بافتی کمانی است که الگوی ساخت آن از روی رودخانه ی سیروان که در پایین این روستا جریان دارد برگرفته شده است.</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglvLmK5oi0MahFuIwd9b6Tjl3O7F6QkJun3hPz0KSND-aW_XKkdFBCLnpRlbBx89LNuiQclE5we95ARyeAv4-YLzFpT7ZkmMVAnFaGyDgGN8oz2ETizI1ivDzBMDzzTehyphenhyphenWulLnbzCSsW7/s1600/17.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglvLmK5oi0MahFuIwd9b6Tjl3O7F6QkJun3hPz0KSND-aW_XKkdFBCLnpRlbBx89LNuiQclE5we95ARyeAv4-YLzFpT7ZkmMVAnFaGyDgGN8oz2ETizI1ivDzBMDzzTehyphenhyphenWulLnbzCSsW7/s320/17.jpg" height="180" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: justify;"><span style="font-size: small;">زیبایی های کردستان</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmgDFGwMtAqRW2KdFK9vJBPOCF452RSd4J3i6qWgbr8QjEsBSeCDS0Fr_dPtq-zgcaiFfJWBl0tbfhGjgkDJenE-VEP_y4gMG06ODJJw07SpoeFChCkIlLuEnqPuqnMVdXr0XbXpYOzqYY/s1600/18.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmgDFGwMtAqRW2KdFK9vJBPOCF452RSd4J3i6qWgbr8QjEsBSeCDS0Fr_dPtq-zgcaiFfJWBl0tbfhGjgkDJenE-VEP_y4gMG06ODJJw07SpoeFChCkIlLuEnqPuqnMVdXr0XbXpYOzqYY/s320/18.jpg" height="180" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: justify;"><span style="font-size: small;">لاله زارهای کردستان</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQcT4AjB6TrnT3XlHPfu-7SQpe24__fTpII_cC7jITw9_UeW1EG0-5yHI3hEY8FLzzpffzAU4qyc1Y4hfxl96xIXR2n22VXDbqnMPWZwIBUHzSkohTAV61mVkmEQd5lygpAe3tHmC0thqQ/s1600/19.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQcT4AjB6TrnT3XlHPfu-7SQpe24__fTpII_cC7jITw9_UeW1EG0-5yHI3hEY8FLzzpffzAU4qyc1Y4hfxl96xIXR2n22VXDbqnMPWZwIBUHzSkohTAV61mVkmEQd5lygpAe3tHmC0thqQ/s320/19.jpg" height="180" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: justify;"><span style="font-size: small;">نمایی از شهر سقز</span></td></tr>
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<span style="line-height: 32px;"><br /></span></div>
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<span style="line-height: 32px;">برگرفته از: </span><span style="line-height: 32px; text-align: right;">www.dw.de/persian</span></div>
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<div class="blogger-post-footer">Persian Culture and Literature, Farhango Adabe Irâni, Персидская Культура и Литература, فرهنگ و ادب ایرانی</div>آرشام Arsham Аршамhttp://www.blogger.com/profile/10782513231420931769noreply@blogger.com0tag:blogger.com,1999:blog-2532433696096710376.post-81135813695550438972013-06-22T18:35:00.000+03:002013-12-07T18:08:04.961+02:00ایران: روح یک سرزمین باستانی<div dir="rtl" style="text-align: right;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0GSqnxGdS-Dd1tf254AXJ0k-N7rGCquGjL4HZgcyxICEa2XYH3NCAbR8mZNWzEzxh8BrzveW_IUcBucQUBSjRR337vReCIvnIWpbtvW08MWcTzfM6BW2l8TnZtAAt5iYrchNKTVAFtYX2/s1600/Iran.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0GSqnxGdS-Dd1tf254AXJ0k-N7rGCquGjL4HZgcyxICEa2XYH3NCAbR8mZNWzEzxh8BrzveW_IUcBucQUBSjRR337vReCIvnIWpbtvW08MWcTzfM6BW2l8TnZtAAt5iYrchNKTVAFtYX2/s1600/Iran.jpg" /></a></div>
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<span style="font-size: large; line-height: 135%;">نمایشگاه «ایران: روح یک سرزمین باستانی» برای نخستین بار ۶۳ عکس دیده نشده از اماکن تاریخی و مناظر طبیعی ایران پیش از انقلاب را در گالری ترایپاد شهر ونیس در لس آنجلس به معرض تماشای عموم گذاشته است. پیتر کاراپتیان، عکاس ایرانی تبار ساکن لس آنجلس، از اواخر سال ۱۳۵۶ تا وقوع انقلاب به همراه دیوید فراست روزنامه نگار سرشناس بریتانیایی برای ساختن یک سری فیلم های مستند به نام «بزرگراه تمدن» برای تلویزیون بی بی سی به عکاسی از اماکن و مناظر تاریخی و طبیعی ایران پرداخت. عکس های نمایشگاه اخیر از بین ۳۰۰۰ قطعه عکسی که آقای کاراپتیان در طول این سفر به ایران گرفته انتخاب شده و پس از ترمیم به صورت دیجیتالی درآمده است.</span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">مقبره </span><span style="font-size: small;">ی</span><span style="font-size: small;"> کوروش</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">سیستم آبیاری باستانی در نمایی از دامنه های کوه دماوند</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">دره ی البرز در مه صبحگاهی</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">پیتر کاراپتیان می گوید: "برای گرفتن این عکس داربستی به ارتفاع محلی که دختر قالیباف در آن نشسته است برایم درست کردند."</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">چهل ستون</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">کودک قشقایی. پیتر کاراپتیان می گوید: "برای گرفتن این سری عکس ها مدت ها درمیان ایل قشقایی زندگی کردم."</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhv6YzIdph4YxE_lEgkACMyBC96otpgxGYJKZHv0FMAOU1s7Z10w9d3aBaSoRnBvFT7rbOwdhgjd7zf4Gkp20OloZGTdzpJE7Zi2dRIfXItxGulPDGgeN_0pvgzE2Iz1fCGRtgzHdlLi6fF/s1600/7.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhv6YzIdph4YxE_lEgkACMyBC96otpgxGYJKZHv0FMAOU1s7Z10w9d3aBaSoRnBvFT7rbOwdhgjd7zf4Gkp20OloZGTdzpJE7Zi2dRIfXItxGulPDGgeN_0pvgzE2Iz1fCGRtgzHdlLi6fF/s320/7.jpg" width="315" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">گنبد خاکی. پیتر کاراپتیان می گوید این عکس را بدون سه پایه گرفته است.</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMwvByILv7X9J2CVo0jvppHRqSrvf2fARQzPnbNGxHBg827pamGnvhGlfBE4y8nQQ6480z9291-YbgsiplxszgyMelQlEWqZzstCMlFp0QpolKRhB7-saAo-N5E2XLcFXgFLnmmTbeD4uh/s1600/8.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMwvByILv7X9J2CVo0jvppHRqSrvf2fARQzPnbNGxHBg827pamGnvhGlfBE4y8nQQ6480z9291-YbgsiplxszgyMelQlEWqZzstCMlFp0QpolKRhB7-saAo-N5E2XLcFXgFLnmmTbeD4uh/s320/8.jpg" width="316" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">یک دهکده </span><span style="font-size: small;">ی</span><span style="font-size: small;"> قدیمی و دورافتاده در کنار رودخانه ای در دامنه </span><span style="font-size: small;">ی</span><span style="font-size: small;"> کوه</span></td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_aFw_L-dlWI8quWqkPCJYn8LadJhipjKWzP6mLrtItRR_qKvjtiZpKCjW3oDY9bK1vUmkSj9gHVngGKhkSMATEPiAuZE5MIGn2Sp1HE2a0W5f7Kp_3LCL0OtGeJXSv9G79av14CRBMGYa/s1600/9.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_aFw_L-dlWI8quWqkPCJYn8LadJhipjKWzP6mLrtItRR_qKvjtiZpKCjW3oDY9bK1vUmkSj9gHVngGKhkSMATEPiAuZE5MIGn2Sp1HE2a0W5f7Kp_3LCL0OtGeJXSv9G79av14CRBMGYa/s320/9.jpg" width="319" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">قله </span><span style="font-size: small;">ی</span><span style="font-size: small;"> دماوند. پیتر کاراپتیان: "یکهو هلی کوپتر از وسط تاریکی ابرها به اینجا رسید. من که روی صندلی به بیرون هلیکوپتر متصل بودم داشتم از سرما یخ می زدم."</span></td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYiywApwxM-zmIVfOrwKDERU6JPYanWwefXVWri9rCqSTnFWV7fpGmUFsAOXFNVdKAvwM67o4MEpQKOIH_933lNEkAwJwrD6_pRxluZFR6xx1MQXNSSoSwXblDGpJBA0mw3JOCPWmCnejT/s1600/10.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYiywApwxM-zmIVfOrwKDERU6JPYanWwefXVWri9rCqSTnFWV7fpGmUFsAOXFNVdKAvwM67o4MEpQKOIH_933lNEkAwJwrD6_pRxluZFR6xx1MQXNSSoSwXblDGpJBA0mw3JOCPWmCnejT/s320/10.jpg" width="317" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">سقف ا</span><span style="font-size: small;">تا</span><span style="font-size: small;">ق موسیقی چهل ستون</span></td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh14o5L0KzemmjV0CTxFjeGQs-VY6rIg_DE4ACIab5IhK0_J6bJ8IsNOFlJhIRCn7QJ1I_PmM4l5zUWl0rbjFlwShAvWaH3DBglmnZ7oZLfFgUpkl9Cw0ULt5R3NFEXfXXluB1P0bv-SBGV/s1600/11.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh14o5L0KzemmjV0CTxFjeGQs-VY6rIg_DE4ACIab5IhK0_J6bJ8IsNOFlJhIRCn7QJ1I_PmM4l5zUWl0rbjFlwShAvWaH3DBglmnZ7oZLfFgUpkl9Cw0ULt5R3NFEXfXXluB1P0bv-SBGV/s320/11.jpg" width="319" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">عکس هوایی از قنات های آب در گیلان</span></td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjq7vLxL4G_eivc09-n2L70GF1dldyZrNDDYIm9DeeYyh2iioD45R3p1SyWJ_diRUhCIcRfkbOsJX4bCcv53s2NLduBj-HO4wK8K3-PJCoGax9o-c7NGzSF4O3rJe97QJj9_qd0fSLzVoN1/s1600/12.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjq7vLxL4G_eivc09-n2L70GF1dldyZrNDDYIm9DeeYyh2iioD45R3p1SyWJ_diRUhCIcRfkbOsJX4bCcv53s2NLduBj-HO4wK8K3-PJCoGax9o-c7NGzSF4O3rJe97QJj9_qd0fSLzVoN1/s320/12.jpg" width="317" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">از این زوایه از گنبد مسجد اصفهان هرگز تا آن زمان عکاسی نشده بود</span></td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZpQCURV-DcwfwmVkr67H8z6PS6wy2Frxp8CUZ9jJpjlVk3cWKj8GOZdYwYFc2CcykXxMs7-hs4aZr0enKLIpqI4HfzAM6B3Wr168lj8h8WnGMh3ZoXPMEmR_4ZHLdGptVChei4GqG04X6/s1600/13.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZpQCURV-DcwfwmVkr67H8z6PS6wy2Frxp8CUZ9jJpjlVk3cWKj8GOZdYwYFc2CcykXxMs7-hs4aZr0enKLIpqI4HfzAM6B3Wr168lj8h8WnGMh3ZoXPMEmR_4ZHLdGptVChei4GqG04X6/s320/13.jpg" width="317" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">کوه های نمک در جنوب ایران. به گفته آقای کاراپتیان وقتی هلی کوپتر به داخل این محوطه رسید، "سمومی درهوا پخش بود که تنفس را غیرممکن می ساخت"</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_GgPecxUdNRulx_7Usi3FsQ3NGMQ64bk0y_JMoOG1cJfjn_ZOVnbiuRqrOIRZovG3ATb14WAsjTZivaRlvw2rXVfoqzm4VgSRdoLHnaCxC39Ke-4_f3Ug7ibnDE5rSjE4Sher6IM4XY_x/s1600/14.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_GgPecxUdNRulx_7Usi3FsQ3NGMQ64bk0y_JMoOG1cJfjn_ZOVnbiuRqrOIRZovG3ATb14WAsjTZivaRlvw2rXVfoqzm4VgSRdoLHnaCxC39Ke-4_f3Ug7ibnDE5rSjE4Sher6IM4XY_x/s320/14.jpg" width="316" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">شهر قدیمی شیز باقی مانده از دوران ساسانیان</span></td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkdqNJNEm-0UIhKTqMttH0w1NlVpHU96nm6gi9Z9iwG8aBny6wy0LzYSS5HfNFxf1FpWWuQrClufueJzJ-T3X6FAAMtzNI5slkjbcwJmMY61B2_XQfS-OyhxvaGbKIgkF-hJ4-mpVn__iB/s1600/15.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkdqNJNEm-0UIhKTqMttH0w1NlVpHU96nm6gi9Z9iwG8aBny6wy0LzYSS5HfNFxf1FpWWuQrClufueJzJ-T3X6FAAMtzNI5slkjbcwJmMY61B2_XQfS-OyhxvaGbKIgkF-hJ4-mpVn__iB/s320/15.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">پل شهرستان</span></td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjgNGuvBgWmmld0wkGd7GfkbnadbC1JQO1mYvaMPBX6DsNh4h0-DUPxRoePhvUefiXrvtUNGk95fjhKdveW_lDffdTo6LbZBIy3EtHBVxmIXgCdhyY6O5MPz5OrWpUajGANQ5jJabqCHbc/s1600/16.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="215" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjgNGuvBgWmmld0wkGd7GfkbnadbC1JQO1mYvaMPBX6DsNh4h0-DUPxRoePhvUefiXrvtUNGk95fjhKdveW_lDffdTo6LbZBIy3EtHBVxmIXgCdhyY6O5MPz5OrWpUajGANQ5jJabqCHbc/s320/16.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">شیر و خورشید</span></td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieFjXpS00zqAbIou-6nVhDavBc2d7-k02PYUaPGzc95QDt4_0oLghWsIIUXJD5XhtcNgwvnpoRAU-iUpN1TEODKJibrstxnDjLb7Bud7PNRmPGELIkTR9LptwIfBfR-LwFFUaw17UBxxO4/s1600/17.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieFjXpS00zqAbIou-6nVhDavBc2d7-k02PYUaPGzc95QDt4_0oLghWsIIUXJD5XhtcNgwvnpoRAU-iUpN1TEODKJibrstxnDjLb7Bud7PNRmPGELIkTR9LptwIfBfR-LwFFUaw17UBxxO4/s320/17.jpg" width="317" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">نمایی هوایی از مسجد نیمه تمام سلطانیه</span></td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEOHZyHzNdFm-nmIfTogONoVOfmwNo2ruJ5Bu3Qvq2BA0l9MMan6evtaPNOgI5Zp1faU3td1LgN_4cpHjBeFn82J6piSzLBip-nL3YtD0lZklGbNpzpyPWkyNGr9IafuAUaYJJQrxxNrkX/s1600/18.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="215" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEOHZyHzNdFm-nmIfTogONoVOfmwNo2ruJ5Bu3Qvq2BA0l9MMan6evtaPNOgI5Zp1faU3td1LgN_4cpHjBeFn82J6piSzLBip-nL3YtD0lZklGbNpzpyPWkyNGr9IafuAUaYJJQrxxNrkX/s320/18.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">حجره </span><span style="font-size: small;">ی</span><span style="font-size: small;"> چینی بندزنی در بازار شیراز</span></td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxmdhSuPcUF26k2DN9N9FDexo9AHdPFF-YdY5x2OghNuFszV-xD0w2lRSd76SUs55GamKK0XzjMNGcN9_WJGZQe2ZAGqqtqiyNfAIRkonY46r6ac29aT5AG7O5estUVf6VRT7pxKAvSuEx/s1600/19.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="216" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxmdhSuPcUF26k2DN9N9FDexo9AHdPFF-YdY5x2OghNuFszV-xD0w2lRSd76SUs55GamKK0XzjMNGcN9_WJGZQe2ZAGqqtqiyNfAIRkonY46r6ac29aT5AG7O5estUVf6VRT7pxKAvSuEx/s320/19.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">پیرزن زرتشتی در نزدیکی یکی از قدیمی ترین معابد زرتشتی</span></td></tr>
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<div class="blogger-post-footer">Persian Culture and Literature, Farhango Adabe Irâni, Персидская Культура и Литература, فرهنگ و ادب ایرانی</div>آرشام Arsham Аршамhttp://www.blogger.com/profile/10782513231420931769noreply@blogger.com0tag:blogger.com,1999:blog-2532433696096710376.post-55317675691763951772013-06-19T19:02:00.000+03:002013-07-03T22:12:08.995+03:00بادپا | BÂDPÂ | БАДПА<div dir="rtl" style="text-align: right;" trbidi="on">
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<span style="font-size: large;"><span style="line-height: 48px;"><b>نشست</b></span><span style="line-height: 48px;"> <b>بادپا</b></span><b><span style="line-height: 48px;">، ش. </span></b></span><span style="font-size: large;"><span style="line-height: 48px;"><b>۹۲</b></span><b><span style="line-height: 48px;">-</span></b><b style="line-height: 48px;">۱</b></span><br />
<span style="font-size: large;"><span style="line-height: 48px;"><b></b>برنامه های این نشست به قرار زیر است:</span></span><br />
<span style="font-size: large; line-height: 24.799999237060547px;">۱- مقاله با موضوع: </span><span style="font-size: large;"><span style="line-height: 24.799999237060547px;">به یاد دوست درگذشته</span><br /><span style="line-height: 24.799999237060547px;">۲- فیلم سینمایی "</span><span style="line-height: 24.799999237060547px;">طعم گیلاس</span><span style="line-height: 24.799999237060547px;">" به کارگردانی: </span><span style="line-height: 24.799999237060547px;">عباس کیارستمی</span><br /><span style="line-height: 24.799999237060547px;">۳- ترانه ی "رهگذار عمر" با صدای: </span><span style="line-height: 24.799999237060547px;">داریوش</span></span><br />
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<span style="font-size: small;"><b>Собрание БАДПА, № 1-92</b><br /><br />Программа этого собрания включает:<br /><br />1- Доклад по теме: </span><span style="font-size: small;">В памяти ушедшего друга<br />2- Фильм "</span><span style="font-size: small;">Вкус вишни", режиссёр:<span style="font-size: small;"><span style="font-family: Times,"Times New Roman",serif;"> </span></span></span><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-size: small;">Аббас Киаростами</span></span></span><br />3- Песня "Теченье жизни", певец: Дарьюш</span><br />
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<span style="font-size: large;">چنانچه خواستار شرکت آنلاین در این نشست هستید، خواهشمندم درخواست خود را حداکثر تا پایان آدینه ۲۰۱۳/۰</span><span style="font-size: large;">۶/</span><span style="font-size: large;">۲</span><span style="font-size: large;"><span style="font-size: large;">۱</span></span><span style="font-size: large;"> به نشانی</span><span style="font-size: large;"> </span><span style="font-family: Times,"Times New Roman",serif; font-size: large;">parsigu@yahoo.com</span><span style="font-size: large;"> با عنوان "<b>بادپا </b><b>۹</b><b>۲</b><b>-</b><b style="line-height: 48px;">۱</b>" بفرستید. </span></div>
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<span style="font-size: small;">Желающие участвовать в этом собрании (в онлайн форме) прошу отправить ваше заявление на тему: «<b>БАДПА 1<span style="font-size: small;"></span>-92</b>» максимум до <span style="font-size: small;">21<span style="font-size: small;"></span></span>.06.2013 включительно по адресу parsigu@yahoo.com</span><br />
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<span style="font-size: small;"><b>1. Доклад</b><br /><br />По теме: </span>В памяти ушедшего друга<br />
<span style="font-size: small;">Докладчик: </span>БАДПА<br />
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<span style="font-size: small;">Чтобы прочитать доклад нажмите здесь.<b> </b></span></div>
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<span style="font-size: small;"><b>2. Фильм</b><br /><br />Название: </span><span style="text-align: left;">Вкус вишни</span><br />
<span style="font-size: small;">Режиссёр: </span><span style="text-align: left;">Аббас Киаростами</span><br />
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<a href="http://arian7000.blogspot.com/2013/06/blog-post.html"><span style="font-family: Times,"Times New Roman",serif;"><span style="font-size: x-large;">Скачать Фильм دانلود فیلم</span></span></a></div>
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<b> 3. Песня</b><span style="font-size: large;"><span style="font-size: large;"><span style="font-family: Times,"Times New Roman",serif;"><span style="font-size: x-large;"> </span></span></span></span><br />
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<a href="http://arian7000.blogspot.com/2013/06/rahgozare-omr-passing-lifetime.html"><span style="font-size: large;"><span style="font-size: large;"><span style="font-family: Times,"Times New Roman",serif;"><span style="font-size: x-large;">Скачть песню دریافت ترانه</span></span></span></span></a></div>
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<div class="blogger-post-footer">Persian Culture and Literature, Farhango Adabe Irâni, Персидская Культура и Литература, فرهنگ و ادب ایرانی</div>آرشام Arsham Аршамhttp://www.blogger.com/profile/10782513231420931769noreply@blogger.com0tag:blogger.com,1999:blog-2532433696096710376.post-59788803427182197452013-06-17T23:27:00.000+03:002013-06-20T20:21:38.913+03:00Вкус вишни<div dir="rtl" style="text-align: right;" trbidi="on">
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<span style="line-height: 24.799999237060547px;">Мужчина средних лет по фамилии Бадии в своей непрекращающейся поездке на машине словно занят упорными поисками какого-то места или же неких людей, пока не становится ясным, что он хочет непременно уйти из жизни, причём с помощью постороннего человека. Казавшаяся незыблемой в течение столетий жизнь в мусульманском Иране начинает вроде бы незаметно, но в то же время стремительно меняться. Плохо это или хорошо, каким образом на это надо реагировать, так же, как и решать более мучительные вопросы: почему на свете существуют беды и несчастья, а кто-то уже отчаялся, даже готов на самоубийство, строго запрещённое Кораном, и мир представляется вовсе оставленным Богом?! В этой трагической ситуации «быть или не быть» поражает отнюдь не смиренность, покорность и упование на Аллаха, а невероятное жизнелюбие, готовность всё преодолеть, выжить во что бы то ни стало и помочь выстоять в жизненных испытаниях своим близким и просто незнакомым людям.</span><br />
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<span style="line-height: 24.799999237060547px;">Именно просветлённая мудрость нации, которая осознаёт по восточным понятиям вечный и неотвратимый круговорот бытия, издревле совершающийся переход от жизни к смерти и к новому возрождению, видна на открытых и будто очищенных от тревог и забот лицах обычных людей. Неизъяснимое величие вроде бы бренного мира сквозит то в уныло пустынных, то вдруг окрашивающихся изобилием цвета местных пейзажах. Один лишь вид одинокого дерева с пышной кроной, которое приютилось у петляющей по холмам пыльной дороги, или же несущегося водного потока может в самый последний момент примирить человека с Вечностью и Богом. После таких картин не только поневоле задумаешься о смысле человеческой жизни и собственном предназначении, но и можешь получить стихийный заряд жизненной энергии, перестав бояться неизбежной смерти. Иранское кино, подобное «Вкусу вишни», пробуждает неистребимое желание жить.</span><br />
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<span style="line-height: 24.799999237060547px;">Режиссёр: <a href="http://arian7000.blogspot.com/2012/11/blog-post_16.html">Аббас Киаростами</a></span><br />
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<span style="line-height: 24.799999237060547px;">Источник: </span><span style="line-height: 28.799999237060547px; text-align: right;">www.kinopoisk.ru</span><br />
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<span style="font-family: Times, Times New Roman, serif; font-size: x-large; line-height: 28.799999237060547px; text-align: right;"><a href="http://www.4shared.com/video/JiumeiEk/Vkus_vishni.html" target="_blank">Скачать</a></span></div>
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<div class="blogger-post-footer">Persian Culture and Literature, Farhango Adabe Irâni, Персидская Культура и Литература, فرهنگ و ادب ایرانی</div>آرشام Arsham Аршамhttp://www.blogger.com/profile/10782513231420931769noreply@blogger.com0tag:blogger.com,1999:blog-2532433696096710376.post-46469700631303948512013-06-15T18:09:00.003+03:002013-06-22T16:46:14.662+03:00رهگذار عمر| Rahgozâre omr| Passing a lifetime|Теченье жизни<div dir="rtl" style="text-align: right;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7uR136ICUvP7xcv9-9M-BctcERGnVvf1mrbtKkoUZW01Ufg0mICBZRfaug6zqfoY4O3dl9p13FljbDOE0PbNU84sCj5nTe9p2v9DSauEiBOwm1ieWP1kmj0XEULxGluQ2pDJJXBaC17P9/s1600/Dariush.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7uR136ICUvP7xcv9-9M-BctcERGnVvf1mrbtKkoUZW01Ufg0mICBZRfaug6zqfoY4O3dl9p13FljbDOE0PbNU84sCj5nTe9p2v9DSauEiBOwm1ieWP1kmj0XEULxGluQ2pDJJXBaC17P9/s200/Dariush.jpg" width="152" /></a></div>
<span style="background-color: white; font-size: large;"><b><span style="color: #333333; font-family: Times, Times New Roman, serif;"><span style="line-height: 16.899999618530273px;">نام ترانه: </span><span style="line-height: 16.890625px;">رهگذار عمر</span></span><br /><span style="color: #333333; font-family: Times, Times New Roman, serif;"><span style="line-height: 16.899999618530273px;">آوازه خوان: </span></span>داریوش<br /><span style="color: #333333; font-family: Times, 'Times New Roman', serif; line-height: 16.899999618530273px;">آهنگساز: </span><span style="color: #333333; font-family: Times, Times New Roman, serif;"><span style="line-height: 16.899999618530273px;">بابک افشار</span></span><br /><span style="color: #333333; font-family: Times, 'Times New Roman', serif;"><span style="line-height: 16.899999618530273px;">تنظیم آهنگ: ناصر چشم آذر</span><br /><span style="line-height: 16.899999618530273px;">ترانه سرا: </span></span><span style="color: #333333; font-family: Times, Times New Roman, serif;"><span style="line-height: 16.899999618530273px;">تورج نگهبان</span></span><br /><span style="color: #333333; font-family: Verdana, Arial, sans-serif;"><span style="line-height: 16.899999618530273px;">تایپ متن: </span></span><span style="color: #333333; font-family: Times, 'Times New Roman', serif; line-height: 16.899999618530273px;">آرشام آریامنش</span><span style="color: #333333; font-family: Times, 'Times New Roman', serif; line-height: 16.899999618530273px;"><br />ویراستار: آرشام آریامنش</span></b></span><br />
<span style="background-color: white; color: #333333; font-family: Verdana, Arial, sans-serif; line-height: 16.899999618530273px;"><b><span style="font-family: Times, 'Times New Roman', serif; font-size: large;">فرستنده: آرشام آریامنش</span></b></span><br />
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<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 43.20000076293945px;">رهگذار عمر سیری در دیاری روشن و تاریک</span></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 43.20000076293945px;">رهگذار عمر راهیست بر فضایی </span></span><span style="font-family: Times, 'Times New Roman', serif; font-size: x-large; line-height: 43.20000076293945px;">دور یا نزدیک</span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: x-large; line-height: 43.20000076293945px;">کس نمی داند کدامین روز می آید</span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: x-large; line-height: 43.20000076293945px;">کس نمی داند کدامین روز می میرد</span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: x-large; line-height: 43.20000076293945px;">چیست این افسانه </span><span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 43.20000076293945px;">ی</span></span><span style="font-family: Times, 'Times New Roman', serif; font-size: x-large; line-height: 43.20000076293945px;"> هستی خدایا چیست</span><span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 43.20000076293945px;">؟</span></span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: x-large; line-height: 43.20000076293945px;">پس چرا آگاهی از این قصه ما را نیست</span><span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 43.20000076293945px;">؟</span></span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: x-large; line-height: 43.20000076293945px;">کس نمی داند کدامین روز می آید</span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: x-large; line-height: 43.20000076293945px;">کس نمی داند کدامین روز می میرد</span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: x-large; line-height: 43.20000076293945px;">کس نمی داند کدامین روز می آید</span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: x-large; line-height: 43.20000076293945px;">کس نمی داند کدامین روز می میرد</span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: x-large; line-height: 43.20000076293945px;">صحبت از مهر و محبت چیست</span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: x-large; line-height: 43.20000076293945px;">جای آن در قلب ما خالیست</span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: x-large;"><span style="line-height: 43.20000076293945px;">روزی انسان برده </span></span><span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 43.20000076293945px;">ی </span></span><span style="font-family: Times, 'Times New Roman', serif; font-size: x-large; line-height: 43.20000076293945px;">عشق و محبت بود</span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: x-large; line-height: 43.20000076293945px;">جز ره مهر و وفا راهی نمی پیمود</span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: x-large; line-height: 43.20000076293945px;">کس نمی داند کدامین روز می آید</span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: x-large; line-height: 43.20000076293945px;">کس نمی داند کدامین روز می میرد</span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: x-large; line-height: 43.20000076293945px;">چیست این افسانه</span><span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 43.20000076293945px;">ی</span></span><span style="font-family: Times, 'Times New Roman', serif; font-size: x-large; line-height: 43.20000076293945px;"> هستی خدایا چیست</span><span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 43.20000076293945px;">؟</span></span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: x-large; line-height: 43.20000076293945px;">پس چرا آگاهی از این قصه ما را نیست</span><span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 43.20000076293945px;">؟</span></span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: x-large; line-height: 43.20000076293945px;">کس نمی داند کدامین روز می آید</span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: x-large; line-height: 43.20000076293945px;">کس نمی داند کدامین روز می میرد</span><br />
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<b><span style="font-family: Times, Times New Roman, serif; font-size: large;">Nâme tarâne: Šaqâyeq</span></b></div>
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<b><span style="font-family: Times, Times New Roman, serif; font-size: large;">Âvâze xân: Dâryuš</span></b></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Â</b><b>hangs</b><b>â</b><b>z:</b></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Tâype matn: Âršâm </b><b>Â</b><b>riy</b><b>âmane</b><b>š</b><b></b></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Virâstâr: Âršâm</b><b> </b><b>Â</b><b>riy</b><b>âmane</b><b>š</b></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Ferestande: Âršâm </b><b>Â</b><b>riy</b><b>âmane</b><b>š</b></span></div>
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<b><span style="font-family: Times, Times New Roman, serif; font-size: large;">Song's Name:</span></b></div>
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<b><span style="font-family: Times, Times New Roman, serif; font-size: large;">Singer:</span></b></div>
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<b><span style="font-family: Times, Times New Roman, serif; font-size: large;">Compositor:</span></b></div>
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<b><span style="font-family: Times, Times New Roman, serif; font-size: large;">Text Typing: Arsham Ariamanesh</span></b></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Editor: -</b><b> </b></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Sender: Arsham Ariamanesh</b><b> </b></span></div>
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<b><span style="font-family: Times, Times New Roman, serif; font-size: large;">Translation from Persian:</span></b></div>
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<span style="font-size: large;"><b style="-webkit-text-stroke-width: 0px; color: black; font-family: 'Times New Roman'; font-style: normal; font-variant: normal; letter-spacing: normal; line-height: normal; text-transform: none; white-space: normal; word-spacing: 0px;">Название песни: </b><b><span style="font-family: Times, Times New Roman, serif;">Теченье жизни</span></b></span></div>
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<b><span style="font-size: large;">Певиц: Дарьюш</span></b></div>
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<b><span style="font-size: large;">Композитор:</span></b></div>
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<span style="font-size: large;"><b>Набор текста: </b><b>Томашевская Ю.Н.</b><b> </b></span></div>
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<span style="font-size: large;"><b>Редактор: Томашевская Ю.Н.</b><b> </b></span></div>
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<span style="font-size: large;"><b>Отправитель: Аршам Арияманеш</b><b> </b></span></div>
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<span style="font-size: large;"><b>Перевод с персидского языка: </b><b>Арияманеш </b><b>А.</b></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Извилистой рекой</b></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Теченье жизни</b></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Вершит свой путь</b></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>В краю меж светом</b></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>И меж тьмой…</b></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>В стране, где все</b></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Так близко, под рукой</b></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Но ни к чему</b></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Не прикоснуться…</b></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Все будто здесь</b></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>И - в даль ушло…</b></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Предугадать тот день,</b></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Нам не дано</b></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Когда пред нами</b></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Распахнется дверь.</b></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>И жизнь еще одна</b></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Начнется!</b></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>И кто же может</b></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Знать теперь,</b></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Тот час, когда</b></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Стоять нам на пороге?</b></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Жизнь человека…</b></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Где ее сюжет? </b></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>О Боже! </b><b>Ведь не знаем, нет!</b></span></div>
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<b><span style="font-family: Times, Times New Roman, serif; font-size: large;">И знать не можем даже…</span></b></div>
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<b><span style="font-family: Times, Times New Roman, serif; font-size: large;">Ах, эти вечные рассказы</span></b></div>
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<b><span style="font-family: Times, Times New Roman, serif; font-size: large;">О любви…, зачем?</span></b></div>
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<b><span style="font-family: Times, Times New Roman, serif; font-size: large;">Ведь место для нее в сердцах</span></b></div>
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<b><span style="font-family: Times, Times New Roman, serif; font-size: large;">Давным-давно пустеет.</span></b></div>
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<b><span style="font-family: Times, Times New Roman, serif; font-size: large;">Да, было время, человек</span></b></div>
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<b><span style="font-family: Times, Times New Roman, serif; font-size: large;">Был пленником любви</span></b></div>
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<b><span style="font-family: Times, Times New Roman, serif; font-size: large;">И узником доверия.</span></b></div>
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<b><span style="font-family: Times, Times New Roman, serif; font-size: large;">Не зная никакой другой,</span></b></div>
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<b><span style="font-family: Times, Times New Roman, serif; font-size: large;">Шагал он смело по тропе</span></b></div>
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<b><span style="font-family: Times, Times New Roman, serif; font-size: large;">Любви и верности,</span></b></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;"><b>Такой простой.</b><b style="-webkit-text-stroke-width: 0px; color: black; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; text-transform: none; white-space: normal; word-spacing: 0px;"> </b><b></b><span style="-webkit-text-stroke-width: 0px; color: black; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; text-transform: none; white-space: normal; word-spacing: 0px;"> </span></span></div>
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<div class="blogger-post-footer">Persian Culture and Literature, Farhango Adabe Irâni, Персидская Культура и Литература, فرهنگ و ادب ایرانی</div>آرشام Arsham Аршамhttp://www.blogger.com/profile/10782513231420931769noreply@blogger.com0tag:blogger.com,1999:blog-2532433696096710376.post-19675000058973083152012-11-22T22:07:00.000+02:002013-07-29T22:50:23.848+03:00هوش سیاه Huše Siyâh<div dir="rtl" style="text-align: right;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipuX2wF_A13CxcS2ipeMVzH9ONJ3GyASJwbpg0p12vV3DT8eDtvQr38t2aJ9HRaYIRLpiWuxgYeDKm1sKil1vS9WBb0ZzhjBvwk6PqPaU8DYKQFTUBke7V-yiYkSQZoBrgazgZPraEUYu4/s1600/Hushe+Siyah.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipuX2wF_A13CxcS2ipeMVzH9ONJ3GyASJwbpg0p12vV3DT8eDtvQr38t2aJ9HRaYIRLpiWuxgYeDKm1sKil1vS9WBb0ZzhjBvwk6PqPaU8DYKQFTUBke7V-yiYkSQZoBrgazgZPraEUYu4/s1600/Hushe+Siyah.jpg" /></a></div>
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<span style="font-size: large; line-height: 135%;">هوش سیاه مجموعه</span><span style="font-size: large; line-height: 32px;">ی</span><span style="font-size: large; line-height: 135%;"> تلویزیونی ۱۳ قسمتی با موضوع جرائم رایانه ای است. کارگردان این مجموعه مسعود آب پرور و تهیه کننده</span><span style="font-size: large; line-height: 32px;">ی</span><span style="font-size: large; line-height: 135%;"> آن عباس فاطمی است. پخش این مجموعه از ۱ اردیبهشت ۱۳۸۹ از شبکه ۳ صدا و سیمای ایران آغاز شد. </span><span style="font-size: large; line-height: 135%;">فیلم برداری این مجموعه تماماً بر روی دست انجام شده است و به گفته</span><span style="font-size: large; line-height: 32px;">ی</span><span style="font-size: large; line-height: 135%;"> کارگردان مجموعه، پلانی وجود ندارد که در آن دوربین روی سه پایه قرار گرفته باشد. در این مجموعه</span><span style="font-size: large; line-height: 32px;">ی</span><span style="font-size: large; line-height: 135%;"> تلویزیونی عمدتاً موضوعات بلوتوث، سرقت نرم افزار، هک، شرکت های هرمی، دوستی های اینترنتی مورد بحث قرار می گیرند. </span><br />
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<span style="font-size: large; line-height: 135%;">سری دوم این سریال در اردیبهشت ۱۳۹۲ پخش شد. در این مجموعه به مسائل امنیتی پرداخته شده و پلیس مبارزه با جرایم رایانه ای در حال مبارزه با چنین متخلفانی است.</span><br />
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<span style="line-height: 32px;">برگرفته از: </span>www.fa.wikipedia.org<br />
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<span style="line-height: 32px; text-align: justify;"><span style="font-family: Times, Times New Roman, serif; font-size: x-large;">سری یکم: </span></span><span style="font-family: Times, Times New Roman, serif; font-size: x-large; line-height: 32px;"><a href="http://forum.iranproud.com/download-serial-hooshe-siah-c368" target="_blank">بارگیری Bârgiri</a></span></div>
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<span style="line-height: 32px; text-align: justify;"><span style="font-family: Times, Times New Roman, serif; font-size: x-large;">سری دوم: </span></span><span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><span style="line-height: 32px;"><a href="http://forum.iranproud.com/dl.php?catid=376&sort=d&pp=20&page=2" target="_blank">بارگیری Bârgiri</a></span></span></div>
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<div class="blogger-post-footer">Persian Culture and Literature, Farhango Adabe Irâni, Персидская Культура и Литература, فرهنگ و ادب ایرانی</div>آرشام Arsham Аршамhttp://www.blogger.com/profile/10782513231420931769noreply@blogger.com0tag:blogger.com,1999:blog-2532433696096710376.post-39664607172865667942012-11-19T12:12:00.000+02:002013-08-03T16:50:42.654+03:00زبان پارسی با ملا نصرالدین Персидский язык с Муллой Насреддином<div dir="rtl" style="text-align: right;" trbidi="on">
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<b><span style="font-size: large; line-height: 135%;">۷- خر طلبکار</span></b></div>
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<span style="font-size: large; line-height: 135%;">دوستان ملا که خرش را به اندازه </span><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;">ی</span> خودش می شناختند متوجه شدند که روز به روز ضعيف تر می شود. يک روز به ملا گفتند׃ ملا مگر به خرت غذا نمی دهی که اينقدر لاغر و ضعيف شده؟ ملا گفت׃ چرا، شبی دو من جو از من جيره می گيرد. دوستانش گفتند׃ پس چرا اينقدر لاغر شده؟ <a href="http://www.arian7000.blogspot.com/2011/06/blog-post.html">ملا نصرالدين</a> گفت׃ هی</span><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;">،</span> بسوزه پدر نداری.<span style="font-size: large;"> </span>بيچاره خرم جيره </span><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;">ی</span> يک ماهش را از من طلبکار است.</span><br />
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<b>7. </b><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><b>Xar-e talabk<span style="font-size: small;">â</span>r</b> <i>Осел, требующий возвращения долга; talab — требование, сумма, подлежащая востребованию</i></span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><b>Dust<span style="font-size: small;">â</span>n-e Moll<span style="font-size: small;">â</span> ke xar-aš r<span style="font-size: small;">â</span> be and<span style="font-size: small;">â</span>ze-ye xod-aš mišen<span style="font-size: small;">â</span>xtand</b> <i>друзья Муллы, которые осла его до /такой/ степени, /как/ самого его знали,</i></span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><b>motavajjeh šodand ke ruz be ruz zaiftar mišavad</b> <i>заметили; motavajjeh — замечающий, обращающий внимание, что /осел/ день за днем слабее становится.</i></span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><b>Yek ruz be Moll<span style="font-size: small;">â</span> goftand: “Moll<span style="font-size: small;">â</span>, magar be xar-at qaz<span style="font-size: small;">â</span> nemidahi</b> <i>однажды /они/ Мулле сказали: Мулла: неужели /ты/ ослу своему еду не даешь,</i></span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><b>ke inqadr l<span style="font-size: small;">â</span>qar va zaif šode</b> <i>раз /осел/ такой тощий и слабый стал?” </i></span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><b>Molla goft: “Cer</b></span></span><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><b><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><b><span style="font-size: small;">â</span></b></span></span>, šab-i do man jow az man jire migirad</b> <i>Мулла сказал: почему, каждый вечер два мана овса от меня /в качестве/ пайка получает).”</i> </span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><b>Dust</b></span></span><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><b><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><b><span style="font-size: small;">â</span></b></span></span>n-aš goftand: “Pas </b></span></span><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><b><span style="font-size: small;">c</span>er</b></span></span><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><b><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><b><span style="font-size: small;">â</span></b></span></span> inqadr l</b></span></span><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><b><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><b><span style="font-size: small;">â</span></b></span></span>qar šode</b> <i>друзья его сказали: тогда почему он до такой степени тощий стал?”</i></span></span><br />
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<a href="http://www.arian7000.blogspot.com/2011/06/blog-post.html"><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><b>Moll</b></span></span></a><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><b><a href="http://www.arian7000.blogspot.com/2011/06/blog-post.html"><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><b><span style="font-size: small;">â</span></b></span></span> Nasreddin</a> goft: “Hey, besuze pedar-e nad</b></span></span><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><b><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><b><span style="font-size: small;">â</span></b></span></span>r-i</b> <i><a href="http://www.arian7000.blogspot.com/2011/06/blog-post.html">Мулла Насреддин</a> сказал: да чтоб ему сгореть, мерзавцу: «пусть он сгорит, отца не имеющий»).</i> </span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><b>Bi<span style="font-size: small;">c</span></b></span></span><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><b><span style="font-size: small;"><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><b><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><b><span style="font-size: small;">â</span></b></span></span></b></span></span></span></b></span></span><b>re xaram jire-ye yek m</b><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><b><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><b><span style="font-size: small;">â</span></b></span></span>h-aš ra az man talabk</b></span></span><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><b><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><b><span style="font-size: small;">â</span></b></span></span>r ast</b> <i>бедняге ослу моему я задолжал паек за один месяц: «осел возвращения пайка месячного у меня требует»).” </i></span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Источник (с небольшим изменением): www.franklang.ru</span></span><br />
<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Адаптировала: Гюзель Самарина </span></span></div>
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<div class="blogger-post-footer">Persian Culture and Literature, Farhango Adabe Irâni, Персидская Культура и Литература, فرهنگ و ادب ایرانی</div>آرشام Arsham Аршамhttp://www.blogger.com/profile/10782513231420931769noreply@blogger.com0tag:blogger.com,1999:blog-2532433696096710376.post-13076638742676240082012-11-16T18:46:00.000+02:002013-06-20T20:22:19.757+03:00Аббас Киаростами<div dir="rtl" style="text-align: right;" trbidi="on">
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Аббас Киаростами (перс. عباس کیارستمی; род. 22 июня 1940 в Тегеране) — иранский кинорежиссёр, сценарист и продюсер. Один из лидеров иранской новой волны. Обладатель множества кинематографических наград, в числе которых «Золотая пальмовая ветвь» 50-го Каннского фестиваля (за фильм «Вкус вишни», 1997 — впервые «Золотая пальмовая ветвь» была присуждена иранскому фильму). Кроме того, Киаростами известен как дизайнер, фотограф и поэт.<span style="font-size: small;"> Получил образование в школе изящных искусств Тегеранского университета. Получив образование, работал дизайнером, затем присоединился к Центру интеллектуального развития детей и молодёжи, где возглавил кинематографическую секцию. С тридцатилетнего возраста работает в кино. В большом кино дебютировал в 1977 году с фильмом «Путешественник», с этого же года стал работать во вновь созданном Центре иранской национальной кинематографии. Поставил 37 фильмов (на сентябрь 2008 года).</span></span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><span style="font-size: small;">Киаростами является лауреатом многих международных премий и фестивалей, включая Каннский («Золотая пальмовая ветвь», 1997), Венецианский (4 награды, 1999), кинофестиваль в Локарно (3 награды, 1987) и другие. Киаростами был женат, но разведён, у него двое детей. Один из них — режиссёр Бахман Киаростами.</span></span></span><br />
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<span style="font-family: Times,"Times New Roman",serif;"><span style="font-size: large;"><b><span style="line-height: 120%;">Избранная фильмография</span></b></span></span><br />
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<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><span style="font-size: small;">1973 — «Жизненный опыт» (перс. Tadjrebeh) — режиссёр</span></span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><span style="font-size: small;">1974 — «Путешественник» (перс. مسافر) — режиссёр</span></span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><span style="font-size: small;">1977 — «Свадебный костюм» (перс. Lebasi Baraye Arossi) — режиссёр</span></span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><span style="font-size: small;">1977 — «Репортаж» (перс. گزارش) — режиссёр 1987 — «Где дом друга?» (перс. خانه دوست كجاست؟) — режиссёр</span></span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><span style="font-size: small;">1989 — «Домашняя работа» (перс. مشق شب) — режиссёр</span></span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><span style="font-size: small;">1990 — «Крупный план» (перс. كلوزآپ) — режиссёр</span></span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><span style="font-size: small;">1991 — «И жизнь продолжается» (перс. زندگي و ديگر هيچ) — режиссёр</span></span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><span style="font-size: small;">1994 — «Сквозь оливы» (перс. زير درختان زيتون) — режиссёр</span></span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><span style="font-size: small;">1995 — «Люмьер и компания» (фр. Lumiere et compagnie) — один из режиссёров</span></span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><span style="font-size: small;">1997 — «<a href="http://arian7000.blogspot.com/2013/06/blog-post.html#more">Вкус вишни</a>» (перс. طعم گيلاس) — режиссёр, продюсер, автор сценария</span></span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><span style="font-size: small;">1999 — «Ветер унесёт нас» (перс. باد ما را خواهد برد) — режиссёр</span></span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><span style="font-size: small;">2001 — «Алфавит. Африка» (перс. آ.ب.ث آفريقا) — режиссёр</span></span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><span style="font-size: small;">2002 — «Десять» (перс. ده) — режиссёр</span></span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><span style="font-size: small;">2002 — «Заброшенная станция» — автор сценария</span></span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><span style="font-size: small;">2005 — «Билет на поезд» (англ. Tickets) — один из режиссёров</span></span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><span style="font-size: small;">2007 — «У каждого своё кино» (фр. Chacun son cinema ou Ce petit coup au coeur quand la lumiere s'eteint et que le film commence) — один из режиссёров; фильм посвящён Ф. Феллини</span></span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><span style="font-size: small;">2008 — «Ширин» (перс. Shirin) — режиссёр</span></span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><span style="font-size: small;">2010 — «Копия верна» (фр. Copie conforme) — режиссёр, сценарист</span></span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><span style="font-size: small;">2012 — «Словно кто-то влюблён» (яп. ライク・サムワン・イン・ラブ) — режиссёр </span></span></span></li>
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<span style="font-family: Times,"Times New Roman",serif;"><span style="font-size: large;"><b><span style="line-height: 120%;">Награды</span></b></span></span></div>
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><span style="font-size: small;">На Ереванском кинофестивале «Золотой абрикос» был удостоен премии им. Сергея Параджанова «за вклад в мировой кинематограф» (2005)</span></span></span></div>
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><span style="font-size: small;">Источник: <span style="font-size: small;">www.</span>ru.wikipedia.org </span></span></span></div>
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<div class="blogger-post-footer">Persian Culture and Literature, Farhango Adabe Irâni, Персидская Культура и Литература, فرهنگ و ادب ایرانی</div>آرشام Arsham Аршамhttp://www.blogger.com/profile/10782513231420931769noreply@blogger.com0tag:blogger.com,1999:blog-2532433696096710376.post-85831796948718241762012-11-13T18:01:00.000+02:002013-04-29T19:52:09.939+03:00Abbas Kiarostami<div dir="rtl" style="text-align: right;" trbidi="on">
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Abbas Kiarostami (Persian: عباس کیارستمی Abbās Kiyārostamī; born 22 June 1940) is an internationally acclaimed Iranian film director, screenwriter, photographer and film producer.<span style="font-size: small;"> </span>An active filmmaker since 1970, Kiarostami has been involved in over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker Trilogy (1987–94), Taste of Cherry (1997), and The Wind Will Carry Us (1999). In his recent films, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran, in France and Japan, respectively. Kiarostami has worked extensively as a screenwriter, film editor, art director and producer and has designed credit titles and publicity material. He is also a poet, photographer, painter, illustrator, and graphic designer. He is part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and includes pioneering directors such as Forough Farrokhzad, Sohrab Shahid Saless, Mohsen Makhmalbaf, Bahram Beizai, and Parviz Kimiavi. These filmmakers share many common techniques including the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues.</span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Kiarostami has a reputation for using child protagonists, for do<span style="font-family: inherit;">cumentary-style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of contemporary Iranian poetry in the dialogue, titles, and themes of his films.</span></span></span><br />
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<span style="font-family: Times,"Times New Roman",serif;"><span style="font-size: large;"><b><span style="line-height: 120%;">Early life and background</span></b></span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;"><span style="font-family: inherit;">Kiarostami was born in Tehran. </span>His first artistic experience was painting, which he continued into his late teens, winning a painting competition at the age of 18 shortly before he left home to study at the University of Tehran School of Fine Arts.<span style="font-size: small;"> </span>He majored in painting and graphic design, and supported his studies by working as a traffic policeman.</span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">As a painter, designer, and illustrator, Kiarostami worked in advertising in the 1960s, designing posters and creating commercials. Between 1962 and 1966, he shot around 150 advertisements for Iranian television. In the late 1960s, he began creating credit titles for films (including Gheysar by Masoud Kimiai) and illustrating children's books.</span></span><br />
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<span style="font-family: Times,"Times New Roman",serif;"><span style="font-size: large;"><b><span style="line-height: 120%;">Marriage and family</span></b></span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">In 1969, Abbas married Parvin Amir-Gholi. They had two sons, Ahmad (born 1971) and Bahman (1978). They divorced in 1982. At the age of 15, Bahman Kiarostami worked as a director and cinematographer in making the documentary Journey to the Land of the Traveller (1993).</span></span><br />
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<span style="font-family: Times,"Times New Roman",serif;"><span style="font-size: large;"><b><span style="line-height: 120%;">Film career</span></b></span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Kiarostami was one of the few directors who remained in Iran after the 1979 revolution, when many of his peers fled the country. He believes that it was one of the most important decisions of his career. His permanent base in Iran and his national identity have consolidated his ability as a filmmaker:</span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">"When you take a tree that is rooted in the ground, and transfer it from one place to another, the tree will no longer bear fruit. And if it does, the fruit will not be as good as it was in its original place. This is a rule of nature. I think if I had left my country, I would be the same as the tree." -Abbas Kiarostami</span></span></blockquote>
<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Kiarostami frequently wears dark spectacles or sunglasses. He needs them as he has a sensitivity to light.</span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">In 2000, at the San Francisco Film Festival award ceremony, Kiarostami surprised everyone by giving away his Akira Kurosawa Prize for lifetime achievement in directing to veteran Iranian actor Behrooz Vossoughi for his contribution to Iranian cinema.</span></span><br />
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<span style="font-family: Times,"Times New Roman",serif;"><span style="font-size: large;"><b><span style="line-height: 120%;">1970s </span></b></span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">In 1969, when the Iranian New Wave began with Dariush Mehrjui's film Gāv, Kiarostami helped set up a filmmaking department at the Institute for Intellectual Development of Children and Young Adults (Kanun) in Tehran. Its debut production and Kiarostami's first film was the twelve-minute The Bread and Alley (1970), a neo-realistic short film about a schoolboy's confrontation with an aggressive dog. Breaktime followed in 1972. The department became one of Iran's most noted film studios, producing not only Kiarostami's films, but acclaimed Persian films such as The Runner and Bashu, the Little Stranger.</span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">In the 1970s, Kiarostami pursued an individualistic style of film making. When discussing his first film, he stated:</span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">"Bread and Alley was my first experience in cinema and I must say a very difficult one. I had to work with a very young child, a dog, and an unprofessional crew except for the cinematographer, who was nagging and complaining all the time. Well, the cinematographer, in a sense, was right because I did not follow the conventions of film making that he had become accustomed to."</span></span></blockquote>
<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Following The Experience (1973), Kiarostami released The Traveller (Mossafer) in 1974. The Traveller tells the story of Hassan Darabi, a troublesome, amoral ten-year-old boy in a small Iranian town. He wishes to see the Iran national football team play an important match in Tehran. In order to achieve that, he scams his friends and neighbors. After a number of adventures, he finally reaches Tehran stadium in time for the match. The film addresses the boy's determination in his goal, and his indifference to the effects of his actions on other people, particularly those closest to him. The film is an examination of human behavior and the balance of right and wrong. The film furthered Kiarostami's reputation of realism, diegetic simplicity, and stylistic complexity, as well as his fascination with physical and spiritual journeys.</span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">In 1975, Kiarostami directed two short films So Can I and Two Solutions for One Problem. In early 1976, he released Colors, followed by the fifty-four minute film A Wedding Suit, a story about three teenagers coming into conflict over a suit for a wedding.</span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Kiarostami's first feature film was the 112-minute Report (1977). It revolved around the life of a tax collector accused of accepting bribes; suicide was among its themes. In 1979, he produced and directed First Case, Second Case.</span></span><br />
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<span style="font-family: Times,"Times New Roman",serif;"><span style="font-size: large;"><b><span style="line-height: 120%;">1980s</span></b></span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">In the early 1980s, Kiarostami directed several short films including Dental Hygiene (1980), Orderly or Disorderly (1981), and The Chorus (1982). In 1983, he directed Fellow Citizen. It was not until his release of Where Is the Friend's Home? that he began to gain recognition outside Iran.</span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">The film tells a simple account of a conscientious eight-year-old schoolboy's quest to return his friend's notebook in a neighboring village lest his friend be expelled from school. The traditional beliefs of Iranian rural people are portrayed. The film has been noted for its poetic use of the Iranian rural landscape and its realism, both important elements of Kiarostami's work. Kiarostami made the film from a child's point of view.</span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Where Is the Friend's Home?, And Life Goes On (1992) (also known as Life and Nothing More), and Through the Olive Trees (1994) are described by critics as the Koker trilogy, because all three films feature the village of Koker in northern Iran. The films also relate to the 1990 Manjil-Rudbar earthquake, in which 40,000 people lost their lives. Kiarostami uses the themes of life, death, change, and continuity to connect the films. The trilogy was successful in France in the 1990s and other Western European countries such as the Netherlands, Sweden, Germany and Finland. But, Kiarostami does not consider the three films to comprise a trilogy. He has suggested that the last two titles plus Taste of Cherry (1997) comprise a trilogy, given their common theme of the preciousness of life. In 1987, Kiarostami was involved in the screenwriting of The Key, which he edited but did not direct. In 1989, he released Homework.</span></span><br />
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<span style="font-family: Times,"Times New Roman",serif;"><span style="font-size: large;"><b><span style="line-height: 120%;">1990s</span></b></span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Kiarostami's first film of the decade was Close-Up (1990), which narrates the story of the real-life trial of a man who impersonated film-maker Mohsen Makhmalbaf, conning a family into believing they would star in his new film. The family suspects theft as the motive for this charade, but the impersonator, Hossein Sabzian, argues that his motives were more complex. The part-documentary, part-staged film examines Sabzian's moral justification for usurping Makhmalbaf's identity, questioning his ability to sense his cultural and artistic flair. Close-Up received praise from directors such as Quentin Tarantino, Martin Scorsese, Werner Herzog, Jean-Luc Godard, and Nanni Moretti and was released across Europe.</span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">In 1992, Kiarostami directed Life, and Nothing More..., regarded by critics as the second film of the Koker trilogy. The film follows a father and his young son as they drive from Tehran to Koker in search of two young boys who they fear might have perished in the 1990 earthquake. As the father and son travel through the devastated landscape, they meet earthquake survivors forced to carry on with their lives amid disaster.<span style="font-size: small;"> </span>That year Kiarostami won a Prix Roberto Rossellini, the first professional film award of his career, for his direction of the film. The last film of the so-called Koker trilogy was Through the Olive Trees (1994), which expands a peripheral scene from Life and Nothing More into the central drama. Critics such as Adrian Martin have called the style of filmmaking in the Koker trilogy as "diagrammatical", linking the zig-zagging patterns in the landscape and the geometry of forces of life and the world. A flashback of the zigzag path in Life and Nothing More... (1992) in turn triggers the spectator's memory of the previous film, Where Is the Friend's Home? from 1987, shot before the earthquake. This symbolically links to the post-earthquake reconstruction in Through the Olive Trees in 1994. In 1995, Miramax Films released Through the Olive Trees in the US theaters.</span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Kiarostami next wrote the screenplays for The Journey and The White Balloon (1995), for his former assistant Jafar Panahi.<span style="font-size: small;"> </span>Between 1995 and 1996, he was involved in the production of Lumière and Company, a collaboration with 40 other film directors.</span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Kiarostami won the Palme d'Or (Golden Palm) award at the Cannes Film Festival for Taste of Cherry. It is the drama of a man, Mr. Badii, determined to commit suicide. The film involved themes such as morality, the legitimacy of the act of suicide, and the meaning of compassion.</span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Kiarostami directed The Wind Will Carry Us in 1999, which won the Grand Jury Prize (Silver Lion) at the Venice International Film Festival. The film contrasted rural and urban views on the dignity of labor, addressing themes of gender equality and the benefits of progress, by means of a stranger's sojourn in a remote Kurdish village. An unusual feature of the movie is that many of the characters are heard but not seen; at least thirteen to fourteen speaking characters in the film are never seen.</span></span><br />
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<span style="font-family: Times,"Times New Roman",serif;"><span style="font-size: large;"><b><span style="line-height: 120%;">2000s</span></b></span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">In 2001, Kiarostami and his assistant, Seifollah Samadian, traveled to Kampala, Uganda at the request of the United Nations International Fund for Agricultural Development, to film a documentary about programs assisting Ugandan orphans. He stayed for ten days and made ABC Africa. The trip was originally intended as a research in preparation for the filming, but Kiarostami ended up editing the entire film from the video footage shot there. The high number of orphans in Uganda has resulted from the deaths of parents in the AIDS epidemic.</span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Time Out editor and National Film Theatre chief programmer, Geoff Andrew, said in referring to the film: "Like his previous four features, this film is not about death but life-and-death: how they're linked, and what attitude we might adopt with regard to their symbiotic inevitability."</span></span><br />
<br />
<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">The following year, Kiarostami directed <a href="http://arian7000.blogspot.com/2012/11/dah-ten.html">Ten</a>, revealing an unusual method of filmmaking and abandoning many scriptwriting conventions. Kiarostami focused on the socio-political landscape of Iran. The images are seen through the eyes of one woman as she drives through the streets of Tehran over a period of several days. Her journey is composed of ten conversations with various passengers, which include her sister, a hitchhiking prostitute, and a jilted bride and her demanding young son. This style of filmmaking was praised by a number of critics. </span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">A. O. Scott in The New York Times wrote that Kiarostami, "in addition to being perhaps the most internationally admired Iranian filmmaker of the past decade, is also among the world masters of automotive cinema...He understands the automobile as a place of reflection, observation and, above all, talk."</span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">In 2003, Kiarostami directed Five, a poetic feature with no dialogue or characterization. It consists of five long shots of nature which are single-take sequences, shot with a hand-held DV camera, along the shores of the Caspian Sea. Although the film lacks a clear storyline, Geoff Andrew argues that the film is "more than just pretty pictures". He adds, "Assembled in order, they comprise a kind of abstract or emotional narrative arc, which moves evocatively from separation and solitude to community, from motion to rest, near-silence to sound and song, light to darkness and back to light again, ending on a note of rebirth and regeneration." He notes the degree of artifice concealed behind the apparent simplicity of the imagery.</span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Kiarostami produced 10 on Ten (2004), a journal documentary that shares ten lessons on movie-making while he drives through the locations of his past films. The movie is shot on digital video with a stationary camera mounted inside the car, in a manner reminiscent of Taste of Cherry and Ten. In 2005 and 2006, he directed The Roads of Kiarostami, a 32-minute documentary that reflects on the power of landscape, combining austere black-and-white photographs with poetic observations, engaging music with political subject matter. Also in 2005, Kiarostami contributed the central section to Tickets, a portmanteau film set on a train traveling through Italy. The other segments were directed by Ken Loach and Ermanno Olmi.</span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">In 2008, Kiarostami directed the feature Shirin, which features close-ups of many notable Iranian actresses and the French actress Juliette Binoche as they watch a film based on a partly mythological Persian romance tale of Khosrow and Shirin, with themes of female self-sacrifice. The film has been described as "a compelling exploration of the relationship between image, sound and female spectatorship."[</span></span><br />
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<span style="font-family: Times,"Times New Roman",serif;"><span style="font-size: large;"><b><span style="line-height: 120%;">2010s</span></b></span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Certified Copy (2010), again starring Juliette Binoche, was made in Tuscany. It is Kiarostami's first film to be shot and produced outside Iran. The story of an encounter between a British man and a French woman, it was entered in competition for the Palme d'Or in the 2010 Cannes Film Festival. Peter Bradshaw of The Guardian describes the film as an "intriguing oddity", and said, "'Certified Copy' is the deconstructed portrait of a marriage, acted with well-intentioned fervour by Juliette Binoche, but persistently baffling, contrived, and often simply bizarre – a highbrow misfire of the most peculiar sort." He concluded that the film is "unmistakably an example of Kiarostami's compositional technique, though not a successful example." Roger Ebert, however, praised the film, noting that "Kiarostami is rather brilliant in the way he creates offscreen spaces." Binoche won the Best Actress Award at Cannes for her performance in the film. Kiarostami's next, Like Someone in Love, set and shot in Japan, received mixed reviews and even some pans upon its premiere at the 2012 Cannes Film Festival.</span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Film festival work</span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Kiarostami has been a jury member at numerous film festivals, most notably the Cannes Film Festival in 1993, 2002 and 2005. He was also the president of the Caméra d'Or Jury in Cannes Film Festival 2005. Other representatives include the Venice Film Festival in 1985, the Locarno International Film Festival in 1990, the San Sebastian International Film Festival in 1996, the São Paulo International Film Festival in 2004, the Capalbio Cinema Festival in 2007 (in which he was president of the jury), and the Küstendorf Film and Music Festival in 2011. He also makes regular appearances at many other film festivals across Europe, including the Estoril Film Festival in Portugal.</span></span><br />
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<span style="font-family: Times,"Times New Roman",serif;"><span style="font-size: large;"><b><span style="line-height: 120%;">Cinematic style</span></b></span></span><br />
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<span style="font-family: inherit;"><b><span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Individualism</span></span></b></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Though Kiarostami has been compared to Satyajit Ray, Vittorio de Sica, Éric Rohmer, and Jacques Tati, his films exhibit a singular style, often employing techniques of his own invention.</span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">During the filming of The Bread and Alley in 1970, Kiarostami had major differences with his experienced cinematographer about how to film the boy and the attacking dog. While the cinematographer wanted separate shots of the boy approaching, a close up of his hand as he enters the house and closes the door, followed by a shot of the dog, Kiarostami believed that if the three scenes could be captured as a whole it would have a more profound impact in creating tension over the situation. That one shot took around forty days to complete, until Kiarostami was fully content with the scene. Kiarostami later commented that the breaking of scenes would have disrupted the rhythm and content of the film's structure, preferring to let the scene flow as one.</span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Unlike other directors, Kiarostami has showed no interest in staging extravagant combat scenes or complicated chase scenes in large-scale productions, instead attempting to mold the medium of film to his own specifications. Kiarostami appeared to have settled on his style with the Koker trilogy, which included a myriad of references to his own film material, connecting common themes and subject matter between each of the films. Stephen Bransford has contended that Kiarostami's films do not contain references to the work of other directors, but are fashioned in such a manner that they are self-referenced. Bransford believes his films are often fashioned into an ongoing dialectic with one film reflecting on and partially demystifying an earlier film.<span style="font-size: small;"> </span></span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">He has continued experimenting with new modes of filming, using different directorial methods and techniques. A case in point is Ten, which was filmed in a moving automobile in which Kiarostami was not present. He gave suggestions to the actors about what to do, and a camera placed on the dashboard filmed them while they drove around Tehran. The camera was allowed to roll, capturing the faces of the people involved during their daily routine, using a series of extreme-close shots. Ten was an experiment that used digital cameras to virtually eliminate the director. This new direction towards a Digital-Micro-Cinema, is defined as a micro-budget filmmaking practice, allied with a digital production basis.</span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Kiarostami's cinema offers a different definition of film. According to film professors such as Jamsheed Akrami of William Paterson University, Kiarostami has consistently tried to redefine film by forcing the increased involvement of the audience. In recent years, he has also progressively trimmed the timespan within his films. Akrami thinks that this reduces the filmmaking from a collective endeavor to a purer, more basic form of artistic expression.</span></span><br />
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<span style="font-family: inherit;"><b><span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Fiction and non-fiction</span></span></b></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. Kiarostami has stated, "We can never get close to the truth except through lying."</span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">The boundary between fiction and non-fiction is significantly reduced in Kiarostami's cinema. The French philosopher Jean-Luc Nancy, writing about Kiarostami, and in particular Life and Nothing More..., has argued that his films are neither quite fiction nor quite documentary. Life and Nothing More..., he argues, is neither representation nor reportage, but rather "evidence":</span></span><br />
<blockquote class="tr_bq">
<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">[It] all looks like reporting, but everything underscores (indique à l'évidence) that it is the fiction of a documentary (in fact, Kiarostami shot the film several months after the earthquake), and that it is rather a document about "fiction": not in the sense of imagining the unreal, but in the very specific and precise sense of the technique, of the art of constructing images. For the image by means of which, each time, each opens a world and precedes himself in it (s'y précède) is not pregiven (donnée toute faite) (as are those of dreams, phantasms or bad films): it is to be invented, cut and edited. Thus it is evidence, insofar as, if one day I happen to look at my street on which I walk up and down ten times a day, I construct for an instant a new evidence of my street.</span></span></blockquote>
<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">For Jean-Luc Nancy, this notion of cinema as "evidence", rather than as documentary or imagination, is tied to the way Kiarostami deals with life-and-death (cf. the remark by Geoff Andrew on ABC Africa, cited above, to the effect that Kiarostami's films are not about death but about life-and-death):</span></span><br />
<blockquote class="tr_bq">
<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Existence resists the indifference of life-and-death, it lives beyond mechanical "life," it is always its own mourning, and its own joy. It becomes figure, image. It does not become alienated in images, but it is presented there: the images are the evidence of its existence, the objectivity of its assertion. This thought—which, for me, is the very thought of this film [Life and Nothing More...]—is a difficult thought, perhaps the most difficult. It's a slow thought, always under way, fraying a path so that the path itself becomes thought. It is that which frays images so that images become this thought, so that they become the evidence of this thought—and not in order to "represent" it.</span></span></blockquote>
<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">In other words, wanting to accomplish more than just represent life and death as opposing forces, but rather to illustrate the way in which each element of nature is inextricably linked, Kiarostami has devised a cinema that does more than just present the viewer with the documentable "facts," but neither is it simply a matter of artifice. Because "existence" means more than simply life, it is projective, containing an irreducibly fictive element, but in this "being more than" life, it is therefore contaminated by mortality. Nancy is giving a clue, in other words, toward the interpretation of Kiarostami's statement that lying is the only way to truth.</span></span><br />
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<b><span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Themes of life and death</span></span></b><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works. In the Koker trilogy, these themes play a central role. As illustrated in the aftermath of the 1990 Tehran earthquake disaster, they also represent the power of human resilience to overcome and defy destruction.</span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Unlike the Koker films, which convey an instinctual thirst for survival, Taste of Cherry explores the fragility of life and focuses on how precious it is.</span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Symbols of death abound in The Wind Will Carry Us, with the scenery of the graveyard, the imminence of the old woman's passing, and the ancestors referred to early in the film by the character Farzad. Such devices prompt the viewer to reflect on the parameters of the afterlife and immaterial existence. The viewer is asked to consider what constitutes the soul, and what happens to it after death. In discussing the film, Kiarostami has said that he is the person who raises questions, rather than answers them.</span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Some film critics believe that the assemblage of light versus dark scenes in Kiarostami's film grammar, such as in Taste of Cherry and Wind Will Carry Us, suggests the mutual existence of life with its endless possibilities, and death as a factual moment of anyone's life.</span></span><br />
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<b><span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Visual and audio techniques</span></span></b><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Kiarostami's style is notable for the use of panoramic long shots, such as in the closing sequences of Life and Nothing More and Through the Olive Trees, where the audience is intentionally distanced physically from the characters in order to stimulate reflection on their fate. Taste of Cherry is punctuated throughout by shots of this kind, including distant overhead shots of the suicidal Badii's car moving across the hills, usually while he is conversing with a passenger. However, the visual distancing techniques stand in juxtaposition to the sound of the dialog, which always remains in the foreground. Like the coexistence of a private and public space, or the frequent framing of landscapes through car windows, this fusion of distance with proximity can be seen as a way of generating suspense in the most mundane of moments.</span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">This relationship between distance and intimacy, between imagery and sound, is also present in the opening sequence to The Wind Will Carry Us. Michael J. Anderson has argued that such a thematic application of this central concept of presence without presence, through using such techniques, and by often referring to characters which the viewer does not see and sometimes not hear directly affects the nature and concept of space in the geographical framework in which the world is portrayed. Kiarostami's use of sound and imagery conveys a world beyond what is directly visible and/or audible, which Anderson believes emphasizes the interconnectedness and shrinking of time and space in the modern world of telecommunications.</span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Other commentators such as film critic Ben Zipper believe that Kiarostami's work as a landscape artist is evident in his compositional distant shots of the dry hills throughout a number of his films directly impacting on his construction on the rural landscapes within his films.</span></span><br />
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<b><span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Poetry and imagery</span></span></b><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Ahmad Karimi-Hakkak, of the University of Maryland, argues that one aspect of Kiarostami's cinematic style is that he is able to capture the essence of Persian poetry and create poetic imagery within the landscape of his films. In several of his movies such as Where is the Friend's Home and The Wind Will Carry Us, classical Persian poetry is directly quoted in the film, highlighting the artistic link and intimate connection between them. This in turn reflects on the connection between the past and present, between continuity and change.</span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">The characters recite poems mainly from classical Persian poet Omar Khayyám or modern Persian poets such as Sohrab Sepehri and Forough Farrokhzad. One scene in The Wind Will Carry Us has a long shot of a wheat field with rippling golden crops through which the doctor, accompanied by the filmmaker, is riding his scooter in a twisting road. In response to the comment that the other world is a better place than this one, the doctor recites this poem of Khayyam:</span></span><br />
<blockquote class="tr_bq">
<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">They promise of houries in heaven But I would say wine is better Take the present to the promises A drum sounds melodious from distance</span></span></blockquote>
<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">However, the aesthetic element involved with the poetry goes much farther back in time and is used more subtly than these examples suggest. Beyond issues of adaptation of text to film, Kiarostami often begins with an insistent will to give visual embodiment to certain specific image-making techniques in Persian poetry, both classical and modern. This prominently results in enunciating a larger philosophical position, namely the ontological oneness of poetry and film.</span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">It has been argued that the creative merit of Kiarostami's adaptation of Sohrab Sepehri and Forough Farrokhzad's poems extends the domain of textual transformation. Adaptation is defined as the transformation of a prior to a new text. Sima Daad of the University of Washington contends that Kiarostami's adaptation arrives at the theoretical realm of adaptation by expanding its limit from inter-textual potential to trans-generic potential.</span></span><br />
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<b><span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Spirituality</span></span></b><br />
<br />
<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Kiarostami's films often reflect upon immaterial concepts such as soul and afterlife. At times, however, the very concept of the spiritual seems to be contradicted by the medium. Some film theorists have argued that The Wind Will Carry Us provides a template by which a filmmaker can communicate metaphysical reality. The limits of the frame, the material representation of a space in dialog with another that is not represented, physically become metaphors for the relationship between this world and those which may exist apart from it. By limiting the space of the mise en scène, Kiarostami expands the space of the art.</span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Kiarostami's "complex" sound-images and philosophical approach have caused frequent comparisons with "mystical" filmmakers such as Andrei Tarkovsky and Robert Bresson. While acknowledging substantial cultural differences, much of Western critical writing about Kiarostami positions him as the Iranian equivalent of such directors, by virtue of a similarly austere, "spiritual" poetics and moral commitment.<span style="font-size: small;"> </span>Some draw parallels between certain imagery in Kiarostami's films with that of Sufi concepts.</span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">While most English-language writers, such as David Sterritt and the Spanish film professor Alberto Elena, interpret Kiarostami's films as spiritual, other critics, including David Walsh and Hamish Ford, have not rated its influence in his films as lower.</span></span><br />
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<span style="font-family: Times,"Times New Roman",serif;"><span style="font-size: large;"><b><span style="line-height: 120%;">Poetry, art and photography</span></b></span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Kiarostami, along with Jean Cocteau, Satyajit Ray, Derek Jarman, and Gulzar, is s filmmaker who expresses himself in other genres, such as poetry, set designs, painting, or photography. They express their interpretation of the world and their understanding of our preoccupations and identities.</span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Kiarostami is a noted photographer and poet. A bilingual collection of more than 200 of his poems, Walking with the Wind, was published by Harvard University Press. His photographic work includes Untitled Photographs, a collection of over thirty photographs, mostly of snow landscapes, taken in his hometown Tehran, between 1978 and 2003. In 1999, He also published a collection of his poems. Kiarostami also produced Mozart's opera, Cosi fan Tutte, which premiered in Aix-en-Provence in 2003 before being performed at the English National Opera in London in 2004.</span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Riccardo Zipoli, from the Università Ca' Foscari Venezia in Venice, has studied the relations and interconnections between Kiarostami's poems and his films. The results of the analysis reveal how Kiarostami's treatment of "uncertain reality" is similar in his poems and films.<span style="font-size: small;"> </span>Kiarostami's poetry is reminiscent of the later nature poems of the Persian painter-poet, Sohrab Sepehri. On the other hand, the succinct allusion to philosophical truths without the need for deliberation, the non-judgmental tone of the poetic voice, and the structure of the poem—absence of personal pronouns, adverbs or over reliance on adjectives—as well as the lines containing a kigo (a season word) gives much of this poetry a Haikuesque characteristic.</span></span><br />
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<span style="font-family: Times,"Times New Roman",serif;"><span style="font-size: large;"><b><span style="line-height: 120%;">Views on women</span></b></span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Kiarostami had an interview with Voice of America that was controversial. He said:</span></span><br />
<blockquote class="tr_bq">
<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">...I would call this being-realistic. Being-realistic for me means that I have come to the point to say that I do not know anything about women. And no effort for understanding women could be conclusive. The final solution, in my opinion, is to love without understanding. That's the only solution. The main problem these days between men and women, in my opinion, is lack of understanding. And it is not something capable of being understood because men and women do not live in the same world. We totally belong to very different universes. Maybe this difference is rooted in hormones; or maybe social responsibilities. As you know, men's interests by their nature are on their jobs. They are very much dependent on their jobs.</span></span></blockquote>
<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">[Interviewer: Women too are interested in their jobs, aren't they?]</span></span><br />
<blockquote class="tr_bq">
<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">No; for women it is the exception not the rule. If they do not want to work they would proudly say that they want to stay home for a while and do feminine tasks. And they are very logical in saying that. But in case of a man who thinks he could take a break, the first person who gives him a break is his wife. That kind of right has never been given and considered in the world for men. In the whole history the dependency of men to his occupation is like breathing; it is not discretionary. But working is still something optional for women and this is actually very beautiful. This is not a nervous, negative, or eastern view of women; it only means that women are beautiful. Women create motivation for men to go on. If a man does a task satisfactorily it means that he receives a great energy from his woman. So how could we say that women and men are similar even in this area? I would come into agreement if you say that men are capable of having tender heart and being interested in making love as well as women. If you say such a thing, then I would say that women can work hard like men. … This phrase seems strange for any type of women specifically the one who has a husband. I earned all my gray hair. I make films based on what I see around me. Marriage is essential for all women. I don't care if women are becoming my enemy after saying this. It doesn't matter I am getting old.</span></span></blockquote>
<span style="font-family: Times,"Times New Roman",serif;"><span style="font-size: large;"><b><span style="line-height: 120%;">Reception and criticism</span></b></span></span><br />
<br />
<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Kiarostami has received worldwide acclaim for his work from both audiences and critics, and, in 1999, he was voted the most important film director of the 1990s by two international critics' polls. Four of his films were placed in the top six of Cinematheque Ontario's Best of the '90s poll. He has gained recognition from film theorists, critics, as well as peers such as Jean-Luc Godard, Nanni Moretti (who made a short film about opening one of Kiarostami's films in his theater in Rome), Chris Marker, and Ray Carney. Akira Kurosawa said of Kiarostami's films: "Words cannot describe my feelings about them ... When Satyajit Ray passed on, I was very depressed. But after seeing Kiarostami's films, I thanked God for giving us just the right person to take his place." Critically acclaimed directors such as Martin Scorsese have commented that "Kiarostami represents the highest level of artistry in the cinema." The Austrian director Michael Haneke has admired the work of Abbas Kiarostami as one of the best. In 2006, The Guardian's panel of critics ranked Kiarostami as the best contemporary non-American film director.</span></span><br />
<br />
<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Critics such as Jonathan Rosenbaum have argued that "there's no getting around the fact that the movies of Abbas Kiarostami divide audiences—in this country, in his native Iran, and everywhere else they're shown."<span style="font-size: small;"> </span>Rosenbaum argues that disagreements and controversy over Kiarostami's movies have arisen from his style of filmmaking because what in Hollywood would count as essential narrative information, is frequently missing from Kiarostami's films. Camera placement, likewise, often defies standard audience expectations. In the closing sequences of Life and Nothing More and Through the Olive Trees, the audience is forced to imagine missing scenes. In Homework and Close-Up, parts of the sound track have been masked, or drop in and out. Critics have argued that the subtlety of Kiarostami's cinematic expression is resistant to critical analysis.</span></span><br />
<br />
<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">While Kiarostami has won significant acclaim in Europe for several of his films, the Iranian government has refused to permit the screening of his films. Kiarostami has responded, "The government has decided not to show any of my films for the past 10 years... I think they don't understand my films and so prevent them being shown just in case there is a message they don't want to get out".</span></span><br />
<br />
<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">In the wake of the September 11, 2001 attacks, Kiarostami was refused a visa to attend the New York Film Festival.<span style="font-size: small;"> </span>The festival director, Richard Peña, who had invited him said, "It's a terrible sign of what's happening in my country today that no one seems to realize or care about the kind of negative signal this sends out to the entire Muslim world".<span style="font-size: small;"> </span>The Finnish film director Aki Kaurismäki boycotted the festival in protest.<span style="font-size: small;"> </span>Kiarostami had been invited by the New York International Film Festival, as well as Ohio University and Harvard University.</span></span><br />
<br />
<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">In 2005, London Film School organized a workshop as well as festival of Kiarostami's work, titled "Abbas Kiarostami: Visions of the Artist". Ben Gibson, Director of the London Film School, said, "Very few people have the creative and intellectual clarity to invent cinema from its most basic elements, from the ground up. We are very lucky to have the chance to see a master like Kiarostami thinking on his feet."</span></span><br />
<br />
<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">In 2007, the Museum of Modern Art and P.S.1 Contemporary Art Center co-organized a festival of the Kiarostami's work, titled Abbas Kiarostami: Image Maker.</span></span><br />
<br />
<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Kiarostami and his cinematic style have been the subject of several books and two films, Il Giorno della prima di Close Up (1996), directed by Nanni Moretti and Abbas Kiarostami: The Art of Living (2003), directed by Fergus Daly.</span></span><br />
<br />
<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Kiarostami is a member of the advisory board of World Cinema Foundation. Founded by the director Martin Scorsese, its goal is to find and reconstruct world cinema films that have been long neglected.</span></span><br />
<br />
<span style="font-family: Times,"Times New Roman",serif;"><span style="font-size: large;"><b><span style="line-height: 120%;">Honors and awards</span></b></span></span><br />
<br />
<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Kiarostami has won the admiration of audiences and critics worldwide and received at least seventy awards up to the year 2000. Here are some representatives:</span></span><br />
<ul>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Prix Roberto Rossellini (1992)</span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Prix Cine Decouvertes (1992)</span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;">François Truffaut Award (1993)</span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Pier Paolo Pasolini Award (1995)</span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Federico Fellini Gold Medal, UNESCO (1997)</span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Palme d'Or, Cannes Festival (1997)</span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Honorary Golden Alexander Prize, Thessaloniki Film Festival (1999)</span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Silver Lion, Venice Film Festival (1999)</span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Akira Kurosawa Award (2000)</span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Honorary doctorate, École Normale Supérieure (2003)</span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Konrad Wolf Prize (2003)</span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;">President of the Jury for Caméra d'Or Award, Cannes Festival (2005)</span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Fellowship of the British Film Institute (2005)</span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Gold Leopard of Honor, Locarno film festival (2005)</span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Prix Henri-Langlois Prize (2006)</span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Honorary doctorate, University of Toulouse (2007)</span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;">World's great masters, Kolkata Film Festival (2007)</span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Glory to the Filmmaker Award, Venice Film Festival (2008)</span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Honorary doctorate, University of Paris (2010)</span></span></li>
</ul>
<span style="font-family: Times,"Times New Roman",serif;"><span style="font-size: large;"><b><span style="line-height: 120%;">Books by Kiarostami</span></b></span></span><br />
<ul>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Havres : French translation by Tayebeh Hashemi and Jean-Restom Nasser, ÉRÈS (PO&PSY); Bilingual edition (3 June 2010) ISBN 978-2-7492-1223-4.</span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Abbas Kiarostami: Cahiers du Cinema Livres (24 October 1997) ISBN 2-86642-196-5.</span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Walking with the Wind (Voices and Visions in Film): English translation by Ahmad Karimi-Hakkak and Michael C. Beard, Harvard Film Archive; Bilingual edition (28 February 2002) ISBN 0-674-00844-8.</span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;">10 (ten): Cahiers du Cinema Livres (5 September 2002) ISBN 2-86642-346-1.</span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;">With Nahal Tajadod and Jean-Claude Carrière Avec le vent: P.O.L. (5 May 2002) ISBN 2-86744-889-1.</span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Le vent nous emportera: Cahiers du Cinema Livres (5 September 2002) ISBN 2-86642-347-X.</span></span></li>
<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;">La Lettre du Cinema: P.O.L. (12 December 1997) ISBN 2-86744-589-2.</span></span></li>
</ul>
<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Source: www.en.wikipedia.org </span></span></div>
</div>
<div class="blogger-post-footer">Persian Culture and Literature, Farhango Adabe Irâni, Персидская Культура и Литература, فرهنگ و ادب ایرانی</div>آرشام Arsham Аршамhttp://www.blogger.com/profile/10782513231420931769noreply@blogger.com0tag:blogger.com,1999:blog-2532433696096710376.post-35823886433333993032012-11-10T15:56:00.000+02:002013-04-30T19:11:42.442+03:00عباس کیارستمی Abbâs Kiyârostami<div dir="rtl" style="text-align: right;" trbidi="on">
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<span style="font-size: large; line-height: 135%;">عباس کیارستمی (زاده<span style="font-size: large;"> </span></span><span style="font-size: large; line-height: 135%;"><span style="font-size: large;"><span style="font-size: large; line-height: 135%;">ی</span></span> ۱ تیر ۱۳۱۹، تهران) فیلمنامهنویس، تهیهکننده، کارگردان، کارگردان هنری، تدوینگر و عکاس بین الملی ایرانی تبار است که آثار وی اغلب با استقبال فراوان منتقدان روبهرو شدهاست. کیارستمی از سال ۱۹۷۰ میلادی در عرصه<span style="font-size: large;"> </span></span><span style="font-size: large; line-height: 135%;"><span style="font-size: large;"><span style="font-size: large; line-height: 135%;">ی </span></span>سینما فعالیت میکند و تاکنون بیش از ۴۰ فیلم سینمایی، کوتاه و مستند ساختهاست. از مهمترین آثار وی میتوان به سهگانه </span><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;">ی</span> زلزله (۱۹۸۷ تا </span><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;">۱۹</span>۹۴)، طعم گیلاس (۱۹۹۷) و باد ما را خواهد برد (۱۹۹۹) و زیر درختان زیتون اشاره کرد. کیارستمی علاوه بر سینما در عرصههای دیگر هنری از جمله شعر،<span style="font-size: large;"> </span>عکاسی، چیدمان، موسیقی، طراحی گرافیک، طراحی و نقاشی نیز فعال است. او را باید در زمره ی سینماگران موسوم به موج نوی سینما در ایران به شمار آورد. سادگی، استفاده از کودکان به عنوان نقش اول و قهرمان داستان، سبک مستندگونه، بهرهگیری از فضاهای روستایی، حذف کارگردان، شاعرانگی و نیز مکالمه ی شخصیتها در خودرو برخی از ویژگیهای فیلمهای کیارستمی است.</span><br />
<a name='more'></a><br />
<span style="font-size: large; line-height: 135%;">کیارستمی برنده ی چندین جایزه<span style="font-size: large;"> ی</span> بزرگ سینمایی است؛ از جمله یک بار نخل طلایی جشنواره ی کن و یک بار برنده ی یوزپلنگ برنزی جشنواره ی لوکارنو شدهاست. در سال ۲۰۰۳، گاردین کیارستمی را جزو بهترین ده کارگردان معاصر دنیا (در رتبه<span style="font-size: large;"> ی</span> ششم) نامید</span><br />
<br />
<span style="font-size: x-large;"><b><span style="line-height: 135%;">زندگی</span></b></span><br />
<br />
<span style="font-size: large; line-height: 135%;">کیارستمی در سال ۱۳۱۹ در تهران به دنیا آمد. نخستین تجربه<span style="font-size: large;"> ی</span> هنری او نقاشی بود. او این هنر را تا پایان دوران نوجوانی همچنان ادامه داد تا آنجا که در سن ۱۸ سالگی توانست در یک مسابقه<span style="font-size: large;"> ی</span> نقاشی برنده<span style="font-size: large;"> ی</span> جایزه شود. وی اندکی پس از این کامیابی در دانشکده<span style="font-size: large;"> ی </span>هنرهای زیبای دانشگاه تهران پذیرفته شد. او در دانشگاه بیشتر به فراگیری نقاشی و طراحی گرافیک پرداخت و در هنگام تحصیل برای تامین هزینههای زندگی به عنوان پلیس راهنمایی رانندگی مشغول به کار شد. کیارستمی از سال ۱۳۴۰ (در دهه<span style="font-size: large;"> ی</span> ۱۹۶۰) به عنوان نقاش تبلیغاتی در «آتلیه ۷» و یکی دو مؤسسه<span style="font-size: large;"> ی</span> دیگر به کار طراحی جلد کتاب، پوستر و آگهیهای بازرگانی پرداخت، و بعدها به «تبلی فیلم» رفت. از سال ۱۳۴۶ در «سازمان تبلیغاتی نگاره» به طراحی و ساختن تیتراژ فیلم پرداخت که نخستین آنها تیتراژ فیلم «وسوسه<span style="font-size: large;"> ی</span> شیطان» ساخته<span style="font-size: large;"> ی</span> محمد زرین دست بود.</span><br />
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<span style="font-size: large; line-height: 135%;">طراحی پوستر و ساخت تیتراژ فیلمهای قیصر و رضا موتوری ساخته<span style="font-size: large;"> ی</span> مسعود کیمیایی را او انجام داد. مدتی بعد به دعوت فیروز شیروانلو، که مسئولیت «امور سینمایی کانون پرورش فکری کودکان و نوجوانان» را داشت به «کانون» رفت و در سال ۱۳۴۹ فیلم کوتاه نان و کوچه را ساخت. در سال ۱۳۵۱ فیلم زنگ تفریح را ساخت و با ساخت فیلم «مسافر» در سال ۱۳۵۳ مطرح شد. او در سینمای بعد از انقلاب پایهگذار سینمایی شد که تا به حال فیلمسازان زیادی پیرو این نوع سینما، فیلم ساخته و مطرح شدهاند. عباس کیارستمی با فیلم طعم گیلاس در سال ۱۹۹۷ جایزه ی نخل طلای جشنواره فیلم کن را هم از آن خود کردهاست.</span><br />
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<span style="font-size: large; line-height: 135%;">کیارستمی از ۱۹۶۲ تا ۱۹۶۶ روی هم رفته ۱۵۰ آگهی بازرگانی برای تلویزیون ایران ساخت. او تا پایان دهه<span style="font-size: large;"> ی</span> ۱۹۶۰ آگهی آغاز فیلمهایی همچون قیصر ساخته<span style="font-size: large;"> ی</span> مسعود کیمیایی و طرح کتابهای کودکان را انجام داد.</span><br />
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<span style="font-size: large; line-height: 135%;">کیارستمی در ۱۹۶۹ با پروین امیرقلی ازدواج کرد و در سال ۱۹۸۲ از او جدا شد. آنها از این پیوند صاحب دو پسر به نامهای احمد (زاده<span style="font-size: large;"> ی</span> ۱۹۷۱) و بهمن (</span><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;">زاده<span style="font-size: large;"> ی </span></span>۱۹۷۸) شدند. فرزند دوم او بهمن کیارستمی در سال ۱۹۹۳ در سن ۱۵ سالگی مدیر فیلمبرداری و کارگردان شد و فیلم مستند سفری به دیار مسافر را ساخت.</span><br />
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<span style="font-size: large; line-height: 135%;">کیارستمی از جمله کارگردانانی است که پس از انقلاب ۱۳۵۷ ایران در کشور باقی ماند. او بر این باور است که تصمیم به ماندن مهم ترین تصمیم او برای زندگی حرفهای اش بوده است. او میگوید که حضور همیشگی اش در ایران و ملیت ایرانی اش توانایی او در ساخت فیلم را دوچندان کرده است:</span><br />
<blockquote class="tr_bq">
<span style="font-size: large; line-height: 135%;">اگر درختی را که ریشه در خاک دارد از جایی به جای دیگر ببرید، آن درخت دیگر میوه نمیدهد و اگر بدهد آن میوه دیگر به خوبی میوهای که در سرزمین مادری اش میتواند بدهد نیست. این یک قانون طبیعت است. فکر میکنم اگر سرزمینم را رها کرده بودم درست مانند این درخت شده بودم. - عباس کیارستمی</span></blockquote>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9SzOF_K1abF0LkGEJT-yLv05YlGr8eEBfDKBDFirs6gSxeSDC_mcPxrkuT9VU81dEQI-Tx1Oop414ye_NsRz5ecnAtfVt-f-9EcpYYTUokiM9TAIjIVcFtRcD0cdPkixUp7acsonpHm-E/s1600/1.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9SzOF_K1abF0LkGEJT-yLv05YlGr8eEBfDKBDFirs6gSxeSDC_mcPxrkuT9VU81dEQI-Tx1Oop414ye_NsRz5ecnAtfVt-f-9EcpYYTUokiM9TAIjIVcFtRcD0cdPkixUp7acsonpHm-E/s400/1.JPG" width="300" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">هفت چنار چیدمان عباس کیارستمی منتخب چهارمین جشن تصویر ایران، (نصب شده در خانه </span><span style="font-size: small;"><span style="font-size: small;">ی</span> هنرمندان ایران)</span></td></tr>
</tbody></table>
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<span style="font-size: large; line-height: 135%;">کیارستمی در جشنواره<span style="font-size: large;"> </span></span><span style="font-size: large; line-height: 135%;"><span style="font-size: large;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large;">ی</span></span></span></span> فیلم سان فرانسیسکو در سال ۲۰۰۰ باعث شگفتی همگان شد. وی جایزه<span style="font-size: large;"> </span></span><span style="font-size: large; line-height: 135%;"><span style="font-size: large;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large;">ی</span></span></span></span> آکیرا کوروساوایش را برای یک عمر فعالیت هنری در سینمای ایران به بهروز وثوقی هدیه داد.<span style="font-size: large;"> </span>او به دلیل حساسیت چشمانش به نور، معمولاً با عینک تیره دیده میشود.</span><br />
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<span style="font-size: x-large;"><b><span style="line-height: 135%;">فیلمسازی</span></b></span><br />
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<span style="font-size: x-large;"><b><span style="line-height: 135%;">دهه </span><span style="line-height: 135%;"><span style="line-height: 135%;"><span style="line-height: 135%;">ی</span></span> ۱۹۷۰</span></b></span><br />
<br />
<span style="font-size: large; line-height: 135%;">در سال ۱۹۶۹ هنگامی که موج نوی سینمای ایران با فیلم گاو ساخته<span style="font-size: large;"> </span></span><span style="font-size: large; line-height: 135%;"><span style="font-size: large;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large;">ی</span></span></span></span> داریوش مهرجویی آغاز شد، کیارستمی کمک کرد تا بخشی برای فیلمسازی در کانون پرورش فکری کودکان و نوجوانان تهران ایجاد شود. فیلم دوازده دقیقهای نان و کوچه (۱۹۷۰) ساخته<span style="font-size: large;"> </span></span><span style="font-size: large; line-height: 135%;"><span style="font-size: large;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large;">ی</span></span></span></span> کیارستمی، آغازگر همکاری کانون در ساخت فیلم بود. این فیلم کوتاه <span style="font-family: Times,"Times New Roman",serif;">Neorealism</span> داستان بچه مدرسهای بیچارهای را روایت میکرد که گرفتار یک سگ وحشی شده بود. فیلم بعدی زنگ تفریح نام داشت که در سال ۱۹۷۲ ساخته شد. کم کم کانون به کارگاهی مهم برای ساخت فیلمهای ایرانی تبدیل شد و نه تنها فیلمهای کیارستمی بلکه فیلمهایی چون دونده و باشو، غریبه<span style="font-size: large;"> </span></span><span style="font-size: large; line-height: 135%;"><span style="font-size: large;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large;">ی</span></span></span></span> کوچک هم توسط همین کارگاه هنری ساخته شد.</span><br />
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<span style="font-size: large; line-height: 135%;">در دهه<span style="font-size: large;"> </span></span><span style="font-size: large; line-height: 135%;"><span style="font-size: large;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large;">ی</span></span></span></span> ۱۹۷۰ در هنگام نو شدن ادبی فرهنگی سینمای ایران، کیارستمی به فردگرایی در فیلمسازی روی آورد.<span style="font-size: large;"> </span>هنگامی که درباره<span style="font-size: large;"> </span></span><span style="font-size: large; line-height: 135%;"><span style="font-size: large;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large;">ی</span></span></span></span> نخستین فیلم او سخن به میان آمد او چنین پاسخ داد:</span><br />
<blockquote class="tr_bq">
<span style="font-size: large; line-height: 135%;">نان و کوچه نخستین تجربه<span style="font-size: large;"> </span></span><span style="font-size: large; line-height: 135%;"><span style="font-size: large;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large;">ی</span></span></span></span> سینمایی من بود و باید بگویم که بسیار دشوار بود. من مجبور بودم با یک بچه<span style="font-size: large;"> </span></span><span style="font-size: large; line-height: 135%;"><span style="font-size: large;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large;">ی</span></span></span></span> بسیار کوچک، یک سگ و یک گروه فیلم سازی غیرحرفهای البته به جز مدیر فیلمبرداری که مدام غُر میزد و اعتراض میکرد کار کنم. خوب مدیر فیلمبرداری در صحنه حق داشت چون من از روش فیلمسازی که او بدان خو گرفته بود پیروی نمیکردم.</span></blockquote>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWDkxX1e6WsiPn3oLHC9n0FPEjme_Dx62P7GWmxj17FaLlLAhYwyVnFZk7MYEKa1enXby6iO1jcxQ86VqpCptXANUC_9GLd8dANu_R3L4UMhK2xSIPfzCKz3abSOxRJfaOjDANLLIeUMKj/s1600/2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWDkxX1e6WsiPn3oLHC9n0FPEjme_Dx62P7GWmxj17FaLlLAhYwyVnFZk7MYEKa1enXby6iO1jcxQ86VqpCptXANUC_9GLd8dANu_R3L4UMhK2xSIPfzCKz3abSOxRJfaOjDANLLIeUMKj/s320/2.jpg" width="297" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">نگارهای از بچهای که در فیلم نان و کوچه ی کیارستمی بازی کرده بود. (۱۹۷۰)</span></td></tr>
</tbody></table>
<span style="font-size: large; line-height: 135%;"> کیارستمی پس از فیلم تجربه (۱۹۷۳)، فیلم مسافر را در سال ۱۹۷۴ ساخت. مسافر روایتگر داستان پسری ده ساله و پُر دردسر به نام قاسم جولایی (با بازی حسن دارابی) است که در یکی از شهرهای کوچک ایران زندگی میکند و میخواهد برای تماشای مسابقه<span style="font-size: large;"> </span></span><span style="font-size: large; line-height: 135%;"><span style="font-size: large;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large;">ی</span></span></span></span> تیم فوتبال مورد علاقهاش به تهران برود او برای این کار، دوستان و همسایگانش را هم فریب میدهد و پس از چندین ماجراجویی در نهایت به موقع به ورزشگاه تهران میرسد. این فیلم، تصمیم پسر را به عنوان هدفش؛ و کوتاهیها و بی تفاوتیهایش را به صورت تاثیر رفتار او بر دیگران بویژه نزدیکانش نمایش میدهد. این فیلم به برسی رفتار آدمی و تعادل راستی و ناراستی میپردازد.</span><br />
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<span style="font-size: large; line-height: 135%;">در ۱۹۷۵ کیارستمی دو فیلم کوتاه به نامهای من هم می تونم و دو راه حل برای یک مسئله را کارگردانی کرد. در آغاز سال ۱۹۷۶ فیلم رنگها و پس از آن فیلم پنجاه و چهار دقیقهای لباسی برای عروسی را به نمایش درآورد. لباسی برای عروسی نمایش دهنده<span style="font-size: large;"> </span></span><span style="font-size: large; line-height: 135%;"><span style="font-size: large;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large;">ی</span></span></span></span> داستان سه نوجوان است که بر سر یک لباس برای یک جشن عروسی با هم درگیر میشوند. نخستین فیلم بلند کیارستمی، فیلم ۱۱۲ دقیقهای گزارش است که در سال ۱۹۷۷ به نمایش درآمد. در این فیلم به یک ممیز مالیاتی پرداخته میشود که متهم به دریافت رشوه شده و در ادامه<span style="font-size: large;"> </span></span><span style="font-size: large; line-height: 135%;"><span style="font-size: large;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large;">ی</span></span></span></span> ماجرا یک خودکشی هم در داستان روی میدهد. کیارستمی در سال ۱۹۷۹ فیلم قضیه<span style="font-size: large;"> </span></span><span style="font-size: large; line-height: 135%;"><span style="font-size: large;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large;">ی</span></span></span></span> شکل اول، شکل دوم را ساخت.</span><br />
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<span style="font-size: x-large;"><b><span style="line-height: 135%;">ده<span style="font-size: x-large;">ه </span></span></b></span><span style="font-size: x-large;"><b><span style="line-height: 135%;"><span style="font-size: x-large; line-height: 135%;"><span style="line-height: 135%;">ی</span></span><span style="font-size: x-large;"> ۱۹۸۰</span> </span></b></span><br />
<br />
<span style="font-size: large; line-height: 135%;">کیارستمی در آغاز دهه<span style="font-size: large;"> </span></span><span style="font-size: large; line-height: 135%;"><span style="font-size: large;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large;">ی</span></span></span></span> ۱۹۸۰ چندین فیلم کوتاه را کارگردانی کرد که از جمله<span style="font-size: large;"> </span></span><span style="font-size: large; line-height: 135%;"><span style="font-size: large;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large;">ی</span></span></span></span> آنها میتوان به: بهداشت دندان (۱۹۸۰) به ترتیب یا بدون ترتیب (۱۹۸۱)، همسُرایان (۱۹۸۲) و همشهری (۱۹۸۳) اشاره کرد. کیارستمی با ساخت فیلم خانه<span style="font-size: large;"> </span></span><span style="font-size: large; line-height: 135%;"><span style="font-size: large;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large;">ی</span></span></span></span> دوست کجا است در سال ۱۹۸۷ در بیرون از ایران هم شناخته شد.</span><br />
<br />
<span style="font-size: large; line-height: 135%;">"خانه<span style="font-size: large;"> </span></span><span style="font-size: large; line-height: 135%;"><span style="font-size: large;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large;">ی</span></span></span></span> دوست کجا است" داستان سادهای درباره<span style="font-size: large;"> </span></span><span style="font-size: large; line-height: 135%;"><span style="font-size: large;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large;">ی</span></span></span></span> یک پسرمدرسهای هشت ساله<span style="font-size: large;"> </span></span><span style="font-size: large; line-height: 135%;"><span style="font-size: large;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large;">ی</span></span></span></span> باوجدان را روایت میکند که تلاش میکند دفترچه<span style="font-size: large;"> </span></span><span style="font-size: large; line-height: 135%;"><span style="font-size: large;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large;">ی</span></span></span></span> دوستش را که در روستای همسایه زندگی میکند به او بازگرداند وگرنه دوستش را از مدرسه بیرون میکنند. در طول این فیلم باورهای سنتی روستانشینان ایران نمایش داده شده است. کیارستمی این فیلم را از نگاه یک کودک میسازد. بهره گیری شاعرانه از منظرههای روستایی ایران و همچنین نشان دادن واقعیت زندگی از نکتههای مورد توجه در این فیلم است.</span><br />
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<span style="font-size: large; line-height: 135%;">منتقدان سه فیلم "خانه<span style="font-size: large;"> </span></span><span style="font-size: large; line-height: 135%;"><span style="font-size: large;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large;">ی</span></span></span></span> دوست کجا است؟" و "زندگی و دیگر هیچ" (۱۹۹۲) (یا زندگی ادامه دارد) و "زیر درختان زیتون" (۱۹۹۴) را به سه گانه<span style="font-size: large;"> </span></span><span style="font-size: large; line-height: 135%;"><span style="font-size: large;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large;">ی</span></span></span></span> کوکر تشبیه کردهاند چون هر سه فیلم روستایی به نام کوکر در ایران را به تصویر میکشد. پایه<span style="font-size: large;"> </span></span><span style="font-size: large; line-height: 135%;"><span style="font-size: large;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large;">ی</span></span></span></span> فیلم به زمینلرزه رودبار و منجیل مربوط میشود که در آن ۴۰٬۰۰۰ تن جانشان را از دست دادند. کیارستمی از نمادهای زندگی، مرگ، تغییر و دوام برای ارتباط سه فیلم استفاده میکند. این سه گانه در دهه<span style="font-size: large;"> </span></span><span style="font-size: large; line-height: 135%;"><span style="font-size: large;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large;">ی</span></span></span></span> ۱۹۹۰ در فرانسه و دیگر کشورها از جمله هلند، سوئد، آلمان و فنلاند بسیار خوش درخشید و با کامیابی روبرو شد. البته خود کیارستمی این سه فیلم را به عنوان یک سه گانه نمیشناسد بلکه میگوید دو فیلم آخر و "طعم گیلاس" (۱۹۹۷) با هم یک سه گانه را میسازند و هر سه درباره<span style="font-size: large;"> </span></span><span style="font-size: large; line-height: 135%;"><span style="font-size: large;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large;">ی</span></span></span></span> ارزش زندگی بحث میکنند. در ۱۹۸۷ کیارستمی داستان فیلم کلید را نوشت و ویرایش کرد اما آن را کارگردانی نکرد. او در ۱۹۸۹ فیلم مشق شب را به تصویر کشید.</span><br />
<br />
<span style="font-size: x-large;"><b><span style="line-height: 135%;">دهه </span><span style="line-height: 135%;"><span style="line-height: 135%;"><span style="line-height: 135%;">ی</span></span> ۱۹۹۰ </span></b></span><br />
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<span style="font-size: large; line-height: 135%;">نخستین فیلم کیارستمی در دهه<span style="font-size: large;"> </span></span><span style="font-size: large; line-height: 135%;"><span style="font-size: large;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large;">ی</span></span></span></span> ۱۹۹۰ کلوزآپ نام داشت که روایتگر یک داستان واقعی بود. داستان کلوزآپ، مربوط به فردی عاشق سینما، به نام حسین سبزیان بود که وارد یک خانواده میشود و خود را محسن مخملباف معرفی میکند. در پایان فیلم مخلملباف واقعی پیدا میشود و سبزیان در دادگاه میگوید به دلیل علاقه به سینما دست به این کار زده است. بخشهایی از این فیلم مستند و بخشی از آن استودیویی است.<span style="font-size: large;"> </span>کیارستمی برای این ساخته اش از کارگردانانی چون کوئنتین تارانتینو، مارتین اسکورسیزی، ورنر هرتزوگ، ژان لوک گدار و نانی مورتی جایزه دریافت کرد و فیلمش در سراسر اروپا به نمایش درآمد.</span><br />
<br />
<span style="font-size: large; line-height: 135%;">کیارستمی در ۱۹۹۲ فیلم "زندگی و دیگر هیچ" را ساخت. به بیان منتقدین، این فیلم یکی از سهگانه<span style="font-size: large;"> </span></span><span style="font-size: large; line-height: 135%;"><span style="font-size: large;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large;">ی</span></span></span></span> کوکر یا سهگانه<span style="font-size: large;"> </span></span><span style="font-size: large; line-height: 135%;"><span style="font-size: large;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large;">ی</span></span></span></span> زلزله بود. این فیلم درباره<span style="font-size: large;"> </span></span><span style="font-size: large; line-height: 135%;"><span style="font-size: large;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large;">ی</span></span></span></span> یک پدر و پسر است که چند روز پس از زلزله<span style="font-size: large;"> </span></span><span style="font-size: large; line-height: 135%;"><span style="font-size: large;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large;">ی</span></span></span></span> ۱۹۹۰ یا ۱۳۶۹ کوکر، از تهران به این منطقه میروند تا از سلامتی دو پسر جوان که در زلزله بودهاند، با خبر شوند. آنها در جریان سفر به این منطقه با بازماندگان زلزله روبرو میشوند که چگونه در سختی به زندگی خود ادامه میدهند. کیارستمی در آن سال برنده<span style="font-size: large;"> </span></span><span style="font-size: large; line-height: 135%;"><span style="font-size: large;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large;">ی</span></span></span></span> جایزه<span style="font-size: large;"> </span></span><span style="font-size: large; line-height: 135%;"><span style="font-size: large;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large;">ی</span></span></span></span> روبرتو روسلینی شد. این نخستین جایزه<span style="font-size: large;"> </span></span><span style="font-size: large; line-height: 135%;"><span style="font-size: large;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large;">ی</span></span></span></span> تخصصی بود که او برای کارگردانی یک فیلم دریافت میکرد.</span><br />
<br />
<span style="font-size: large; line-height: 135%;">ژان لوک گدار (کارگردان صاحب نام موج نوفرانسوی):</span><br />
<blockquote class="tr_bq">
<span style="font-size: large; line-height: 135%;">سینما با <span style="font-family: Times,"Times New Roman",serif;">D.W. Griffith</span> شروع میشود وبا عباس کیارستمی خاتمه مییابد.</span></blockquote>
<span style="font-size: x-large;"><b><span style="line-height: 135%;">دیگر فعالیتها</span></b></span><br />
<br />
<span style="font-size: large; line-height: 135%;">کیارستمی تجربههای متفاوتی در زمینههای مختلف نظیر آهنگسازی، طراحی صحنه و لباس، تدوین و حتی بازیگری داشتهاست، وی همچنین در زمینه </span><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;"><span style="font-size: large;">ی</span></span></span> عکاسی طبیعت عکاسی شناخته شدهاست همچنین به تازگی دو کتاب از ادبیات کلاسیک ایران به نامهای حافظ به روایت عباس کیارستمی و سعدی از دست خویشتن فریاد را منتشر ساختهاست.</span><br />
<br />
<span style="font-size: large; line-height: 135%;">در حراجی کریستی دبی به تاریخ ۱ مه ۲۰۰۸، عکسی از کلکسیون عکسهای عباس کیارستمی به قیمت حدود ۱۳۰ هزار دلار فروخته شد.</span><br />
<br />
<span style="font-size: x-large;"><b><span style="line-height: 135%;">آثاری درباره </span><span style="line-height: 135%;"><span style="line-height: 135%;"><span style="line-height: 135%;">ی </span></span>کیارستمی</span></b></span><br />
<br />
<span style="font-size: large; line-height: 135%;">کتاب منقارِ بازِ پرنده که در ۲۲۰ صفحه توسط آرش سنجابی نوشته شده و نقدی ست جامع بر تمام آثار سینمایی عباس کیارستمی. این کتاب را نشر کتاب آمه در بهار ۹۲ منتشر خواهد کرد.</span><br />
<br />
<span style="font-size: x-large;"><b><span style="line-height: 135%;">سانسور</span></b></span><br />
<br />
<span style="font-size: large; line-height: 135%;">مارتین اسکورسیزی با ذکر تلاش فراوان دولت ایران برای سانسور فیلم <a href="http://arian7000.blogspot.com/2012/11/dah-ten.html#more">ده</a> از این موضوع انتقادکرد و گفت که سانسور هیچ گاه خوب نخواهد بود. در سال ۱۹۷۷ میلادی وزارت آموزش وپرورش وقت خواستار آن شد که قسمتی از فیلم کیارستمی که زنان به صورت محجبه بودند حذف شود با مخالفت کیارستمی با این حذف، از نمایش فیلم جلوگیری شد پس از انقلاب ۱۳۵۷ نیز صحنههای دوباره گرفته شده بدون حجاب فیلم به نمایش در نیامد. فیلم <a href="http://arian7000.blogspot.com/2012/11/dah-ten.html#more">ده</a> درفهرست برترین فیلم های جهان سینما قراردارد.</span><br />
<br />
<span style="font-size: x-large;"><b><span style="line-height: 135%;">عقاید سیاسی</span></b></span><br />
<br />
<span style="font-size: large; line-height: 135%;">کیارستمی با اشاره به دو مشارکت سیاسی خود در سن ۱۵ سالگی و همچنین در انقلاب سال ۱۳۵۷، گفتهاست که دیگر هیچگاه مشارکت سیاسی نخواهد داشت او همچنین انقلاب را با انگیزههای مشروع ولی غیر عقلانی واحساسی میداند که باعث از بین رفتن قانونگرایی میشود. او در مصاحبهای در سال ۲۰۰۷ درباره محمود احمدی نژاد میگوید: من فکر میکنم او کارش را خوب انجام نداد. او با وعده رفع مشکلات اقتصادی به قدرت رسید که هیچکدام از آنها را عملی نکرد. درجواب نامه سرگشاده بهمن قبادی به عباس کیارستمی، کیارستمی اذعان داشت که وی بافیلم های شعاری سیاسی موافق نیست چون فیلم های سیاسی تاریخ مصرف دارند وارزش هنر را پایین می آورند.</span><br />
<br />
<span style="font-size: x-large;"><b><span style="line-height: 135%;">فیلمشناسی کارگردان</span></b></span><br />
<ul>
<li><span style="font-size: large; line-height: 135%;">نان و کوچه (فیلم کوتاه) (۱۳۴۹)</span></li>
<li><span style="font-size: large; line-height: 135%;">زنگ تفریح (فیلم کوتاه) (۱۳۵۱)</span></li>
<li><span style="font-size: large; line-height: 135%;">تجربه (۱۳۵۲)</span></li>
<li><span style="font-size: large; line-height: 135%;">مسافر (۱۳۵۳)</span></li>
<li><span style="font-size: large; line-height: 135%;">من هم میتوانم (۱۳۵۴)</span></li>
<li><span style="font-size: large; line-height: 135%;">دو راه حل برای یک مسئله (فیلم کوتاه) (۱۳۵۴)</span></li>
<li><span style="font-size: large; line-height: 135%;">رنگها (فیلم کوتاه) (۱۳۵۵)</span></li>
<li><span style="font-size: large; line-height: 135%;">لباسی برای عروسی (۱۳۵۵)</span></li>
<li><span style="font-size: large; line-height: 135%;">از اوقات فراغت خود چگونه استفاده کنیم: نقاشی (۱۳۵۶)</span></li>
<li><span style="font-size: large; line-height: 135%;">گزارش (۱۳۵۶)</span></li>
<li><span style="font-size: large; line-height: 135%;">بزرگداشت معلمها (۱۳۵۶)</span></li>
<li><span style="font-size: large; line-height: 135%;">راهها (۱۳۵۷)</span></li>
<li><span style="font-size: large; line-height: 135%;">قضیه شکل اول، شکل دوم (۱۳۵۸)</span></li>
<li><span style="font-size: large; line-height: 135%;">بهداشت دندان (فیلم کوتاه) (۱۳۵۹)</span></li>
<li><span style="font-size: large; line-height: 135%;">به ترتیب یا بدون ترتیب (فیلم کوتاه) (۱۳۶۰)</span></li>
<li><span style="font-size: large; line-height: 135%;">همسرایان (فیلم کوتاه) (۱۳۶۱)</span></li>
<li><span style="font-size: large; line-height: 135%;">همشهری (۱۳۵۸)</span></li>
<li><span style="font-size: large; line-height: 135%;">آ. ب. ث. آفریقا محصول سال ۲۰۰۱ ایران و فرانسه است</span></li>
<li><span style="font-size: large; line-height: 135%;">دندان درد (فیلم کوتاه) (۱۳۶۲)</span></li>
<li><span style="font-size: large; line-height: 135%;">اولیها (۱۳۶۳)</span></li>
<li><span style="font-size: large; line-height: 135%;">خانه ی دوست کجاست؟ (۱۳۶۶)</span></li>
<li><span style="font-size: large; line-height: 135%;">کلید (۱۳۶۶)</span></li>
<li><span style="font-size: large; line-height: 135%;">مشق شب (۱۳۶۸)</span></li>
<li><span style="font-size: large; line-height: 135%;">کلوزآپ (۱۳۶۹)</span></li>
<li><span style="font-size: large; line-height: 135%;">زندگی و دیگر هیچ (۱۳۷۰)</span></li>
<li><span style="font-size: large; line-height: 135%;">سفری به دیار<span style="font-size: large;"> </span>مسافر (۱۳۷۲)</span></li>
<li><span style="font-size: large; line-height: 135%;">زیر درختان زیتون (۱۳۷۳)</span></li>
<li><span style="font-size: large; line-height: 135%;">سفر (۱۳۷۳)</span></li>
<li><span style="font-size: large; line-height: 135%;">طعم گیلاس (۱۳۷۶)</span></li>
<li><span style="font-size: large; line-height: 135%;">باد ما را خواهد برد (۱۳۷۸)</span></li>
<li><span style="font-size: large; line-height: 135%;">آ. ب. ث. آفریقا (۱۳۸۰)<span id="goog_9602771"></span><span id="goog_9602772"></span></span></li>
<li><span style="font-size: large; line-height: 135%;"><a href="http://arian7000.blogspot.com/2012/11/dah-ten.html#more">ده</a> (۱۳۸۱)</span></li>
<li><span style="font-size: large; line-height: 135%;">پنج (۱۳۸۲)</span></li>
<li><span style="font-size: large; line-height: 135%;">۱۰ روی ده (۱۳۸۳)</span></li>
<li><span style="font-size: large; line-height: 135%;">جادههای کیارستمی (فیلم کوتاه) (۱۳۸۴)</span></li>
<li><span style="font-size: large; line-height: 135%;">بلیتها (۱۳۸۴)</span></li>
<li><span style="font-size: large; line-height: 135%;">کجاست جای رسیدن؟ (فیلم کوتاه) (۱۳۸۶)</span></li>
<li><span style="font-size: large; line-height: 135%;">رومئوی من کجاست؟ (یکی از اپیزودهای هر کس سینمای خودش) (۲۰۰۷ میلادی)</span></li>
<li><span style="font-size: large; line-height: 135%;">شیرین (۱۳۸۷)</span></li>
<li><span style="font-size: large; line-height: 135%;">کپی برابر اصل (۲۰۰۹ میلادی)</span></li>
<li><span style="font-size: large; line-height: 135%;">مثل یک عاشق (۲۰۱۲ میلادی)</span></li>
</ul>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5tqL66fzS2voF7Dq0PuwIi2XiiTqVixGne2ByDAW-iH0RxzWwsbC3m_ClQ-Z9SH39CDHahUFVJfdQ_gcOn9UFNiasEi7Bk791_7fyn4mefAGSxF6Ws1Df0orzHf3FXXsAH_bjw6wqKspC/s1600/3.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5tqL66fzS2voF7Dq0PuwIi2XiiTqVixGne2ByDAW-iH0RxzWwsbC3m_ClQ-Z9SH39CDHahUFVJfdQ_gcOn9UFNiasEi7Bk791_7fyn4mefAGSxF6Ws1Df0orzHf3FXXsAH_bjw6wqKspC/s1600/3.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">آ. ب. ث. آفریقا محصول سال ۲۰۰۱ ایران و فرانسه است</span></td></tr>
</tbody></table>
<span style="font-size: x-large;"><b><span style="line-height: 135%;">نویسنده</span></b></span></div>
<div style="text-align: justify;">
<ul>
<li><span style="font-size: large; line-height: 135%;">گزارش (۱۳۵۶)</span></li>
<li><span style="font-size: large; line-height: 135%;">اولیها (۱۳۶۳)</span></li>
<li><span style="font-size: large; line-height: 135%;">کلید (۱۳۶۴)</span></li>
<li><span style="font-size: large; line-height: 135%;">خانه ی دوست کجاست؟ (۱۳۶۵)</span></li>
<li><span style="font-size: large; line-height: 135%;">کلوزآپ (۱۳۶۸)</span></li>
<li><span style="font-size: large; line-height: 135%;">زندگی و دیگر هیچ (۱۳۷۰)</span></li>
<li><span style="font-size: large; line-height: 135%;">سفری به دیار مسافر (۱۳۷۲)</span></li>
<li><span style="font-size: large; line-height: 135%;">زیر درختان زیتون (۱۳۷۲)</span></li>
<li><span style="font-size: large; line-height: 135%;">سفر (۱۳۷۳)</span></li>
<li><span style="font-size: large; line-height: 135%;">بادکنک سفید (۱۳۷۳)</span></li>
<li><span style="font-size: large; line-height: 135%;">طعم گیلاس (۱۳۷۶)</span></li>
<li><span style="font-size: large; line-height: 135%;">بید و باد (۱۳۷۷)</span></li>
<li><span style="font-size: large; line-height: 135%;">باد ما را خواهد برد (۱۳۷۸)</span></li>
<li><span style="font-size: large; line-height: 135%;">طلای سرخ (۱۳۸۲)</span></li>
<li><span style="font-size: large; line-height: 135%;"><a href="http://arian7000.blogspot.com/2012/11/dah-ten.html#more">ده</a> (۱۳۸۰)</span></li>
<li><span style="font-size: large; line-height: 135%;">بلیتها (۱۳۸۳)</span></li>
<li><span style="font-size: large; line-height: 135%;">جادههای کیارستمی (۱۳۸۴)</span></li>
<li><span style="font-size: large; line-height: 135%;">کپی برابر اصل (۲۰۰۹ میلادی)</span></li>
<li><span style="font-size: large; line-height: 135%;">مثل یک عاشق (۲۰۱۲ میلادی)</span></li>
</ul>
<span style="font-size: x-large;"><b><span style="line-height: 135%;">جوایز</span></b></span></div>
<div style="text-align: justify;">
<ul>
<li><span style="font-size: large; line-height: 135%;">جایزه ی ویژه ی هیات داوران جشنواره ی بینالمللی فیلمهای کودکان و نوجوانان تهران ۱۹۷۰</span></li>
<li><span style="font-size: large; line-height: 135%;">جایزه ی اول بخش روایی چهارمین جشنواره ی بینالمللی فیلم جیفونی ایتالیا برای فیلم تجربه ۱۹۷۴</span></li>
<li><span style="font-size: large; line-height: 135%;">جایزه ی ویژه ی هیات داوران نهمین جشنواره ی بینالمللی فیلم کودکان و نوجوانان تهران برای فیلم مسافر ۱۹۷۴ </span></li>
<li><span style="font-size: large; line-height: 135%;">جایزه ی تلویزیون ملی ایران در نهمین جشنواره ی بینالمللی فیلم کودکان و نوجوانان تهران برای فیلم مسافر ۱۹۷۴ </span></li>
<li><span style="font-size: large; line-height: 135%;">دیپلم افتخار منتقدان، یازدهمین جشنواره ی بینالمللی فیلم کودکان و نوجوانان تهران برای فیلم لباسی برای عروسی ۱۹۷۶ </span></li>
<li><span style="font-size: large; line-height: 135%;">جایزه ی اول جشنواره ی فیلمهای آموزشی مکزیکو برای فیلم دو راه حل برای یک مساله ۱۹۷۶ </span></li>
<li><span style="font-size: large; line-height: 135%;">نامزد نخل طلایی جشنواره ی کن برای فیلم زیر درختان زیتون ۱۹۹۴ </span></li>
<li><span style="font-size: large; line-height: 135%;">برنده ی نخل طلایی جشنواره ی کن برای فیلم طعم گیلاس ۱۹۹۷ </span></li>
<li><span style="font-size: large; line-height: 135%;">نامزد شیر طلایی جشنواره ی ونیز برای فیلم "باد ما را خواهد برد" ۱۹۹۹ </span></li>
<li><span style="font-size: large; line-height: 135%;">برنده ی جایزه ی ویژه ی هیات داوران جشنواره ی ونیز برای فیلم "باد ما را خواهد برد" ۱۹۹۹ </span></li>
<li><span style="font-size: large; line-height: 135%;">نامزد نخل طلایی جشنواره ی کن برای فیلم "<a href="http://arian7000.blogspot.com/2012/11/dah-ten.html#more">ده</a>" ۲۰۰۲ </span></li>
<li><span style="font-size: large; line-height: 135%;">دریافت دکترای افتخاری دانشسرای عالی پاریس (اکول نرمال سوپریور)</span></li>
<li><span style="font-size: large; line-height: 135%;">دریافت دکترای افتخاری از دانشگاه تولوز فرانسه</span></li>
<li><span style="font-size: large; line-height: 135%;">دریافت نشان شوالیه ی ادب و هنر وزارت فرهنگ فرانسه</span></li>
</ul>
<span style="font-size: x-large;"><b><span style="line-height: 135%;">دستیاران کیارستمی</span></b></span></div>
<div style="text-align: justify;">
<ul>
<li><span style="font-size: large; line-height: 135%;">علیرضا انصاریان</span></li>
<li><span style="font-size: large; line-height: 135%;">جعفر پناهی</span></li>
<li><span style="font-size: large; line-height: 135%;">حسن یکتاپناه</span></li>
<li><span style="font-size: large; line-height: 135%;">بهمن قبادی</span></li>
<li><span style="font-size: large; line-height: 135%;">بهمن کیارستمی</span></li>
</ul>
<span style="font-size: large; line-height: 135%;"> <span style="font-size: small;">برگرفته از: www.fa.wikipedia.org</span></span><br />
<ul>
</ul>
<ul>
</ul>
</div>
</div>
<div class="blogger-post-footer">Persian Culture and Literature, Farhango Adabe Irâni, Персидская Культура и Литература, فرهنگ و ادب ایرانی</div>آرشام Arsham Аршамhttp://www.blogger.com/profile/10782513231420931769noreply@blogger.com0tag:blogger.com,1999:blog-2532433696096710376.post-36544950998747089162012-11-07T22:02:00.000+02:002013-04-26T15:59:52.576+03:00ده | Dah | Ten<div dir="rtl" style="text-align: right;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTy545Q6IQbVyM142frvfBOn1HkF24TwQsh-rDth17JGfeyZ4vu2ubCMH5VODILkwyuHOxZINMVZAo9uPGt_6WdFDHodcgKyHvnqtsLuWKeQlj0dzOVqaVY9lr1UhHUc0Em4QGdT3xiklv/s1600/Dah.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTy545Q6IQbVyM142frvfBOn1HkF24TwQsh-rDth17JGfeyZ4vu2ubCMH5VODILkwyuHOxZINMVZAo9uPGt_6WdFDHodcgKyHvnqtsLuWKeQlj0dzOVqaVY9lr1UhHUc0Em4QGdT3xiklv/s1600/Dah.jpg" /></a></div>
<div style="text-align: justify;">
<span style="font-size: large; line-height: 135%;">ده فیلمی است ایرانی ساخته </span><span style="font-size: large; line-height: 135%;"><span style="font-size: large; line-height: 135%;">ی </span><a href="http://arian7000.blogspot.com/2012/11/abbas-kiyarostami.html">عباس کیارستمی</a> که در سال ۱۳۸۰ خورشیدی ساخته شد.</span><br />
<br />
<b><span style="font-size: large; line-height: 135%;">خلاصه </span></b><span style="font-size: large; line-height: 135%;"><b><span style="font-size: large; line-height: 135%;">ی</span> فیلم:</b> در فیلم ده یک زن درون خودرویی نشستهاست و در ده سکانس با ده شخص گفتگوهایی انجام میدهد و نمایی از زندگی زن امروزی در ایران را نشان میدهد. در این فیلم شخصیت اصلی داستان با پسرش، خواهرش، یک عروس آینده، یک فاحشه و زنی که به دنبال خواندن نماز است گفتگو میکند.</span><br />
<a name='more'></a><br />
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<span style="font-size: x-large;"><b><span style="line-height: 135%;">درباره </span><span style="line-height: 135%;"><span style="line-height: 135%;"><span style="line-height: 135%;">ی</span></span> فیلم</span></b></span><br />
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<li><span style="font-size: large; line-height: 135%;">فروش ویدیویی فیلم در آمریکا بیش از ۱۰۰ هزار دلار گزارش شدهاست.</span></li>
<li><span style="font-size: large; line-height: 135%;">طی یک نظرخواهی که توسط فهرست مجله امپایر در سال ۲۰۰۸ از میان ده هزار سینمارو صورت گرفت، فیلم ده در فهرست ۵۰۰ فیلم برتر تاریخ سینما و در رده ۴۴۷ قرار گرفت.</span></li>
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">10 (Persian: ده Dah) is a 2002 Iranian film directed by Abbas Kiarostami and starring Mania Akbari. It was nominated for the Palme d'Or at the 2002 Cannes Film Festival and ranks at number 447 on Empire magazine's 2008 list of the 500 greatest movies of all time.</span></span><br />
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<span style="font-family: Times,"Times New Roman",serif;"><span style="font-size: large;"><b><span style="line-height: 120%;">Plot</span></b></span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">It is divided into ten scenes, each of which depict a conversation between an unchanging female driver (played by Mania Akbari) and a variety of passengers as she drives around Tehran. Her passengers include her young son (played by Akbari's real life son, Amin Maher), her sister, a bride, a prostitute, and a woman on her way to prayer. One of the major plots during the film is the driver's divorce from her (barely seen) husband, and the conflict that this causes between mother and son.</span></span><br />
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<span style="font-size: large;"><span style="font-family: Times,"Times New Roman",serif;"><b><span style="line-height: 120%;">Film details</span></b></span></span><br />
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Many of the cast were untrained as actors, and the film has an improvisatory element. Elements of the characters were based on the actual life of the main actress and her son. The film was recorded on two digital cameras, one attached to each side of a moving car, showing the driver and passenger respectively. The film explores personal social problems arising in Iranian society, particularly the problems of women.</span></span><br />
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<span style="font-family: Times,"Times New Roman",serif;"><span style="font-size: large;"><b><span style="line-height: 120%;">Trivia</span></b></span></span><br />
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<li><span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Ranked #47 in Empire magazines "The 100 Best Films Of World Cinema" in 2010.</span></span></li>
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<span style="font-size: large; line-height: 120%;"><span style="font-size: small;">Source: www.wikipedia.org</span></span></div>
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<span style="font-size: large; line-height: 135%;"><span style="font-family: Times,"Times New Roman",serif;"><span style="font-size: x-large;"><a href="http://forum.iranproud.com/download-movie-iranian-movies-10-c8-f1258" target="_blank">بارگیری Download</a></span></span> </span></div>
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<div class="blogger-post-footer">Persian Culture and Literature, Farhango Adabe Irâni, Персидская Культура и Литература, فرهنگ و ادب ایرانی</div>آرشام Arsham Аршамhttp://www.blogger.com/profile/10782513231420931769noreply@blogger.com0